Wide Nerikomi Black and White Striped Vase by Fizzy Ceramics

Wide Burnt Vase by Daniel Elkayam One of a Kind Dimensions: D 15 x W 15 x H 20 cm Materials: Burnt Beech Wood Jerusalem-born Art-designer and Photographer based in Tel-Aviv. Opera...

'Alpine' is a unique glass vase from the Molten Landscapes Collection by the British artist Bethany Wood. An equal passion for painting physically inspires how she controls and manipulates her glass. Recreating the fleeting nature of brush strokes, Wood’s molten colors traverse across the surface of her glass canvases blending in a myriad of hues. Unlike their flat painterly counterparts, these combine and merge, forming spontaneous watery and lava like abstract relief flourishes. Taking inspiration from a wide range of sources, Wood’s influences are taken directly from the world around us, elements of the inner-city sit alongside expansive landscapes. Reoccurring themes are Graffiti & Urban Culture, exploration & travel. In the artist's own words; "As a multidisciplinary artist, I have begun to merge my two artistic passions, painting and Glassmaking. I like to express myself with the fluidity of the material. The Directional arrangement of a color palette can form the depth of an abstract Landscape. I use my own paintings as a reference whilst making in the hot shop. Each individual artwork from my series has been inspired by a specific place. Serendipity of abstraction has always been an inspiration for me; the coincidental elements which catch the eye of the viewer. The palette, composition and depth I have attained are taken from nature, with a bold but elegant swipe of my own personal, Expressionist style" Rising glass star, Wood graduated from De Montfort...

‘Tall Lily Vase’ is a unique porcelain sculptural vessel by the British artist, Vivienne Foley, which has been released from her own personal archive of artworks. Vivienne Foley is based in Gloucestershire where she produces exquisite ceramic sculpture. Although in essence they are often functional pieces in form, it is their appearance that makes each unique work so much more. From dramatic structures to gentle sweeping curves, Foley's inherent understanding of porcelain is more than evident and testament to her patience with this most difficult of materials. Having worked with porcelain for over 5 decades, it is Foley’s dedication that gives her such sensitivity towards her medium. This combined with her expert glazing and acknowledgement of this material’s vast history, results in very fresh and modern works that equally pay homage to what has gone before. Flower forms, poppy heads, bracts and petals translate into foliate rims and sinuous necks, carved and pleated or swept into a spiral. A contemporary marriage of craft, history and nature. In her own words: “As a professional potter I have been producing thrown porcelains for over fifty years and so logic would dictate that I have ‘seen it all, done it all’ by now, but on the contrary I still continue to be challenged and interested. The technical frustrations and the uncertainty of results all seem worthwhile when one opens a successful kiln firing. The heart leaps! I have never been afraid to push my materials to the limit, to accept failures and to follow trails, but I am always excited when basic techniques and familiar methods result in something new. My primary interest is in ‘form’ and in finding solutions for what I call ‘damp engineering’. The comparatively non-plastic nature of porcelain dictates my having to join sections together, but a form must ‘flow’ and construction methods should not be obvious. Over the years I have fired every sort of kiln and dallied with glazes, spending untold hours testing and rejecting, but since I now work in a small space I find simple black and white glazes and slips are less distracting and best enhance my forms. I am not influenced by any particular thing – rather, I am interested in everything; always looking for quality and workmanship. I love all aspects of the design world from architecture to textiles. Museums, galleries and exhibitions are my addiction, with photography and the natural world a constant inspiration. My travels to China and my ongoing study of Chinese ceramics have also been an enduring theme and I have been lucky enough to handle and photograph some of the world’s great collections” Foley has a global following and is represented in private and public collections world wide. Public Collections and Acquisitions National Museum of Ireland, Dublin • Limerick City Art Gallery • Ulster Museum, N. Ireland • Crafts Council of Ireland • Centre of Ceramic Art, York Museums Trust • Southampton City Art Gallery • Leeds Museums & Galleries • US Ambassador to Ireland, Jean Kennedy Smith • President Hillery of Ireland • President Mary Robinson of Ireland • Prime Minister Charles Haughey of Ireland • President Hertzog of Israel • Prime Minister Keating of Australia • Prince Faisal of Saudi Arabia • US President Bill Clinton and Hilary Rodham Clinton • Royal Household, Sweden • Nancy Soderberg • President Jacques Chirac of France • Irish Embassy, Berlin • Sandy Lane Hotel, Barbados • Ford UK, London • Four Seasons Hotel, Amman, Jordan • Rolex...

Stunning mid-century large fat lava vase. This beautiful piece is glazed in a deep ocean blue with a red glaze band around it in the middle. The en...