Stone Centerpieces

Traditional Mid-Century Modern Spanish Mortar. Manufactured in Spain, circa 1940. In original condition with minor wear consistent of age and use,...

Travertine emptying tin tray in which the well-defined shapes of the Paestum tuff, the material that represents the territory, stand out.

Wonderful French Empire gilt ormolu bronze mounted hand-cut crystal covered decorative Bowl. The centerpiece features a bright gilt bronze holding frame with double side handles with finial holding top resting on a footed round base. The diamond cut pattern crystal bowl is sturdily and comfortably seated to the footed gilt...

Arrebol Tibor diffuser by STUDIOROCA Dimensions: W 18 x D 18 x H 30.5 cm Materials: Volcanic rock, polished brass plated steel, glass. Includes 1 essential oil 20mL bottle. STUDIOROCA is a Mexico City design studio focused on architecture, interior design and contemporary furniture. Its penchant for collaboration, the promotion of local talent, artisanal skills and natural materials, and its ever-present pull toward sustainable practices have seen the studio create highly emotive environments and unique functional pieces that speak of a forward-thinking, borderless approach to design. Intro Through architecture, interior design and furniture, STUDIOROCA portrays a distinct Mexican aesthetic, where sophisticated, elegant designs become bold statements of strong masculine lines and dark moody shades that contrast dramatically with elongated curves and highly textured surfaces. Based in Mexico City, the studio has, since its inception, offered much more than simple design solutions, its impetus always being to meaningfully improve lives through design. By promoting, supporting and offering a platform for other Mexican designers in its two stores in Polanco and Condesa, STUDIOROCA has been at the forefront of the modern-day Mexican design movement for over 15 years. The studio’s ability to artfully blend its own architecture and interior design with both local and international product is testament to its glocal outlook. While proudly Mexican and inherently influenced by the country’s culture and craftsmanship, its designs talk to a cosmopolitan, international sense of style. STUDIOROCA’s respect for the environment and reverence of traditional skills has led to the pursuit of sustainable practices, while its affinity for collaboration and promotion of artisanal skills has seen the studio produce work in conjunction with countless talented designers and craftspeople. Its confidently utilitarian designs are the result of risk-taking, boundary-pushing processes that emerge from STUDIOROCA’s constant quest to establish innovative solutions, while simultaneously respecting each of its projects’ unique locations, incorporating the surrounding environment into the design language. Working closely with clients, a personal rapport ensures delving into the core of every design requirement, leading to the ultimate achievement of deeply embedded needs. Ultimately, what STUDIOROCA presents is a fresh iteration of Mexican design, a version which is at once moving, intoxicating and comforting. History STUDIOROCA was founded by Carlos Acosta and Rodrigo Alegre. When, in 2002, the two independent Mexico City architects were commissioned to work collaboratively on the architecture and interiors of a new spa, they were frustrated by the lack of affordable furniture available, and embarked on designing their own pieces for the project. And so STUDIOROCA was born. Initially a furniture store in the heart of the then up-and-coming leafy suburb of Condesa, it has developed into a fully fledged architecture and interior-design studio, with another store in the city’s high-end design district of Polanco, which opened in 2011. Its line of furniture, all designed and manufactured in Mexico, had humble production beginnings in a small kitchen-design factory, a foundation that has carried through into the studio’s current philosophy of small-scale, high-quality production. In conjunction with its own range of functional pieces, STUDIOROCA has always invited other local designers to showcase their work in its two stores, and, what started with three additional designers’ pieces in 2002, has led to collaborations with many more, now presenting the limited-edition work of 28 Mexican designers through its UNION- brand, while continuing to retail exclusive international brands such as Tom Dixon, Moooi and GAN. 2 More recently, the studio’s architectural and interior projects have included large housing developments and hotels, fully employing STUDIOROCA’s 360-degree approach to design. Founders and team Architects by training, founders Carlos Acosta and Rodrigo Alegre prefer to follow an unconventional, integrated model of design that incorporates its many varied facets, allowing their two unique approaches to complement one another. Rodrigo, who graduated from Universidad Anáhuac Norte, is able to envision how color and texture will combine as he explores the emotive nuances he wishes to create within a new environment. His abstract thoughts are brought to life by Carlos, the rational half of the design duo. Trained at Universidad Iberoamericana, with a student