Stone Centerpieces

Rosso Amaltea by Ivan Colominas Dimensions: 36.5 x 10 cm Materials: Onice Bianco Also available: different marbles. The collection is a tribute to one of Italy’s great master...

We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All ...

A striking and most elegant French 19th century Louis XVI st. Ormolu and Baccarat crystal centerpiece. This stunning circular centerpiece is raised on three rectangular Ormolu block supports with mottled socle shaped bases that support the highly detailed legs. These three blocks surround a most elaborately decorated diamond shaped cut crystal central platform. The centerpiece has three beautifully scrolled legs with handsome pawed feet and lovely interlocking geometric bands. These bands lead up to exceptional and richly chased maidens with lavish jewelry on their heads and neck. The three maidens flank the exceptional Ormolu and Crystal finial. The finial is designed with three Ormolu birds perched upon a circular mottled edge support. The birds flank a spherical Crystal ornament with lattice designed cuts. Above the finial is the foliate designed circular support with a reeded edge and displays curved supports which hold the cut Crystal bowl. The round crystal bowl...

Continental gilt bronze mounted and Lapis figural compote, circa 1880.

Unique modern hand-carved and hand polished rock crystal vase.

Grandi Cristalli is an Italian company that specializes in the production of high-quality glassware, including wine decanters. A wine decanter is a vessel used to transfer wine from the bottle into the decanter, allowing it to breathe and release its full aroma and flavor before serving. Grandi Cristalli offers a range of wine decanters made from high-quality glass, handcrafted by skilled artisans in Italy. Their decanters feature elegant designs and are available in different sizes and shapes, depending on the type of wine...

A large and dramatic Art Deco Style hand blown crystal console set in brilliant clear crystal with octagonal cut foot, recumbent rim and elaborately cut and notched borders.The solid...

Centerplace, WMF, German Page: 91 in the Book – Art Nouveau Domestic Metalwork from WMF Wurttembergische Metallwarenfabrik: The English Catalogue 1906 Hardcover. *= Export-ware ...

Introduce a modern touch to your home with the Coppa High Container by Michael Verheyden. Crafted in Montepulciano Marble, this sophisticated piece adds a timeless elegance to any ro...

Mirage Contenitore basso by Studio Intervallo Dimensions: D 30 x H 3.2 cm Materials: green Guatemala marble. Available in other stones. The Mirage collection comes from the mon...

United States of America modern Black marble Ashtray mod. 8532 by Angelo Mangiarotti for Knoll, 1970s. Iconic Ashtray mod. 8532 with round base in black marble. The plate has a rise...

A lovely French 19th century Louis XV st. silvered bronze and Baccarat crystal centerpiece. The centerpiece is raised by an elegant and charming silvered bronze scrolled base, with w...

This enameled and silvered glass crystal vase, featuring a playful arrangement of overlapping circles, exemplifies Martin Benito's mastery of a craft hon...

Centerplace, WMF, German WMF G: Introduces on the 1 st June 1910, in the interests of improved legibility, especially of the very small marks. The company´s choice of an ostrich a...

Centerplace, wmf, German We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the...

19th century Baccarat crystal epergne, Black Forest centrepiece A superb and very unusual combination, a Black Forest pedestal carved with oak leaves, mounted with an etched crystal dish, which in turn has another Black Forest carved mount...

Carambola centrepiece by Studio Lievito Dimensions: D 33 x W 30 x H 5 cm Materials: Bianco carrara marble. Weight: 3.4 kg Fruits like billiard balls are ready to be ‘split’ during t...

Unusual 20th century solid silver clock on green marble base, the clock set between a horse-shoe and mounted with a jockey, stirrups and riding crops. The clock is in fully working o...

Impressive hand-carved and hand-polished rock crystal vase. Measures: H. 19" x W. 11" x D. 7".

Mirage Contenitore Alto by Studio Intervallo Dimensions: D 30 x H 6.2 cm Materials: green Guatemala marble. Available in other stones. The Mirage collection comes from the mono...

