Molded Vases

A fine and rare pâte de verre Vase Crabes et Algues by Gabriel Argy-Rousseau, made in Paris, ca. 1920. Three iterations of a nicely modeled crabe vert cover the sides of this kiln fo...

An attractive late 19th Century French cameo glass vase decorated with deep red and burgundy flowers against a variegating yellow field. Exhibiting excellent detail and colour, signe...

A striking early 20th Century Art Deco glass vase the top etched with deep burgundy hanging flowers and a warm orange honey comb pattern rising from the bottom against a vibrant yell...

Charles Graffart & René Delvenne Val Saint Lambert, Art deco vase "Romeo" 1935 Superb art deco vase model "Roméo" from the Luxval series designed by Charles Graffart & René Delvenn...

A beautiful midcentury Murano art glass vase attributed to Mandruzzato, circa 1980s. The combination of ocean blue and the textured clear 'Sommerso' ice glass looks simply stunning. ...

An important glass vessel, designed by René Lalique in 1920 and made in his workshop in Wingen on the river Moder in the 1920ties. In the catalogue the piece is listed as a shallow v...

"Montbrecia Vase" by Daum Frères An attractive early 20th Century cabinet cameo glass vase of solifleur form etched and enamelled with a floral landscape. The design heightened with...

Vase "Chevaux" (Horses) made in grey glass with white patina by René Lalique in 1930. Stamped signature on bottom. Perfect condition. Rare model in this color. height: 18,5 cm Fé...

Art Déco belgian glazed pottery/ceramic Charles Catteau-like vase by Boch Freres Keramis By: Boch Freres Keramis, Charles Catteau (in the style of) Material: ceramic, pottery, paint...

René Lalique "Sauges" vase made in 1923 in molded emerald green glass. Engraved signature on bottom. Perfect condition. Exceptional color. height : 25,5 cm Félix Marcilhac, René ...

Val Saint Lambert, sculpted crystal vase with amethyst core, Belgium. Heavy Val Saint Lambert crystal vase catalogued in the 1950s. The central amethyst color (a traditional favori...

This 2 Handles Lézards vase is very particular in R.Lalique large inventory of Lalique's vases . The white glass body has been adorned with 2 hand blown applications in which the de...

Vase "Glycines" (Wisteria) made in multilayer purple and white cameo acid-etched glass. Molded signature. Perfect condition.  height : 33 cm

A gorgeous Art Deco opalescent glass salver decorated with eight fan-like flowering carnation blooms flanked by leafy fronds arranged in a circle, exhibiting a strong sky blue opales...

Vase "Sauterelles" made in electric blue glass with white patina by Rene Lalique in 1912. Engraved signature. Perfect condition. Exceptional and extremely rare color. height : 27...

Vase "Sauterelles" made in emerald green glass with white patina by Rene Lalique in 1912. Engraved signature. Perfect condition. Exceptional and extremely rare color. height : 27...

An unusual and striking mid-century modern 1950s fat lava floor vase by the renowned West German pottery maker Jasba Keramik. The company was founded in 1926 by Jakob Schwaderlapp in...

Created out of a playful approach to materiality and form, this item is a ceramic vase as well as a sculptural piece. The designer Julien Renault chose to mainly follow his intuition...

A deep blue Jasperware bud vase, attributed to Schafer and Vater, circa 1890-1900. In 1890, Gustav Schaefer and Gunther Vater founded the Schaefer & Vater...

A very rare signed pair of Faience vases produced by the prestigious French Gien factory, with a unique enameling technique called "Emaux chagrin" = painful enamels, because of the difficulty and time-consuming craftsmanship. The background consists of hand-applied enamel, a mixture of real gold, and chocolate brown colored clay. Then these museum pieces are hand decorated on both sides with gold leaf: antiquity decor with detailed armored knights...

The Chamois vase was created in 1931 by R.Lalique in white Glass. This example is in Céladon colored glass which is an unusual color R.Lalique used little . The green glass is luxes...

Tapio Wirkkala still-mold blown crystal "Iceberg" vase. Hand Incised signature to underside: [Tapio Wirkkala 3825]. Measures 7¾ H × 8 W × 7 D in...

