1940s Centerpieces

Royal Crown Derby Old Imari 1128 footed Elizabeth tea cup and saucer. A timeless example of English bone china craftsmanship. Featuring the brand’s iconic Old Imari 1128 pattern, th...

A pair of unusually expressionistic lead compotes having stylized elongated shape, earthy greenish black patina, and beautiful dolphin motif bases.

Barovier e Toso centerpiece “Rostrato” murano glass, 1940, Italy.

A wonderful Theodore B. Star sterling silver large pierced footed centrepiece bowl.

940s French Art Deco Ceramic Trivet, Geometric Interlocking Circle Motifs Description: This elegant Art Deco ceramic trivet, crafted in France in the 1940s, is a timeless and stylis...

This Royal Crown Derby Old Imari Solid Gold Band Dolphin Centerpiece is an exquisite and highly collectible porcelain piece, showcasing the elega...

French ceramic fish or Shellfish Tureen "Bouillabaisse" by Paulette Bailet at Saint-Jean-du-Desert (Marseille), France, late 1940s. Can be used for various preparations of fish or sh...

This elegant silver-plated bowl, crafted by Carl M. Cohr & Co. of Denmark, showcases a timeless Art Deco-inspired design. Featuring a scalloped, fluted body with crisp, clean lines, ...

container bowl, centerpiece in polychrome ceramic, Dante Baldelli production, 1940s, città di castello - Italy leaf-shaped, in shades of black, light...

Murano with gold We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Attributed to Barovier Toso The company is one of the oldest family businesses in the world, founded in 1295 as Barovier. "The name Barovier derives from the term berroviere (highwayman/policman, which indicates the armigero (person entitled to bear arms) guarding the captain of the people. It is probable that some Barovier, originally from Treviso, settled in Murano around 1291, when a law of the Republic imposed the concentration on the island of all glass furnaces." Jacobello was the first member of the Barovier family to work glass at this time. It is thought that the company originated in Treviso[citation needed]. The Toso family had been established in Murano since around 1350. In the 1400s Angelo Barovier created glass objects which are currently preserved in various museums. Angelo is recognized as significant for uniting the knowledge which had been developed and handed down by family Barovier. He was not only considered and artist but a scientist. The company became Ferro Toso Vetrerie Artistiche Riunite S.A in 1936 when Vetreria Artistica Barovier merged with Ferro Toso, specializing in crystalline glass, mother-of-pearl glass, and gold-free cornelian red glass.. In 1942, the company was renamed Barovier & Toso. In 1919–1920, 30 year old designer Ercole Barovier began a 50-year career as the artistic director of Barovier & Toso.[9] "After studying medicine and working as a radio operator during World War One he joined the family firm in 1920 when he and his brother Nicolo took over the management from their father Benvenuto. From 1927 Ercole was the main designer and from 1934, when Nicolo left the company, (he was) also the sole owner." While Barovier did not have formal training as a glassblower, his artistic designs produced objets d'art that have become the most critically acclaimed in the history of Ercole - Barovier. In 1930 he produced his award-winning “Primavera” series. "The Primavera series ... is distinguished by a milky white 'craquelé' glass with the addition of black or blue pasta vitrea trim ("opaque colored glass whose consistency is made to appear like ceramic") and decoration. There was a very limited production of this series due to the fact that it was a result of a glass mixture obtained accidentally so it could never be replicated." One example of this series, a Primavera Pigeon, was sold at auction for GBP 275,000 (approximately $360,000 USD, not inclusive of the buyer’s premium) on October 16, 2019. Barovier continued to produce innovative designs of which the “Lenti” vase...

Richard Ginori 1940s white ceramic Shells centrepiece.

Beautiful, understated Argenta round ceramic footed centrepiece platter by Wilhelm Kage for Gustavsberg, Sweden Applied silver trellis motif decorates the depressed centre, the oute...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'Vi...

Catalan Glass Cruet set, circa 1940 Manufactured in Spain. In original condition, with minor wear consistent of age and use, preserving a beautiful patina. Material: Glass ...

An early impressive Mid-Century Georg Jensen sterling silver centerpiece bowl, design #980 by Henning Koppel from 1948. A large sculptural bowl that rests an a three pointed base whi...