exchange to the University of Texas, Carlos’ ability to grasp volumes and spaces brings dreams to fruition through the perfect positioning of wall divisions, furniture pieces and light-streaming windows. Their small dedicated team of designers and architects plays an integral role in realizing the studio’s ambitious visions, with over 200 projects having been completed by this intimate team. Beyond designing, these passionate professionals offer practical solutions, bringing their experience in all forms of design to manifest in big-picture thinking that pays attention to detail, celebrates collaboration and goes the extra mile. The approachable, personal style with which the STUDIOROCA team works is a reflection on the responsibility its people place on themselves as architects and designers who venture beyond the drawing board. Sustainability STUDIOROCA’s focus on sustainability has seen the company establish itself as a trailblazer in the realization of buildings and furniture pieces that are produced with a sense of conscience and responsibility, taking into account the full production chain, from material source to distribution of wealth. The studio has done away with environmentally harmful varnishes on its furniture pieces, and now only use FSC-certified hardwood. It also pledges to keep materials to a minimum, a consideration most appreciated in its 77 range of furniture, where only the necessary functional structures have been designed, and where small leftover pieces of wood from bigger cuts are utilized, rather than sourcing new pieces. This approach continues in its architecture and interior designs, with 80% of materials sourced locally. This, coupled with its use of solar panels, the harvesting of rainwater, and the inclusion of indigenous gardens in its projects, has led to STUDIOROCA’s application for Leadership in Energy and Environmental Design (LEED) certification, which is currently under review. For the studio, sustainability has a much further reach than the natural environment, however. Its projects take into account social, cultural and economic sustainability too, by ensuring its production chain – from the craftspeople producing hand-worked elements, to its low-environmental-impact manufacturing line – all sits within Mexico so that the 3 communities benefiting financially are those who have been an integral part of the process. Architecture In STUDIOROCA’s architectural projects, authentic materials that are true to their Mexican origin, such as local mountain rocks, regional marble and indigenous wood, are utilized in new ways to highlight their natural rawness, deep texture and prized imperfections, imbuing buildings with unique character. It’s through such character that every structure portrays its personality, suited to the people who live, work and relax within it. This unpretentious use of materials follows through to metals, which are encouraged to rust and patinate as the building interacts with nature’s elements and becomes part of the environment surrounding it, giving projects an essential sense of place, where the here and now is as important as the then and there. Interior design STUDIOROCA’s interior style leans toward textured materials and dark hues contrasted with paler wood and lighter accent tones. These evocative, luxurious interiors are enlivened by carefully considered lighting that enhances the tonality of moody dark browns, deep blues and a spectrum of blacks, and highlights textures through illuminated reflections. Where environments dictate a paler palette, textures and materials make up the necessary contrast. Local willow wood on wall panels, flooring made from recinto volcanic rock, and countertops decorated with Mexico’s retapado marble become talking points, made even more appealing with plant life and greenery introduced indoors. Furniture Combining its deep respect for handcrafted, artisanal product, and its future-forward approach to technology and innovation, STUDIOROCA’s range of furniture places emphasis on high-quality offerings, producing its ranges in low quantities, often customized to suit the specific requirements of its varied projects. Veering away from industrialized production lines, it employs sophisticated hand-worked machinery, in line with its approach to sustainability and simplicity. The studio’s premiere collection (2002-2008) was shaped by a groundbreaking application of materials and forms, resulting in award-winning designs that set contemporary Mexican design on the map. Pieces from this collection were shown at Fabrica Mexicana and Museo de Arte Moderno in Mexico City and in the MoMA store in New York. The 2008 Eco collection initiated a change in the production of STUDIOROCA’s furniture pieces, adapting a sustainable view regarding design – a philosophy that continues to guide the studio’s practices today. Sourcing FSC-certified wood, eliminating varnishes, and using local materials wherever possible, this collection was the start of a conscious undertaking to work with local artisans and support local industry, an outlook that was celebrated at the launch of the Eco range at the Mexican Gallery...

We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All...