An attractive late 19th Century French cameo glass souffle vase decorated with raised deep red and burgundy flowers against a variegating yellow field. Exhibiting excellent detail an...

R.lalique entered history as a art nouveau jeweler. He designed exquisite jewels for the famous Sarah Bernard and other celebrities of its time amongst whom his patron, Galoust Gulbenkian. He was part of the 1900 exhibition held in Paris where he out passed the other competitors . At the demand of the perfume maker Coty, Lalique created his first perfume bottle which turned out to be a success at once . The Bacchantes vase...

LALIQUE, NEMOURS cup in molded-pressed Crystal 2.1 Kg Enamelled with 240 points of hand-applied black enamel in reference to the poppy flower. Very good condition   

A deep blue Jasperware bud vase, attributed to Schafer and Vater, circa 1890-1900. In 1890, Gustav Schaefer and Gunther Vater founded the Schaefer & Vater...

The Archer vase was created in 1921 by R.Lalique in white glass. This vase is in deep colored orange glass and made of different layers of glass , opale...

Vase "Ronces" made in cased opalescent glass with blue patina by René Lalique in 1921. Engraved signature. Perfect condition. very nice patina. height: 23.5 cm Félix Marcilhac, R...

Vase "Monnaie du Pape" made in frosted glass with blue green patina by René Lalique in 1914. Molded signature. Perfect condition. Sublime color. Height: 23.5 cm. Félix ...

This is a Lalique Crystal “Grand Ducs” Owl flower vase. It depicts a large round bowl that is supported by the frosted crystal heads of four owls. Then, they are attached to a clear crystal square base...

Early Glass Vase by Alvar Aalto Additional Information: Material: Glass blown in wooden mould Style: Mid century, Scandinavian Produced in Finland Signed Alvar Aalto 3030...

Vase "Baies" made in frosted glass with original heated brown enamel by Rene Lalique in 1924. Molded signature on bottom. Perfect condition. Exceptional enamel. height : 26,5 cm ...

The Lilas vase was created in 1930 by R.Lalique in white glass. This example is in white and green patinated glass and is signed in sand blasted block letters . The vase is in exce...

Vase "Borneo" made clear and frosted glass with original green heated enamel by René Lalique in 1930. Stamped signature. Perfect condition. Very beautiful enamel and rare model. he...

A striking early 20th Century Art Deco French glass plate, the frosted surface with geometric engraved pattern and raised scallop shells exhibiting fine deep sky blue opalescent colo...