Designed by the esteemed H. J. Swiss Pewter and crafted in Switzerland circa 1940, this exceptional Art Deco centerpiece or covered dish is a true testament to timeless elegance and ...

Made in Empoli, Italy, 1940s. It is a high-quality centerpiece made in green hand blown glass. This is a vintage piece, therefore it might show slight traces of use, but it can be c...

Royal Crown Derby Old Imari 1128 oval covered vegetable dish. A timeless example of English bone china craftsmanship. Featuring the brand’s iconi...

Exquisite Vintage Italian Wooden Bowl – Early 20th Century Rustic Elegance Step into the charm of 1940s Italy with this remarkable handcrafted wooden bowl. A stunning example of Ita...

A vintage sterling silver Georg Jensen bonbonniere, design #172P by Harald Nielsen. This elegant two-piece lidded round low bonbonniere is crafted in the Art Deco style. The base fea...

Made in the UK by George Davidson, 1940s. This large oval bowl is made in sepia calcedony glass and features a rippled edge and an impressed star design on the base. It is a vintage ...

Catalan metal and glass cruet set. Manufactured in Spain, circa 1940 In original condition, with minor wear consistent of age and use, preserving a beautiful patina. Materi...

French Art Nouveau wrought iron jardinière or table centerpiece. The newly powder coated metal centerpiece or plant holder hails from the 1940's. This elegant piece has lovely graceful curves throughout. As a centerpiece on a table or an accent decor piece on a porch or garden, the freshly powder coated bright yellow jardiniere...

A wonderful French neoclassical gilt bronze and diamond cut crystal oval centerpiece  with swan handles in the manner of Baccarat, circa 1940s.

Exquisite Early 20th Century Italian Wooden Bowl – Sculptural Piece from the 1940s" Discover the rustic charm and timeless elegance of this early 20th century Italian wooden bowl, a...

This beautiful diamond shaped crystal insert has a fluted bottom and cut crystal border which is scalloped. The doré bronze basket is decorated wi...

Fontana Arte Centerpiece.

Bailey Banks and Biddle sterling centerpiece bowl # 2929. In The Chrysanthemum pattern. Measures: 12.5" W x 4.5" H.

A large square lacquer presentation tray (likely for kimono) predated 1950 of the Showa period. Elaborately decorated with Maki-e that depicts the prunus blossom, bamboo and needle p...

1940s Royal blue glass classical urn with gilt trim.

A decorative dish or bowl fashioned out of a large piece of all natural malachite mineral stone. Polished beautifully to display the natural swirly layerings and concentrics of the s...

Murano with gold Attributed to Seguso - Barovier We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. The history of "Seguso Vetri D' Arte" is directly linked to the "Vetreria Artistica­ Barovier" company. When the Barovier workshop was forced to reduce production in 1929, due to a financial crisis in America, the original group of ten partners had to separate and Antonio Seguso in 1931, assisted by his sons Ernesto and Archimede opened a small workshop of his own. They were joined by Luigi Olimpio Ferro and Napoleone Barovier the following year. Together the craftsmen establish the "Artistica Soffieria e Vetreria Barovier Seguso & Ferro" company as equal partners. In 1934 Flavio Poli joins the firm as artistic director and within only a brief period of time a distinct style of designs emerged. The close collaboration between Flavio Poli, Archimede Seguso and Alfredo Barbini played an important part in the success of the company. New glass techniques are developed which include never before seen color applications. The companies innovative designs constantly received awards and during the 1935 World Fair in Brussels and the 1936 Milan Triennale they did attract the interest of a new group of clientele. One of them is the French wholesale company "Veronese" from Paris which would play a defining role in the history of the company. The demand for an increase in production requires additional investments and the partners felt that there is a need to multiply their investment tenfold. Luigi Olimpio Ferro subsequently decided to withdraw from the company and his shares are acquired by Flavio Poli, which makes him a full partner. As a result, the company name is changed to Seguso Vetri D’ Arte and it is officially recognized in 1937. A period of great success and prosperity ensues, lasting until the outbreak of World War II. The post ­war period is a time of great change in Europe and the rebuilding of the economical structure in Italy requires major investments which result in the introduction of new import duties and taxes. To safeguard the copyright of the Seguso Vetri D'Arte designs an application for a second entry into the commercial registers of Venice is made by the partners in 1945. Strict export regulations curb international business relations for many years after the war and the company decides to focus on the domestic market instead. In 1946 a large retail location is opened at the Piazza Diaz in Milan where in addition to the art glass, German porcelain and Italian pottery is offered. In 1950 Flavio Poli develops a new sommerso glass technique, which consists of an overlaying of transparent layers of glass. The overlapping creates new shades of color which prior to the introduction of this technique had not been seen. Flavio Poli's most iconic design is the "Valve", which resembles an upright, slightly opened clam shell. The design was introduced in 1951. Mario Pinzoni joins the company in 1953 as a personal assistant to Flavio Poli and his responsibilities as a draftsman included the compilation of archival and the existing production drawing s...

