1810s Serving Bowls

A charming vase by the storied English firm of Coalport. This sweetie features 2 handles, and an interesting hand painted scene with river, mountains, flora fauna accented with white...

This pair of dishes were hand-painted at Coalport in England in the early 19th century. The colors are fabulous; we see pink, purple, orange, blue, green, yellow, and turquoise. Flo...

Hallmarked in London in 1807 by Paul Storr, this handsome, George III, Antique Sterling Silver Meat dish cover, features a shaped gadroon border and r...

A 6 place silver canteen by Paul Storr. Double struck in the fiddle, thread & shell pattern with diamond and shell heel. Engraved with a crest to the terminals. (see pictures for det...

Murano glass bowl with 24ct gold and murrine, attributed to Alberto Donà. This is a uniquely refined glass bowl, made by the famous Italian glassmaker Alber...

Presenting a very rare Art Deco floral punch bowl and 6 matching glasses from, circa 1925. This punch bowl and matching glass set are made of molded glass and in a Classic Art Deco ...

A regal and impressive set of fine bone china plates by Coalport of England. Rich raised paste gilding and elaborate gilt design on a cobalt blu...

This is an exceptional and very rare antique English George III sterling silver teapot by the world-famous silversmith, Paul Storr, and bearing hallmarks for 1817. This splendid teapot is of a delightful shape and it is profusely chased with half ribbed fluting decoration. It is further embellished with wonderful foliate motifs below and above the spout and stunning gadrooned shaped borders to the top of the teapot and the base. The remarkable quality flush hinged lid is also beautifully surmounted by a delightful round finial. It features an exceptional horn handle with striking details, proving the silversmith's exceptional mastery in the creation of unique and luxurious silverware - Paul Storr never tired of adding detail to create a true piece of artwork. The underside of the teapot bear full hallmarks: the Lion passant for sterling silver, the leopard head for London, the letter for 1817 and the maker's marks 'PS' for Paul Storr. There is no mistaking its unique quality and design, which is sure to make it a treasured piece by any discerning collector. Condition: In excellent condition with clear hallmarks and no dings, dents or signs of repair. Please see photos for confirmation. Dimensions in cm: height 12.5 x width 18 x depth 18 Weight 0.88 kg Dimensions in inches: height 5 inches x width 7 inches x depth 7 inches Weight 28.2 troy oz Paul Storr born in London England in 1771, was to become one of the most talented silversmiths of the nineteenth century. Today his legacy of exceptionally well crafted silver, found worldwide in museums and private collections, leaves one in awe when compared to that of his contemporaries.After having served a seven year apprenticeship from the age of 14, he began his career in 1792 when he went into a brief partnership with William Frisbee. This did not last and in 1793 a new mark, (his initials ‘P S’) was entered. By the beginning of the nineteenth century he had established himself as one of London’s top silversmiths producing, amongst others, commissions for Royalty. In 1801 he married Elizabeth Susanna Beyer with whom he was to have ten children. In 1807 Paul Storr entered into a working relationship with Philip Rundell and by 1811 was a partner, and managing the workshops for Rundell, Bridge & Rundell. During this period he kept his own marks and separate workshop. However it was through Rundell, Bridge & Rundell who were appointed Goldsmith in Ordinary to George III in 1804 that his reputation as a master silversmith grew. His talents lay in being able to transform ideas and designs from Rundell, Bridge & Rundell’s designers, William Theed...

An elegant Antique George III Sterling Silver Cream Jug by Paul Storr with a half fluted body and a classic gadroon border on the rim. The Milk Jug has an acanthus leaf topped handle...

This is a beautiful orphaned teacup made by Spode in about 1810. It bears a beautiful Japanese-inspired Imari pattern. Spode was the great pioneer among the Georgian potters in England. Around the year 1800 he perfected the bone china recipe that has been used by British potters ever since, and he was also the leading potter behind the technique of transferware, making it possible for English potters to replace the Chinese export china, which had come to an end around that time, with their own designs. This was fundamental to a thriving industry that would last for about 150 years and provide half the world with their tableware. Spode porcelain is regarded as one of the highest quality porcelains around; for a soft-paste porcelain it is surprisingly hard and fine, and has a wonderful bright white colour. The pattern on this can is called "Dollar" pattern, a very famous pattern that was used by English potters in the 18th and early 19th Century. It is obvious why it is called “dollar” - but its origin is less obvious! It is thought that this pattern was derived from a very old Chinese pattern depicting a tree with elaborate foliage that hides a Chinese character representing longevity or happiness. Traditionally, this went with a an image called “Taotie”, which was used on very ancient bronze vases...

A classic antique George I solid Silver Porringer / Bleeding Bowl with a substantial shaped handle. The handle has an engrave monogram R over RM. The bow...

Set of 10 antique English cobalt blue and gold coalport porcelain plates, circa 1900. Each plate features unique center design.