Blue Amaltea by Ivan Colominas Dimensions: 36.5 x 10 cm Materials: Blu Sodalite Also available: different marbles, Ivan Colominas studied industrial design at the UCH-CEU in ...

A Very Fine Cut Crystal Centerpiece by Baccarat. France, circa 1910. Diameter 13" Heigth 7 3/4" CW5309.

A design tray composed of two different marbles, Rosso Francia and Bianco Carrara. Elegant, versatile, it's perfectly suitable for an use in the kitchen between plates and stoves, or as a piece of furniture. "Fuoco" is part of our "Remarble" product line, a collection of marble objects...

Bianco Arabescato Amaltea by Ivan Colominas Dimensions: 36.5 x 10 cm Materials: Bianco Arabescato Also available: different marbles. The collection is a tribute to one of It...

Centerplace, WMF, German Page: 56 in the Book – Art Nouveau Domestic Metalwork from WMF Wurttembergische Metallwarenfabrik: The English Catalogue 1906 Hardcover. Sign number: 544 ...

Unique Escalier metal side table with marble by Jean-Baptiste Van den Heede Unique piece signed and numbered Dimensions: L 34 x D 8 cm ...

Aldo centerpiece by Arthur Arbesser Masters Collection Dimensions: 36 x 12 cm Materials: Nero Marquinia, Rosso Levanto, Bianco Michelangelo, Arabescato Vagli Filo Rosso, Verde Gua...

This all original, five-piece centerpiece set consists of a center bowl, 2 matching compotes and a pair of tall elegant candlesticks. All made and signed by Hawkes, each piece of han...

Bianco Amaltea by Ivan Colominas Dimensions: 36.5 x 10 cm Materials: Bianco Michelangelo Also available: different marbles The collection is a tribute to one of Italy’s great...

A stunning and highly detailed French 19th century Louis XVI st. Ormolu and Crystal centerpiece. This circular centerpiece is held by four joyful Ormolu cherubs facing outward. The c...

A set of Masters Collection (Piero Vase, Aldo Centerpiece, & Gae Bowls) by Arthur Arbesser Masters Collection Dimensions: 36 x 12 cm (Aldo centerpiece), 36 x 12 cm (Aldo centerpi...

Small vase and candle holder, small quartz points by Aver Dimensions: D 11 x H 18 cm Materials: Quartz, steel, polyvinyl chloride, resin.  

Artemisia marble centerpiece by Matteo Cibic Dimensions: 23.6 x 13.8 x 4.7 cm Materials: Bianco Michelangelo, Rosso Levanto, Nero Marquinia Please note that the Cibic pieces...

A unique and most decorative set of French Turn of the Century Louis XVI st. Crystal centerpieces, attributed to Baccarat. This wonderful eight piece set contains reeded cuts along t...

Mirage Specchio by Studio Intervallo Dimensions: D 30 x H 3.2 cm Materials: black Marquinia marble. Available in other stones. The Mirage collection comes from the monolithic m...

Nero Antico Amaltea by Ivan Colominas Dimensions: 36.5 x 10 cm Materials: Nero Antico Also available: different marbles. The collection is a tribute to one of Italy’s great ...

Low game of stone center piece, blue by Josefina Munoz Game of Stone Collection. Dimensions: H 8 x Ø 24 cm. Material: Marble Palissandro Blu Nuvolato. Also available in tall cent...

Totem II Materials: Pietra serena cone White carrara plate Noir antique base White carrara tube Dimensions: 40 x 40 x 24.5 mm Totem The Totem s...