Calacatta Big Poche by Henry Wilson Dimensions: D 30 x H 7 cm Materials: Calacatta Marble The Big Poche reinterprets and scales up our Vide Poche Rond. Each piece is manufactured in...

Arena is a narrative object, a step back in time in the history of Paestum. This souvenir is an iconic travertine ashtray with a strong decorative character, a small sculpture for sm...

Arrebol Escalonado by Studioroca. Dimensions: 18 x 18 x 30.5 cm. Materials: volcanics rocks essential oils diffuser. Studioroca is a Mexico City design studio focused on architecture, interior design and contemporary furniture. Its penchant for collaboration, the promotion of local talent, artisanal skills and natural materials, and its ever-present pull toward sustainable practices have seen the studio create highly emotive environments and unique functional pieces that speak of a forward-thinking, borderless approach to design. Intro Through architecture, interior design and furniture, STUDIOROCA portrays a distinct Mexican aesthetic, where sophisticated, elegant designs become bold statements of strong masculine lines and dark moody shades that contrast dramatically with elongated curves and highly textured surfaces. Based in Mexico City, the studio has, since its inception, offered much more than simple design solutions, its impetus always being to meaningfully improve lives through design. By promoting, supporting and offering a platform for other Mexican designers in its two stores in Polanco and Condesa, STUDIOROCA has been at the forefront of the modern-day Mexican design movement for over 15 years. The studio’s ability to artfully blend its own architecture and interior design with both local and international product is testament to its glocal outlook. While proudly Mexican and inherently influenced by the country’s culture and craftsmanship, its designs talk to a cosmopolitan, international sense of style. STUDIOROCA’s respect for the environment and reverence of traditional skills has led to the pursuit of sustainable practices, while its affinity for collaboration and promotion of artisanal skills has seen the studio produce work in conjunction with countless talented designers and craftspeople. Its confidently utilitarian designs are the result of risk-taking, boundary-pushing processes that emerge from STUDIOROCA’s constant quest to establish innovative solutions, while simultaneously respecting each of its projects’ unique locations, incorporating the surrounding environment into the design language. Working closely with clients, a personal rapport ensures delving into the core of every design requirement, leading to the ultimate achievement of deeply embedded needs. Ultimately, what STUDIOROCA presents is a fresh iteration of Mexican design, a version which is at once moving, intoxicating and comforting. History STUDIOROCA was founded by Carlos Acosta and Rodrigo Alegre. When, in 2002, the two independent Mexico City architects were commissioned to work collaboratively on the architecture and interiors of a new spa, they were frustrated by the lack of affordable furniture available, and embarked on designing their own pieces for the project. And so STUDIOROCA was born. Initially a furniture store in the heart of the then up-and-coming leafy suburb of Condesa, it has developed into a fully fledged architecture and interior-design studio, with another store in the city’s high-end design district of Polanco, which opened in 2011. Its line of furniture, all designed and manufactured in Mexico, had humble production beginnings in a small kitchen-design factory, a foundation that has carried through into the studio’s current philosophy of small-scale, high-quality production. In conjunction with its own range of functional pieces, STUDIOROCA has always invited other local designers to showcase their work in its two stores, and, what started with three additional designers’ pieces in 2002, has led to collaborations with many more, now presenting the limited-edition work of 28 Mexican designers through its UNION- brand, while continuing to retail exclusive international brands such as Tom Dixon, Moooi and GAN. 2 More recently, the studio’s architectural and interior projects have included large housing developments and hotels, fully employing STUDIOROCA’s 360-degree approach to design. Founders and team Architects by training, founders Carlos Acosta and Rodrigo Alegre prefer to follow an unconventional, integrated model of design that incorporates its many varied facets, allowing their two unique approaches to complement one another. Rodrigo, who graduated from Universidad Anáhuac Norte, is able to envision how color and texture will combine as he explores the emotive nuances he wishes to create within a new environment. His abstract thoughts are brought to life by Carlos, the rational half of the design duo. Trained at Universidad Iberoamericana, with a student exchange to the University of Texas, Carlos’ ability to grasp volumes and spaces brings dreams to fruition through the perfect positioning of wall divisions, furniture pieces and light-streaming windows. Their small dedicated team of designers and architects plays an integral role in realizing the studio’s ambitious visions, with