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Bloor Derby Shell Dish, White, Floral Sprigs Moses Webster, Regency, 1820-1825
About the Item
This is a beautiful one-handled dessert serving dish or "shell" dish made by Derby between about 1820 and 1825 in the Regency era and decorated by Moses Webster. These dishes were to serve dessert, and the handle makes it convenient to pass around the table.
The Crown Derby Porcelain Company, later called Royal Crown Derby, is currently the oldest British porcelain factory still in production. Crown Derby was one of the most prominent potteries right from the start of English porcelain production in the mid-1700s to today. Their items are of exceptionally high quality and many of the designs have become iconic, particularly the Imari designs; many of these are still being made today. The marking at the bottom of the items indicates that the set was produced some time between 1806 and 1825, but the style it typically from about 1820-1825.
Derby became famous for very fine flower paintings, and the decoration of very finely painted flower garlands and beautiful bouquet in the centre of the plate is a testament to that. The flowers were painted by Moses Webster, who spent most of his life working for Derby (from about 1820 to his death in 1870).
The dish is marked with the red Derby mark that was used between 1806 and 1825.
Condition report The plate is in very good condition without any damage or repairs, however it is crazed throughout, as visible in the pictures. There are two small firing cracks in the rim, one of which is shown in the last picture. These do not stand out at all and happened during production.
Antique British porcelain is never perfect. Kilns were fired on coal in the 1800s, and this meant that china from that period can have some firing specks from flying particles. British makers were also known for their experimentation, and sometimes this resulted in technically imperfect results. Due to the shrinkage in the kiln, items can have small firing lines or develop crazing over time, which should not be seen as damage but as an imperfection of the maker's recipes, probably unknown at the time of making. Items have often been used for many years and can have normal signs of wear, and gilt can have signs of slight disintegration even if never handled. I will reflect any damage, repairs, obvious stress marks, crazing or heavy wear in the item description but some minor scratches, nicks, stains and gilt disintegration can be normal for vintage items and need to be taken into account.
There is widespread confusion on the internet about the difference between chips and nicks, or hairlines and cracks. I will reflect any damage as truthfully as I can, i.e. a nick is a tiny bit of damage smaller than 1mm and a chip is something you can easily see with the eye; a glazing line is a break in the glazing only; hairline is extremely tight and/or superficial and not picked up by the finger; and a crack is obvious both to the eye and the finger.
Dimensions: 21cm (8.25") x 23.5cm (9.25").
- Creator:Bloor Derby (Maker)
- Dimensions:Height: 2 in (5.08 cm)Width: 8.25 in (20.96 cm)Depth: 9.25 in (23.5 cm)
- Style:Regency (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1820-1825
- Condition:Wear consistent with age and use. No damage or repairs; crazing as visible in the pictures and two small insignificant firing cracks in the rim.
- Seller Location:London, GB
- Reference Number:Seller: A-DER321stDibs: LU4805119504102
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This is a spectacular and very rare set of ten dessert plates made by Derby in about 1825, which was the Regency era. The plates are richly gilded, each with an individual gilt pattern, and have superb fruit paintings, also each unique, by the famous porcelain decorator Thomas Steel.
One can occasionally find one of these plates in the market, but to find a whole set of 10 in such fabulous condition is extremely rare.
The Derby factory, later reshaped into Royal Crown Derby, is currently the oldest British porcelain factory still in production. Derby was one of the most prominent potteries right from the start of English porcelain production in the mid 1700s to today. Their items are of exceptionally high quality and many of the designs have become iconic, particularly the Imari designs; many of these are still being made today. Derby made many exciting designs in the Regency era, and these plates are beautiful examples. The marking at the bottom indicates that the plates were produced some time between 1806 and 1825, when the company was called "Bloor Derby"; however the style is from between 1820 and 1825.
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There are more items available in this pattern, see separate listings. To keep these items together we'd be happy to offer a discount on multiple purchases - please ask!
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The Earl of Camden service was a huge service ordered by Lady Camden in 1795. It had to be produced under great, and unrealistic, time pressure and was notoriously late, much to Lady Camden's chagrin. She wanted the service to be produced by only the best artisans and therefore William Billingsley was tasked with painting all items - but it is thought that when it was clear the deadline was impossible to make, he enlisted the help of John Brewer for some of the last items, such as the ice pails. This plate shows the typical "Billingsley" roses: a beautiful naturally flowing garland of English roses interspersed with buds, trailing around a crisp gilt ribbon. The way the roses link into each other, the way each individual one is completely different, the light effects achieved by rubbing out some of the pink paint, and the very fine buds and foliage all point to these being from Billingsley's hand.