Arrebol Tibor diffuser by STUDIOROCA Dimensions: W 18 x D 18 x H 30.5 cm Materials: Volcanic rock, polished brass plated steel, glass. Includes 1 essential oil 20mL bottle. STUDIOROCA is a Mexico City design studio focused on architecture, interior design and contemporary furniture. Its penchant for collaboration, the promotion of local talent, artisanal skills and natural materials, and its ever-present pull toward sustainable practices have seen the studio create highly emotive environments and unique functional pieces that speak of a forward-thinking, borderless approach to design. Intro Through architecture, interior design and furniture, STUDIOROCA portrays a distinct Mexican aesthetic, where sophisticated, elegant designs become bold statements of strong masculine lines and dark moody shades that contrast dramatically with elongated curves and highly textured surfaces. Based in Mexico City, the studio has, since its inception, offered much more than simple design solutions, its impetus always being to meaningfully improve lives through design. By promoting, supporting and offering a platform for other Mexican designers in its two stores in Polanco and Condesa, STUDIOROCA has been at the forefront of the modern-day Mexican design movement for over 15 years. The studio’s ability to artfully blend its own architecture and interior design with both local and international product is testament to its glocal outlook. While proudly Mexican and inherently influenced by the country’s culture and craftsmanship, its designs talk to a cosmopolitan, international sense of style. STUDIOROCA’s respect for the environment and reverence of traditional skills has led to the pursuit of sustainable practices, while its affinity for collaboration and promotion of artisanal skills has seen the studio produce work in conjunction with countless talented designers and craftspeople. Its confidently utilitarian designs are the result of risk-taking, boundary-pushing processes that emerge from STUDIOROCA’s constant quest to establish innovative solutions, while simultaneously respecting each of its projects’ unique locations, incorporating the surrounding environment into the design language. Working closely with clients, a personal rapport ensures delving into the core of every design requirement, leading to the ultimate achievement of deeply embedded needs. Ultimately, what STUDIOROCA presents is a fresh iteration of Mexican design, a version which is at once moving, intoxicating and comforting. History STUDIOROCA was founded by Carlos Acosta and Rodrigo Alegre. When, in 2002, the two independent Mexico City architects were commissioned to work collaboratively on the architecture and interiors of a new spa, they were frustrated by the lack of affordable furniture available, and embarked on designing their own pieces for the project. And so STUDIOROCA was born. Initially a furniture store in the heart of the then up-and-coming leafy suburb of Condesa, it has developed into a fully fledged architecture and interior-design studio, with another store in the city’s high-end design district of Polanco, which opened in 2011. Its line of furniture, all designed and manufactured in Mexico, had humble production beginnings in a small kitchen-design factory, a foundation that has carried through into the studio’s current philosophy of small-scale, high-quality production. In conjunction with its own range of functional pieces, STUDIOROCA has always invited other local designers to showcase their work in its two stores, and, what started with three additional designers’ pieces in 2002, has led to collaborations with many more, now presenting the limited-edition work of 28 Mexican designers through its UNION- brand, while continuing to retail exclusive international brands such as Tom Dixon, Moooi and GAN. 2 More recently, the studio’s architectural and interior projects have included large housing developments and hotels, fully employing STUDIOROCA’s 360-degree approach to design. Founders and team Architects by training, founders Carlos Acosta and Rodrigo Alegre prefer to follow an unconventional, integrated model of design that incorporates its many varied facets, allowing their two unique approaches to complement one another. Rodrigo, who graduated from Universidad Anáhuac Norte, is able to envision how color and texture will combine as he explores the emotive nuances he wishes to create within a new environment. His abstract thoughts are brought to life by Carlos, the rational half of the design duo. Trained at Universidad Iberoamericana, with a student exchange to the University of Texas, Carlos’ ability to grasp volumes and spaces brings dreams to fruition through the perfect positioning of wall divisions, furniture pieces and light-streaming windows. Their small dedicated team of designers and architects plays an integral role in