over 200 projects having been completed by this intimate team. Beyond designing, these passionate professionals offer practical solutions, bringing their experience in all forms of design to manifest in big-picture thinking that pays attention to detail, celebrates collaboration and goes the extra mile. The approachable, personal style with which the STUDIOROCA team works is a reflection on the responsibility its people place on themselves as architects and designers who venture beyond the drawing board. Sustainability STUDIOROCA’s focus on sustainability has seen the company establish itself as a trailblazer in the realization of buildings and furniture pieces that are produced with a sense of conscience and responsibility, taking into account the full production chain, from material source to distribution of wealth. The studio has done away with environmentally harmful varnishes on its furniture pieces, and now only use FSC-certified hardwood. It also pledges to keep materials to a minimum, a consideration most appreciated in its 77 range of furniture, where only the necessary functional structures have been designed, and where small leftover pieces of wood from bigger cuts are utilized, rather than sourcing new pieces. This approach continues in its architecture and interior designs, with 80% of materials sourced locally. This, coupled with its use of solar panels, the harvesting of rainwater, and the inclusion of indigenous gardens in its projects, has led to STUDIOROCA’s application for Leadership in Energy and Environmental Design (LEED) certification, which is currently under review. For the studio, sustainability has a much further reach than the natural environment, however. Its projects take into account social, cultural and economic sustainability too, by ensuring its production chain – from the craftspeople producing hand-worked elements, to its low-environmental-impact manufacturing line – all sits within Mexico so that the 3 communities benefiting financially are those who have been an integral part of the process. Architecture In STUDIOROCA’s architectural projects, authentic materials that are true to their Mexican origin, such as local mountain rocks, regional marble and indigenous wood, are utilized in new ways to highlight their natural rawness, deep texture and prized imperfections, imbuing buildings with unique character. It’s through such character that every structure portrays its personality, suited to the people who live, work and relax within it. This unpretentious use of materials follows through to metals, which are encouraged to rust and patinate as the building interacts with nature’s elements and becomes part of the environment surrounding it, giving projects an essential sense of place, where the here and now is as important as the then and there. Interior design STUDIOROCA’s interior style leans toward textured materials and dark hues contrasted with paler wood and lighter accent tones. These evocative, luxurious interiors are enlivened by carefully considered lighting that enhances the tonality of moody dark browns, deep blues and a spectrum of blacks, and highlights textures through illuminated reflections. Where environments dictate a paler palette, textures and materials make up the necessary contrast. Local willow wood on wall panels, flooring made from recinto volcanic rock, and countertops decorated with Mexico’s retapado marble become talking points, made even more appealing with plant life and greenery introduced indoors. Furniture Combining its deep respect for handcrafted, artisanal product, and its future-forward approach to technology and innovation, STUDIOROCA’s range of furniture places emphasis on high-quality offerings, producing its ranges in low quantities, often customized to suit the specific requirements of its varied projects. Veering away from industrialized production lines, it employs sophisticated hand-worked machinery, in line with its approach to sustainability and simplicity. The studio’s premiere collection (2002-2008) was shaped by a groundbreaking application of materials and forms, resulting in award-winning designs that set contemporary Mexican design on the map. Pieces from this collection were shown at Fabrica Mexicana and Museo de Arte Moderno in Mexico City and in the MoMA store in New York. The 2008 Eco collection initiated a change in the production of STUDIOROCA’s furniture pieces, adapting a sustainable view regarding design – a philosophy that continues to guide the studio’s practices today. Sourcing FSC-certified wood, eliminating varnishes, and using local materials wherever possible, this collection was the start of a conscious undertaking to work with local artisans and support local industry, an outlook that was celebrated at the launch of the Eco range at the Mexican Gallery...

Antique French bronze d'ore cut crystal centerpiece

A Large 19th century Russian Louis XVI Style dore bronze mounted aventurine Hand-Carved Centerpiece. The mottled green appearance of the aventurine is truly beautiful. The rectangula...

A cool dish in marble and bronze. Beautiful decorated with gilded bears. Art Deco from the 1920s. Worn gilding on the bears. Wear consistent with age and use.

