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Richard Haining, STACKED Contemporary Wooden Vessel, California Redwood
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$16,250
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£12,478.44
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€14,314.73
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CA$22,833.16
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A$25,571.69
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CHF 13,342.89
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MX$312,347.26
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NOK 169,760.40
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SEK 160,019.53
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DKK 106,829.11
About the Item
This STACKED Vessel was selected by the Brooklyn Museum for the “Brooklyn Artist's Exhibition” which was on view from October 4, 2024 - January 26, 2025.
Richard’s work is driven by the concept of renewal—transforming salvaged materials into functional & decorative art that embodies beauty, craftsmanship, & environmental mindfulness. As an artist, he’s dedicated to this intersection—working exclusively with wood salvaged from from around NYC; from offcuts & scraps from local workshops to discarded old-growth lumber from prewar buildings. Richard, reimagines these materials, destined for landfills, is an act of renewal honoring the material’s history & its potential for a new life. These materials are found in various shapes & conditions, requiring significant time to transform it into something consistent and usable. Then, piece by individual piece, layer upon layer, he guides the wood into the desired shape, something akin to a coiled ceramic pot. Once constructed, he refines the surfaces by hand, revealing imperfections: mineral stains, contrasting heartwood and sapwood, knots, century-old nail holes—marks of the wood’s history.
This Vessel entitled ‘Brooklyn’, with it’s fluted neck, the ovoid body with fully integrated handles, all sitting upon the fluted circular base was inspired by objects ranging from Classical Antiquity to East Asian design, 17th-century European Craftsmanship, the Italian Renaissance, among others. Richard made this vessel from California Redwood salvaged from decommission NYC Water Towers. The rich variety of tones and colors found in in this piece is the result of decades of exposure to the elements and seasonal changes, affecting the absorption of minerals from the tanks water creates the dark maroons and blacks, while other areas towards the exterior of the tower maintain the wood’s natural rosy tones.
- Creator:Richard Haining (Maker)
- Dimensions:Height: 32.5 in (82.55 cm)Width: 18.5 in (46.99 cm)Depth: 10.25 in (26.04 cm)
- Style:Modern (In the Style Of)
- Materials and Techniques:Cedar,Ceramic,Ebony,Fir,Hardwood,Maple,Oak,Pottery,Reclaimed Wood,Scrap Wood,Spruce,Walnut,Wood,Blackened,Carved,Ebonized,Hand-Carved,Hand-Crafted,Hand-Woven,Joinery,Laminated,Mosaic,Oiled,Parquetry,Patchwork,Polished,Turned,Varnished,Woodwork
- Place of Origin:
- Period:
- Date of Manufacture:2024
- Production Type:New & Custom(One of a Kind)
- Estimated Production Time:Available Now
- Condition:
- Seller Location:Brooklyn, NY
- Reference Number:1stDibs: LU2918343495042
Richard Haining
Richard Haining is a Brooklyn-based studio furniture maker and artist. Raised in Atlanta and educated at the Rhode Island School of Design, he is committed to responsible design that is elegantly hand-crafted with a modern sensibility. Blurring the line between function and fine art, Richard works with designers, trade professionals, and residential clients alike; custom tailoring each piece to suit each client’s specific needs. Whether creating a decorative vase, a custom cabinet, or executing a client's design, Richard’s meticulous attention to detail results in finished pieces that are both utilitarian and beautiful. Much of his current work is directly influenced by the over-abundance of waste and scrap wood being discarded around him. He finds beauty in the knots, century-old nail holes, mineral stains, and other “defects” that are part of that tree’s history, a fingerprint of time since passed, a natural beauty to be celebrated. These locally salvaged remnants became the building blocks for his ‘Stacked’ collection of decorative vessels and furniture pieces. The one of a kind patterns created by the tiny stacked wooden pieces achieve a quality reminiscent of mosaic tile work, basketry, and ceramics. In a world that tends to shun manual labor, Richard finds pure joy in the art of working with his hands. The ritual of creating each individual piece is a very gratifying experience for him, and it is his wish that the recipients of his work experience the same delight.
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