An impressive early 20th Century American iridescent glass vase of slender form with green hearts shining through an attractive golden iridescence, signed L C Tiffany Favrile and numbered to base. ADDITIONAL INFORMATION Height: 23 cm Condition: Very Good Condition Circa: 1905 Materials: Iridescent Coloured Glass SKU: 6667 ABOUT Louis Comfort Tiffany Louis Comfort Tiffany (February 18, 1848 – January 17, 1933) was an American artist and designer who worked in the decorative arts and is best known for his work in stained glass. He is the American artist most associated with the Art Nouveau and Aesthetic movements. Tiffany was affiliated with a prestigious collaborative of designers known as the Associated Artists, which included Lockwood de Forest, Candace Wheeler, and Samuel Colman. Tiffany designed stained glass windows and lamps, glass mosaics, blown glass, ceramics, jewellery, enamels and metalwork. Early Life He was born in New York City, New York, the son of Charles Lewis Tiffany, founder of Tiffany and Company; and Harriet Olivia Avery Young. He attended school at Pennsylvania Military Academy in West Chester, Pennsylvania, and Eagleswood Military Academy in Perth Amboy, New Jersey. His first artistic training was as a painter, studying under George Inness in Eagleswood, New Jersey and Samuel Colman in Irvington, New York. He also studied at the National Academy of Design in New York City in 1866-67 and with salon painter Leon-Adolphe-Auguste Belly in 1868-69. Belly’s landscape paintings had a great influence on Tiffany. Career Louis started out as a painter, but became interested in glassmaking from about 1875 and worked at several glasshouses in Brooklyn between then and 1878. In 1879, he joined with Candace Wheeler, Samuel Colman and Lockwood de Forest to form Louis Comfort Tiffany and Associated American Artists. The business was short-lived, lasting only four years. The group made designs for wallpaper, furniture, and textiles. He later opened his own glass factory in Corona, New York, determined to provide designs that improved the quality of contemporary glass. Tiffany’s leadership and talent, as well as his father’s money and connections, led this business to thrive. In 1881 Tiffany did the interior design of the Mark Twain House in Hartford, Connecticut, which still remains, but the new firm’s most notable work came in 1882 when President Chester Alan Arthur refused to move into the White House until it had been redecorated. He commissioned Tiffany, who had begun to make a name for himself in New York society for the firm’s interior design work, to redo the state rooms, which Arthur found charmless. He worked on the East Room, the Blue Room, the Red Room, the State Dining Room and the Entrance Hall, refurnishing, repainting in decorative patterns, installing newly designed mantelpieces, changing to wallpaper with dense patterns and, of course, adding Tiffany glass to gaslight fixtures, windows and adding an opalescent floor-to-ceiling glass screen in the Entrance Hall. The Tiffany screen and other Victorian additions were all removed in the Roosevelt renovations of 1902, which restored the White House interiors to Federal style in keeping with its architecture. A desire to concentrate on art in glass led to the breakup of the firm in 1885 when Tiffany chose to establish his own glassmaking firm that same year. The first Tiffany Glass Company was incorporated December 1, 1885 and in 1902 became known as the Tiffany Studios. In the beginning of his career, he used cheap jelly jars and bottles because they had the mineral impurities that finer glass lacked. When he was unable to convince fine glassmakers to leave the impurities in, he began making his own glass. Tiffany used opalescent glass in a variety of colors and textures to create a unique style of stained glass. He developed the “copper foil” technique, which, by edging each piece of cut glass in copper foil and soldering the whole together to create his windows and lamps, made possible a level of detail previously unknown. This can be contrasted with the method of painting in enamels or glass paint on colorless glass, and then setting the glass pieces in lead channels, that had been the dominant method of creating stained glass for hundreds of years in Europe. (The First Presbyterian Church building of 1905 in Pittsburgh, Pennsylvania is unique in that it uses Tiffany windows that partially make use of painted glass.) Use of the colored glass itself to create stained glass pictures was motivated by the ideals of the Arts and Crafts movement and its leader William Morris in England. Fellow artists and glassmakers Oliver Kimberly and Frank Duffner, founders of the Duffner and Kimberly Company and John La Farge were Tiffany’s chief competitors in this new American style of stained glass. Tiffany, Duffner and Kimberly, along with La Farge, had learned their craft at the same glasshouses in Brooklyn in the late 1870s. In 1889 at the Paris Exposition, he is said to have been “Overwhelmed” by the glass work of Émile Gallé, French Art Nouveau artisan. He also met artist Alphonse Mucha. In 1893, Tiffany built a new factory called the Stourbridge Glass Company, later called Tiffany Glass Furnaces, which was located in Corona, Queens, New York, hiring the Englishman Arthur J. Nash to oversee it. In 1893, his company also introduced the term Favrilein conjunction with his first production of blown glass at his new glass factory. Some early examples of his lamps were exhibited in the 1893 World’s Fair in Chicago. At the Exposition Universelle (1900) in Paris, he won a gold medal with his stained glass windows The Four Seasons He trademarked Favrile (from the old French word for handmade) on November 13, 1894. He later used this word to apply to all of his glass, enamel and pottery. His first commercially produced lamps date from around 1895. Much of his company’s production was in making stained glass windows and Tiffany lamps, but his company designed a complete range of interior decorations. At its peak, his factory employed more than 300 artisans. Recent scholarship led by Rutgers professor Martin Eidelberg suggests that a team of talented single women designers – sometimes referred to as the “Tiffany Girls” – led by Clara Driscoll played a big role in designing many of the floral patterns on the famous Tiffany...

Vase "Lievres" made in electric blue glass with white patina by René Lalique in 1923. Molded "R.Lalique" signature on bottom. Perfect condition. Exceptional and very rare color. h...