realizing the studio’s ambitious visions, with over 200 projects having been completed by this intimate team. Beyond designing, these passionate professionals offer practical solutions, bringing their experience in all forms of design to manifest in big-picture thinking that pays attention to detail, celebrates collaboration and goes the extra mile. The approachable, personal style with which the STUDIOROCA team works is a reflection on the responsibility its people place on themselves as architects and designers who venture beyond the drawing board. Sustainability STUDIOROCA’s focus on sustainability has seen the company establish itself as a trailblazer in the realization of buildings and furniture pieces that are produced with a sense of conscience and responsibility, taking into account the full production chain, from material source to distribution of wealth. The studio has done away with environmentally harmful varnishes on its furniture pieces, and now only use FSC-certified hardwood. It also pledges to keep materials to a minimum, a consideration most appreciated in its 77 range of furniture, where only the necessary functional structures have been designed, and where small leftover pieces of wood from bigger cuts are utilized, rather than sourcing new pieces. This approach continues in its architecture and interior designs, with 80% of materials sourced locally. This, coupled with its use of solar panels, the harvesting of rainwater, and the inclusion of indigenous gardens in its projects, has led to STUDIOROCA’s application for Leadership in Energy and Environmental Design (LEED) certification, which is currently under review. For the studio, sustainability has a much further reach than the natural environment, however. Its projects take into account social, cultural and economic sustainability too, by ensuring its production chain – from the craftspeople producing hand-worked elements, to its low-environmental-impact manufacturing line – all sits within Mexico so that the 3 communities benefiting financially are those who have been an integral part of the process. Architecture In STUDIOROCA’s architectural projects, authentic materials that are true to their Mexican origin, such as local mountain rocks, regional marble and indigenous wood, are utilized in new ways to highlight their natural rawness, deep texture and prized imperfections, imbuing buildings with unique character. It’s through such character that every structure portrays its personality, suited to the people who live, work and relax within it. This unpretentious use of materials follows through to metals, which are encouraged to rust and patinate as the building interacts with nature’s elements and becomes part of the environment surrounding it, giving projects an essential sense of place, where the here and now is as important as the then and there. Interior design STUDIOROCA’s interior style leans toward textured materials and dark hues contrasted with paler wood and lighter accent tones. These evocative, luxurious interiors are enlivened by carefully considered lighting that enhances the tonality of moody dark browns, deep blues and a spectrum of blacks, and highlights textures through illuminated reflections. Where environments dictate a paler palette, textures and materials make up the necessary contrast. Local willow wood on wall panels, flooring made from recinto volcanic rock, and countertops decorated with Mexico’s retapado marble become talking points, made even more appealing with plant life and greenery introduced indoors. Furniture Combining its deep respect for handcrafted, artisanal product, and its future-forward approach to technology and innovation, STUDIOROCA’s range of furniture places emphasis on high-quality offerings, producing its ranges in low quantities, often customized to suit the specific requirements of its varied projects. Veering away from industrialized production lines, it employs sophisticated hand-worked machinery, in line with its approach to sustainability and simplicity. The studio’s premiere collection (2002-2008) was shaped by a groundbreaking application of materials and forms, resulting in award-winning designs that set contemporary Mexican design on the map. Pieces from this collection were shown at Fabrica Mexicana and Museo de Arte Moderno in Mexico City and in the MoMA store in New York. The 2008 Eco collection initiated a change in the production of STUDIOROCA’s furniture pieces, adapting a sustainable view regarding design – a philosophy that continues to guide the studio’s practices today. Sourcing FSC-certified wood, eliminating varnishes, and using local materials wherever possible, this collection was the start of a conscious undertaking to work with local artisans and support local industry, an outlook that was celebrated at the launch of the Eco range at the Mexican Gallery...