A 19th century Baccarat hand blown crystal epergne with intaglio floral cut decoration with parcel gilt enamel. The amazing workmanship on this tall and impressive centerpiece is mad...

This is a spectacular ruby cut Bohemian Czechoslovakian centerpiece bowl on a clear-cut pedestal base. The main upper bowl is ruby red, and the...

Italian Neo-Classic Grand Tour white marble centerpiece in an urn form with a rope and foliate design lip and diamond reticulated body, restin...

This important hand carved rock crystal bowl was crafted in Brazil, the heavy dish with natural scalloped edges is in excellent condition with a rich patinated clear finish. Place th...

We kindly suggest that you read the entire description, as with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Exc...

Fruit bowl in black Marquina marble ideal for fruit and to present food. Each piece is in a way unique (every marble block is different in veins and shades) and handmade by Italian a...

Fine centerpiece in thick heavy crystal, with relief work on the bottom. Signed in scratch "Daum France", model "Cratère". Label of the producer Daum of Nancy laterally. France, 60s....

What a spectacular example of the finest intaglio cutting! The incredible hand blown crystal blank is 1/2" thick and thus the intaglio cutting is deep and masterful-truly museum qual...

Small fruit bowl in Portoro marble, extracted and processed in Italy. You have a 100% made in Italy product. It is ideal for fruit and to present foo...

Centerplace, WMF We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982.If you have any questions we are at your disposal. Pushing the button t...

Centerplace, wmf, German Firms: WMF G: The so-called “bee-hive” mark was introduced on the 1st July 1909 at the express wish of the French customs authorities: all WMF articles, ...

A fine antique French Empire cut crystal round shaped centerpiece bowl with a wavy edge. Mounted in a footed hand chiseled ormolu mount decora...

Centerplace, WMF, German Firms: WMF G with ostrich = The first WMF impressed mark, used from 1880 to 1925 for silver-plated Hollow-ware, and until 1930 for export articles. The G...

Centerplace, wmf, German We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982.If you have any questions we are at your disposal. Pushing the ...

English crystal footed centerpiece bowl, Hand Cut & Polished, Early 19th Century Beautiful Diamond cuts with delicate crosshatch details. Additional Information: Color: Gold ...

Centerplace, Kayser, German We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing ...

Fruit bowl in white Carrara marble ideal for fruit and to present food. Each piece is in a way unique (every marble block is different in veins and shades) and handmade by Italian ar...

Bronze and Quartzite "Alcova" table tray - Ilaria Bianchi. Dimensions: 13 x 40 x 27.5 cm. Materials: Bronze, powder-coated metal, quartzite marble. Alcova it’s a tribe of a chai...

Centerplace, wmf, German We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the...

Grandi Cristalli is an Italian company that specializes in the production of high-quality glassware, including wine decanters. A wine decanter is a vessel used to transfer wine from the bottle into the decanter, allowing it to breathe and release its full aroma and flavor before serving. Grandi Cristalli offers a range of wine decanters made from high-quality glass, handcrafted by skilled artisans in Italy. Their decanters feature elegant designs and are available in different sizes and shapes, depending on the type of wine...

This mortar was found in sweden. It was handcrafted around 1900. It was definitely used as you can see some traces. Made of dark green / grey marble. Perfect as mortar, planter or de...

Exceptional asymmetrical pair of Post-Modern candlesticks or candle holders rendered in two textured tessellated travertine, both polished smooth as well as rough chiseled. Designed ...

Crystal We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'V...

Stunning and extremely rare Georgian Irish Heavy Gauge hand cut crystal fruit bowl or centerpiece of traditional outline, of outstanding quality and condition. Circa 1800 - 1825. The unusual fan-cut decorative rim above a deep cut diamond pattern all-round body with a single ring stem socle, ending on a circular base with star cut pattern underneath. Made in Ireland in either Waterford or Belfast. This piece is unmarked, early pieces were not usually. *This piece is over quarter of an inch in thickness allover. Condition: Good condition for such an early piece of rare Irish glass. No inside clouding, wonderful evidence of age wear at base underneath, few flea bites to top rim, difficult to see. Measures: Diameter: (at widest) 5.75” (14.75cm). Height: (just over) 5” (13cm). Location: Dublin City, Ireland Provenance: Purchased at Harrods Antiques...