A stunning late 19th Century French cameo glass banjo shaped vase decorated with a vibrant dragonfly hovering over a lilypad covered lake with excellent deep orange and yellow colour...

Maria Vessel in Brick Designed by Project 213A in 2020 Handmade Stoneware This vase is inspired by the Greco-Roman period, having a timeless appearance and finished with a contempor...

"Paysage de Printemps" by Daum Frères A stunning late 19th Century French cameo glass vase etched and enamelled with a vibrant spring landscape, exhibiting excellent colour and de...

Wonderful Mid-Century Modern German vase by Ingrid Glas, circa 1970. This beautiful bright blue and clear vase brings a touch of fun and fantasy to...

Daum Nancy, art deco vase circa 1930. Blown vase molded and etched with acid. Geometric decor. Measures: Total height: 34.5 cm Collar diameter: 30 cm Base diameter: 17 cm Weigh...

A fine French Art Deco glass vase hand-enameled art glass vase decorated with Chestnut stems and dating from around 1930. This stylish vase is molded in frosted glass and hand applie...

Vase "Piriac" made in opalescent glass with blue patina by René Lalique in 1930. Stamped "R.Lalique France" signature on bottom. Perfect condition. Great patina. Nice opalescent he...

The Ruba Rombic Vase, produced by the Consolidated Glass Company, stands as an iconic example of Art Deco design. Crafted in Jade green cased glass, this stunning piece features bold...

Richly colored and deeply textured, this French Majolica vase dates to circa 1900 and presents a striking tableau of natural beauty. The tall, ovoid form is decorated in high relief ...

A fabulous pair of small Chinese molded and glazed biscuit ware porcelain dragon vases with loose eyes and apocryphal Qianlong mark, Republic Period, circa 1920, China. The small ...

An attractive early 20th Century cameo pillow glass vase etched and enamelled with flowering poppies in a deep green and yellow landscape. Signed Daum Nancy and with the Cross of Lor...

Vase "Milan" made in frosted glass with a sepia patina by René Lalique in 1929. Stamped signature. Perfect condition. Very beautiful patina. Height: 28 cm Félix Marcilh...

Art Déco czech translucent pinkish art glass small vase decorated with nude figures from the 'Ingrid' collection by Curt Schlevogt By: Curt Schlevogt Material: art glass, glass Tech...

A striking mid-century modern 1950s fat lava vase by the renowned West German pottery maker Jasba Keramik. The company was founded in 1926 by Jakob Schwaderlapp in Ransbach-Baumbach ...

Rene Lalique opalescent Lutteurs vase, highlighted with black staining Quite an uncommon vase moulded with a continuous band of naked wrestlers appearing to hold the bowl section of ...

Vase "Libation" made in marbled, red, purple, brown and green glass pate de verre by Gabriel Argy-Rousseau in 1924. Engraved signature. Perfect condition. Exceptional and extremely ...

Owl Vase in Ceramic / Sandstone designed in the 1970s. Enameled in a brown and beige color. Nice pyrite enamel giving it a random dotty effect, typical of the period. Minimal Zoo...

An attractive early 20th Century cabinet cameo glass vase etched and enamelled with budding flowers against a cream field, signed Daum Nancy and with the Cross of Lorraine ADDITIONAL...

French Art Deco frosted glass vase by SPV Société Parisienne de Verreries, 112 boulevard Auguste Blanqui (Paris), France, 1920-1935. Close ...

Cenedese vintage midcentury modern tall and rare pair of Murano solid light blue colored / coloured faceted glass obelisks, made circa 1970. Wonderful Italian glass and perfect as an...

Vase "Carthage" made in navy blue glass by Rene Lalique in 1930. Engraved signature. Perfect condition. Very nice and extremely rare color for this model. height : 18 cm Félix Ma...

Vase "Gui" made in amethyst plum glass by René Lalique in 1920. Molded signature. Perfect condition. Very beautiful and rare color. height: 17 cm Félix Marcilhac, René Lalique - C...

Val Saint Lambert, Signed Sculpted Crystal core Vase , Belgium. Heavy Val Saint Lambert crystal vase catalogued in the 1950s. The central amethyst color (a traditional favorite for...