
Coalport Porcelain Slop Bowl, Church Gresley in Orange, Gilt, Regency ca 1810
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Coalport Porcelain Slop Bowl, Church Gresley in Orange, Gilt, Regency ca 1810
About the Item
- Creator:Coalport Porcelain (Maker)
- Dimensions:Height: 3 in (7.62 cm)Diameter: 6.25 in (15.88 cm)
- Style:Regency (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:circa 1810
- Condition:Wear consistent with age and use. The bowl is in excellent condition without any damage, repairs or crazing, and minor rubbing as visible in the pictures.
- Seller Location:London, GB
- Reference Number:Seller: A-COA2701stDibs: LU4805127233692
About the Seller
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This is a spectacular pair of oval dishes made by Coalport between 1815 and 1820. The dishes bear the famous and very wonderful bird pattern with the number 759. Panels with stunning hand painted birds and flowers are set in a cobalt blue background with rich gilt decoration.
We also have two plates available in this pattern; please see separate listings. This pattern is very desired and doesn't come to the market often, so this is a rare opportunity.
Coalport was one of the leading potters in 19th and 20th Century Staffordshire. They worked alongside other great potters such as Spode, Davenport and Minton, and came out with many innovative designs. When we say "Coalport" we usually think of the one Coalport factory that became famous, but in its beginning years there were two factories, one run by John Rose and the other by his brother Thomas Rose. Thomas Rose went into partnership with Robert Anstice and Robert Horton and they were located directly opposite John Rose, across the canal. The brothers' factories had much in common with each other and they shared many different shapes and patterns. Ultimately, the John Rose factory proved more profitable and John Rose bought Thomas' factory in 1814, making it the one Coalport factory that became so famous. Many of the Coalport items, of either factory, are now collectors' items.
The stunning thing about pattern 759 is that each bird is different, as well as each flower formation. All birds and flowers are painted carefully in their own colours; they are all different species. Each bird is an individual with its own expression; in fact I once had a large dinner service...
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This is a stunning and extremely rare dessert service made by John Rose at Coalport probably around the year 1800, shortly after Rose bought up the Caughley factory. It consists of a large centre piece comport, one sauce tureen with cover, two oval dishes, two square dishes, two shell dishes, and eight plates. The service is beautifully decorated in the Neoclassical style.
Coalport was one of the leading potters in 19th and 20th Century Staffordshire. They worked alongside other great potters such as Spode, Davenport and Minton, and came out with many innovative designs. When we say "Coalport" we usually think of the one Coalport factory that became famous, but in its beginning years there were two factories, one run by John Rose and the other by his brother Thomas Rose. Thomas Rose went into partnership with Robert Anstice and Robert Horton and they were located directly opposite John Rose, across the canal. John Rose had bought up the local Caughley factory in 1799. The brothers' factories had much in common with each other and they shared many different shapes and patterns. Ultimately, the John Rose factory proved more profitable and John Rose bought Thomas' factory in 1814, making it the one Coalport factory that became so famous. Many of the Coalport items, of either factory, are now collectors' items.
This service is made of pearlware, which leads us to believe that it might have been made at the old Caughley premises, which had kilns for pearlware - the later Coalport items are not known to be made of pearlware but the shape of the dishes and the sauce comport are clearly a Coalport shape.
All items have a beautiful deep orange ground - they were done in different firings as the colour is not entirely consistent, which makes the service very charming. The rims are set off with a beautiful vine pattern in silver, which makes the service even more rare as this was not done often.
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CONDITION REPORT The service is in good usable condition with some minor flaws: there is some crazing and wear throughout, which is to be expected of pearlware of this era. The centre piece comport has a slight crack through the side, which is not very visible. One of the plates has a chip on the front of the rim as well as three lines coming off the rim; one has a chip on the underside of the rim; and one has a line coming off the rim. Neither of these stand out and the plates are entirely stable.
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