Large silvered bronze mounted agate tazza with ram's head handles.

The Following Item we are offering is A Magnificent Beautiful Large French Empire Style Handcut Red Crystal Bronze Centerpiece Vase Urn. Bea...

We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All ...

Stunning hand blown and hand cut 3 layered glass, crystal - white - crystal, frosted in acid pool. Designed by Kazuhiko Tomita for Arcade, Murano, Venice 1...

Crystal We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads '...

Crystal centerpiece is a decorative object realized in the 1970s. A very elegant centerpiece in transparent crystal, perfect to decor your table. Signed on the edge.

This is an exceptional and rare centerpiece made by Barovier and Toso, circa 1930s-1940s. What sets this apart is the versatility and adjustability of the arrangement, allowing for many configurations and shapes. Starting with the hand blown oval shaped centre bowl, the opal glass is filled with gold leaf inclusions making it sparkle without being glitzy. The four gold leaf infused arms sit at the base, which is affixed with a threaded finial. The arms can be spread out either at right angles or maintain an oval shape. One can either use all four arms as candlesticks while placing the bobeches atop the candle cups or placing the four bowls which fit into the candle cups. And one can also use two of each, for a versatile arrangement. Please see all the images to view the myriad possibilities. This clean design works well with many decorative styles and the flexibility is inspiring. Bobeches measure 4.25" D x 1.25" H Epergne Bowls...

Tracino vase designed by Elena Salmistraro Dimension: 12 x 12 x H 46cm Materials: natural marble and stones Bianco Fenice, Bardiglio Imperiale, Rosalia, Green Forrest., Pietra Pece.

The Schneider glassworks (Verreries Schneider), established by brothers Charles and Ernest Schneider in Epinay-sur-Seine, France, in 1917, was among the leading producers of fine-art glass between the two world wars, creating exuberantly colorful vessels...

A rare hand-carved and faceted 19th century antique bohemian white opaline centerpiece resting on its original white opaline plinth. The opaline crystal is of the finest quality with...

LIMARSI centerpiece designed by Elena Salmistraro Dimension: 40x26xh16cm Materials: natural marble and stones Bianco Fenice, Bardiglio Imperiale, Rosalia, Green Forrest., Pietra ...

A wonderful pair of Mid-Century Modern rock crystal round natural smoke, grey, tea color quartz centerpieces each sold separately.

A wonderful pair of Mid-Century Modern large rock crystal round natural rose / pink quartz centerpieces Each sold separately.

Contemporary Jesmonite platter - Curved platter by Malgorzata Bany Design: Malgorzata Bany Material: Jesmonite stone (resin based plaster) Dimensions (in): 12.5 x 6.29" Dimensions (cm): Diameter 32 x height 16.5 cm Made by hand, in United Kingdom. Unique piece, single use mould...

Centerpiece "Eccentrico" designed by Giusti & Di Rosa Size: Diameter cm 25 x height 6 Materials: White Carrara-black Portoro-national travertine Designer: Giusti & Di Rosa.

Name: PFISTER Materials: White Carrara-Black Portoro-Black Marquina-National Travertine Size Item 1: Cm Diam.16 x H3 Size Item 2: Cm Diam.20 x H3 Designed By Charles Pfister.  

An elegant and high quality French 19th century Neo-Classical st. faux painted marble, green marble, and Ormolu centerpiece. This finely detailed centerpiece is raised by a mottled edged triangular Ormolu base with concave sides and supported on a faux marble base plate. Atop the Ormolu base are the Three Graces elegantly dressed in flowing garments with their hair tied back while surrounding the green marble central fut supporting the bowl above. Helping support the top is a circular mottled edged Ormolu mount. Above is the stunning green marble bowl...

Very fine cut crystal and silvered bronze figural centerpiece.

Silver is a banded cylindrical vase of faceted, frosted crystal, the many cuts of which make evident the generations of expertise accumulated by the illustrious French firm crystal Benito.

Piatto marble centerpiece designed by Arch. Adolfo Natalini Size: Diameter cm 36 x height 6 Materials: White Carrara - Red Francia Designer: Adolfo Natalini.      

Very large Louis XVI malachite and ormolu-mounted centerpiece ornate gilt bronze lidded dish with floral leaf motif accentuated and raised with figural lion mounts France, 19th centu...