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There are more items available in this pattern, see separate listings. To keep these items together we'd be happy to offer a discount on multiple purchases - please ask!
The Derby Porcelain Company, later called Royal Crown Derby, is currently the oldest British porcelain factory still in production. The Derby pottery was one of the most prominent potteries right from the start of English porcelain production in the mid 1700s to today, and the factory went through many iterations. In the 1820s, it was called "Bloor Derby" as it came under the ownership of Robert Bloor; this factory later closed but its legacy was continued under the ownership of a group of employees, and later this was merged into a new factory called Royal Crown Derby, which is still in operation today and still carries forward some of the oldest patterns that have made it famous over the centuries.
William Billingsley was a brilliant but notoriously difficult man who left behind a trail of debts, broken hearts and mystery - but he was also one of the most important people in the history British porcelain. Billingsley revolutionised the way British decorators painted flowers; he added a freedom and artistry that now singles out British flower painting, and he created a new technique for painting roses, which you can see in this design. Billingsley worked at Derby, Worcester and Mansfield. He also set up his own potteries in Pinxton and Nantgarw and created some of the best porcelain ever made, but racking up great debts, before running off in the dead of night and ending his days at Coalport painting flowers.
Items painted by William Billingsley are rare and very much in demand - together with Thomas Baxter's work they are probably among the most desired pieces of British porcelain.
The Earl of Camden service was a huge service ordered by Lady Camden in 1795. It had to be produced under great, and unrealistic, time pressure and was notoriously late, much to Lady Camden's chagrin. She wanted the service to be produced by only the best artisans and therefore William Billingsley was tasked with painting all items - but it is thought that when it was clear the deadline was impossible to make, he enlisted the help of John Brewer for some of the last items, such as the ice pails. This plate shows the typical "Billingsley" roses: a beautiful naturally flowing garland of English roses interspersed with buds, trailing around a crisp gilt ribbon. The way the roses link into each other, the way each individual one is completely different, the light effects achieved by rubbing out some of the pink paint, and the very fine buds and foliage all point to these being from Billingsley's hand.
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There are more items available in this pattern, see separate listings. To keep these items together we'd be happy to offer a discount on multiple purchases - please ask!
The Derby Porcelain Company, later called Royal Crown Derby, is currently the oldest British porcelain factory still in production. The Derby pottery was one of the most prominent potteries right from the start of English porcelain production in the mid 1700s to today, and the factory went through many iterations. In the 1820s, it was called "Bloor Derby" as it came under the ownership of Robert Bloor; this factory later closed but its legacy was continued under the ownership of a group of employees, and later this was merged into a new factory called Royal Crown Derby, which is still in operation today and still carries forward some of the oldest patterns that have made it famous over the centuries.
William Billingsley was a brilliant but notoriously difficult man who left behind a trail of debts, broken hearts and mystery - but he was also one of the most important people in the history British porcelain. Billingsley revolutionised the way British decorators painted flowers; he added a freedom and artistry that now singles out British flower painting, and he created a new technique for painting roses, which you can see in this design. Billingsley worked at Derby, Worcester and Mansfield. He also set up his own potteries in Pinxton and Nantgarw and created some of the best porcelain ever made, but racking up great debts, before running off in the dead of night and ending his days at Coalport painting flowers.
Items painted by William Billingsley are rare and very much in demand - together with Thomas Baxter's work they are probably among the most desired pieces of British porcelain.
The Earl of Camden service was a huge service ordered by Lady Camden in 1795. It had to be produced under great, and unrealistic, time pressure and was notoriously late, much to Lady Camden's chagrin. She wanted the service to be produced by only the best artisans and therefore William Billingsley was tasked with painting all items - but it is thought that when it was clear the deadline was impossible to make, he enlisted the help of John Brewer for some of the last items, such as the ice pails. This plate shows the typical "Billingsley" roses: a beautiful naturally flowing garland of English roses interspersed with buds, trailing around a crisp gilt ribbon. The way the roses link into each other, the way each individual one is completely different, the light effects achieved by rubbing out some of the pink paint, and the very fine buds and foliage all point to these being from Billingsley's hand.
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