Exceptional Antique 19th century Anglo-Irish hand cut crystal "Waterford style" large and heavy pedestal compote. This flared top, pedestal compote is magnificently hand-cut in a fan...

Antique French baccarat crystal and bronze d' ore centerpiece, circa 1890.

Tray in cut crystal, base with sculptures of putti in sheffield. Period Early twentieth century Materials Cut crystal, sheffield Dimensions Ø 31 cm H 24 cm Conditions The p...

An unusual 19th century French ormolu mounted crystal centerpiece or candelabra, the crystal attributed to Baccarat. The crystal bowl has a beautiful prismic pattern which has been h...

Antique French cut crystal & gold bronze bowl centerpiece, circa 1890.

Beautiful and rare black marble (Belgium blue stone) mortar, France, circa 1750-1850. Great eyecatcher. Weathered but good condition.

A marvelous 19th century English Dore bronze mounted crystal bowl centerpiece with dore bronze bird handles, signed on the bottom, Osler. The crystal bowl...

Mirage Specchio by Studio Intervallo Dimensions: D 30 x H 3.2 cm Materials: green Guatemala marble. Available in other stones. The Mirage collection comes from the monolithic m...

Mirage Contenitore Alto by Studio Intervallo Dimensions: D 30 x H 6.2 cm Materials: green Guatemala marble. Available in other stones. The Mirage collection comes from the mono...

Mirage Contenitore basso by Studio Intervallo Dimensions: D 30 x H 3.2 cm Materials: green Guatemala marble. Available in other stones. The Mirage collection comes from the mon...

Mirage Contenitore Alto by Studio Intervallo Dimensions: D 30 x H 6.2 cm Materials: white Arabescato marble. Available in other stones. The Mirage collection comes from the mon...

Mirage Specchio by Studio Intervallo Dimensions: D 30 x H 3.2 cm Materials: white Arabescato marble. Available in other stones. The Mirage collection comes from the monolithic ...

Mirage Lente by Studio Intervallo Dimensions: D 30 x H 3.2 cm Materials: green Guatemala marble. Available in other stones. The Mirage collection comes from the monolithic mate...

Mirage Contenitore Basso by Studio Intervallo Dimensions: D 30 x H 3.2 cm Materials: white Arabescato marble. Available in other stones. The Mirage collection comes from the mo...

This large and substantial three arm candelabra was made by the renowned Val Saint Lambert factory of Belgium in approximately 1950 in the period Mid-Century Modern style. This candl...

Mirage Contenitore basso by Studio Intervallo Dimensions: D 30 x H 3.2 cm Materials: marble, Available in other stones. The Mirage collection comes from the monolithic material...

Mirage Specchio by Studio Intervallo Dimensions: D 30 x H 3.2 cm Materials: black Marquinia marble. Available in other stones. The Mirage collection comes from the monolithic m...

German lead crystal wave form centrepiece serving tray for brilliant table presentation. Tray measures 19" long x 10" width x 2" height. Germany, ...

Carambola centrepiece by Studio Lievito Dimensions: D 33 x W 30 x H 5 cm Materials: Bianco carrara marble. Weight: 3.4 kg Fruits like billiard balls are ready to be ‘split’ during t...

The Schneider glassworks (Verreries Schneider), established by brothers Charles and Ernest Schneider in Epinay-sur-Seine, France, in 1917, was among the leading producers of fine-art glass between the two world wars, creating exuberantly colorful vessels...

21st century hand carved clear crystal and golden bronze candelabra. This candelabra is finely chiseled lost wax castings and hand-grounded crystal. This Candelabra has got 5-flames....

Midcentury round vide-poche dish in travertine by Fratelli Mannelli. Made in Italy in the 1970s. The original label is still attached on the back, as shown in the pictures.

A Mid-20th Century crystal footed bowl epergne, flower vase A crystal epergne with etched scene of a star above a garland. This set consists of 2 parts crystal. A footed bowl, rai...