Empire Revival Barware

"People" decanter designed by Erik Höglund. Rare small size. produced by Boda during the 1950s. Made from hand blown clear glass. Good vintage condition with age related wear and pat...

This finely painted box was once presented as a gift, filled with popular snacks like roasted melon seeds, dried fruit, and cinnamon-toasted soy beans. Used like a modern lunchbox, e...

Wonderful Italian decorative box or ice bucket made in smoked lucite and chrome. This incredibly stylish and rare piece was designed by Antonio Botta and produced by Rexite in Italy ...

For a interesting bar accessory, look no further than this colorful antique Faux-book "Cave à Liqueur". Crafted in France, circa 1860, the liquor box is shaped like four antique book...

Beautiful vintage Murano hand blown red and white ribbons, with gold flecks Italian art glass Genie bottle decanter. Documented to designer Dino Martens for Aureliano Toso. Similar piece is shown on the Dino Martens book, model number 6293 (see last photo). The decanter has its original stopper filled with gold leaf. It also has an original "Made In Italy" item number label underneath (folded). The alternating ribbon design creates a unique swirling pattern throughout the piece. You can feel each line on the shade, since it is not covered in clear glass. Very elegant shape. Would make a great display piece on any desk, vanity or coffee table. Use it as a decorative piece, or as a flower vase without the stopper. Mid-century era. Measures 12" tall x 4 3/4" wide. Literature: Vetreria Aureliano Toso, Murano 1938-1968, Designs by Dino Martens, Enrico Potz...

This delicate French Art Nouveau enameled glass jewelry box features hand-painted cherry fruits and leafy branches, capturing the romantic elegance of ...

Elegant Mid-Century Modern vintage crystal decanter with stopper by Orrefors (Swedish, founded 1898), c. 1960's. Engraved signature to base Orrefors HM 2498 - this particular style was by Edvard Hall. Includes original red Orrefors Sweden sticker with logo. "Orrefors HM 2498" etched into base. Measures 11.5" H x 3" W x 3" D. Orrefors Glassworks was founded in 1898 on the same site where ironworks operations had been run since 1726. In the same year that the glassworks was founded, a hot shop was built for making technical, medical and household glass and stemware to make use of waste wood and labour. Glass now replaced the less profitable ironworks operations. In 1913, Consul Johan Ekman from Gothenburg became the new owner of Orrefors Glassworks. He appointed Albert Ahlin as manager of the glassworks and this marked the start of a new era. In 1914, Orrefors started manufacturing crystal products, and as well as cut crystal according to purchased patterns and samples, Orrefors made art glass using the overlay technique with etched decoration. The new management quickly saw that artists were needed in the business, so Simon Gate was employed in 1916 and was joined by Edward Hald a year later. That same year, Gate and Hald made their first tentative attempts at figure engraving. They also experimented with the new innovative graal (grail) glass technique that was developed at Orrefors by the master glassblower Knut Bergqvist. The major successes were achieved a few years later at the Gothenburg Exhibition in 1923, and in particular at the Paris Exhibition in 1925. The thin engraved glass was admired by the surrounding world, and both Orrefors and the artists themselves were awarded the Grand Prix. The successes of Simon Gate and Edward Hald in Paris in 1925 constituted the start of the long Orrefors tradition of creative design closely combined with genuine and innovative craftsmanship. Since then, new designers and skilled glassmakers have continued in the spirit of Gate and Hald. Vicke Lindstrand and Edvin Öhrström with the new glass technique called Ariel in the 1930s. Sven Palmqvist with Kraka and Ravenna in the 1940s. And in the 1950s with Fuga, which, along with Nils Landberg’s slender tulip-shaped glass “Tulpan” and Ingeborg Lundin’s apple-shaped vase “Äpplet”, are now seen as symbols of the renaissance of Swedish design. The 1960s are associated with Gunnar Cyrén’s Pop glass, and in the 1970s, Eva Englund, Olle Alberius, Lars Hellsten and Jan Johansson as well as Cyrén worked at the glassworks. Since the 1980s, designers such as Anne Nilsson, Erika Lagerbielke, Helen Krantz, Matz Borgström, Per B Sundberg, Martti Rytkönen, Lena Bergström, Ingegerd Råman, Malin Lindahl and Efva Attling...

PRESENTING A STUNNING 19C Irish Coromandel Wood Campaign Decanter Box. STUNNING mid-Victorian Decanter box from circa 1860-1880. Made in Dublin...

These modern brass coasters are etched with a snakeskin animal pattern and are presented in a Lucite box decorated with a Rose Quartz Agate cabochon. This unique and bespoke coaster set is part of the Egg Designs Dawa luxury bar set collection and will be a great addition to any home cocktail...

Made of palissander, this lovely Napoleon III period liqueur box is lacquered in black, a method which became popular during Napoleon III's reign. The rose...

19th-Century Black Rosewood Liquor Case in the Style of Napoleon III We present you this set (incomplete) composed of two decanters and eight glasses. All...

Very pretty and heavy early 1900s Neo-Classical oval brass jewellery box with 2 moth decorations carved in agate. The figures on the (I think machine made repoussé) side look like from Roman times. The middle-eastern little tent shaped lid feels very Moorish, also the round glass 'gem stone' decorations look like the decoration on antique Moorish jewellery...