This pair of stunning and unique compotes, composed of glass with resin bases and lids, was designed by Dorothy Thorpe, one of the most prolific and important women designers in Mid-...

Murano with gold We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Attributed to Seguso - Barovier We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. The history of "Seguso Vetri D' Arte" is directly linked to the "Vetreria Artistica­ Barovier" company. When the Barovier workshop was forced to reduce production in 1929, due to a financial crisis in America, the original group of ten partners had to separate and Antonio Seguso in 1931, assisted by his sons Ernesto and Archimede opened a small workshop of his own. They were joined by Luigi Olimpio Ferro and Napoleone Barovier the following year. Together the craftsmen establish the "Artistica Soffieria e Vetreria Barovier Seguso & Ferro" company as equal partners. In 1934 Flavio Poli joins the firm as artistic director and within only a brief period of time a distinct style of designs emerged. The close collaboration between Flavio Poli, Archimede Seguso and Alfredo Barbini played an important part in the success of the company. New glass techniques are developed which include never before seen color applications. The companies innovative designs constantly received awards and during the 1935 World Fair in Brussels and the 1936 Milan Triennale they did attract the interest of a new group of clientele. One of them is the French wholesale company "Veronese" from Paris which would play a defining role in the history of the company. The demand for an increase in production requires additional investments and the partners felt that there is a need to multiply their investment tenfold. Luigi Olimpio Ferro subsequently decided to withdraw from the company and his shares are acquired by Flavio Poli, which makes him a full partner. As a result, the company name is changed to Seguso Vetri D’ Arte and it is officially recognized in 1937. A period of great success and prosperity ensues, lasting until the outbreak of World War II. The post ­war period is a time of great change in Europe and the rebuilding of the economical structure in Italy requires major investments which result in the introduction of new import duties and taxes. To safeguard the copyright of the Seguso Vetri D'Arte designs an application for a second entry into the commercial registers of Venice is made by the partners in 1945. Strict export regulations curb international business relations for many years after the war and the company decides to focus on the domestic market instead. In 1946 a large retail location is opened at the Piazza Diaz in Milan where in addition to the art glass, German porcelain and Italian pottery is offered. In 1950 Flavio Poli develops a new sommerso glass technique, which consists of an overlaying of transparent layers of glass. The overlapping creates new shades of color which prior to the introduction of this technique had not been seen. Flavio Poli's most iconic design is the "Valve", which resembles an upright, slightly opened clam shell. The design was introduced in 1951. Mario Pinzoni joins the company in 1953 as a personal assistant to Flavio Poli and his responsibilities as a draftsman included the compilation of archival and the existing production drawing s...

Antique Catalan metal cruet set. Manufactured in Spain, circa 1940 In original condition, with minor wear consistent of age and use, preserving a beautiful patina. Material:...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal.  Carlo Scarpa (2 June 1906 – 28 N...

An impressive overscale Royal Copenhagen porcelain centerpiece featuring elegantly fluted sides and elevated on a classic pedestal base. This piece showcases the distinctive crackle ...

The Auriac candlesticks by Marc Lalique belong to the new style Marc Lalique introduced in the Lalique company in the early 1940tys. This style is still influenced by the Art Déco p...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'V...

Fabulous Barovier three piece dramatic centerpiece set with hand blown double dolphin base supported lemon-yellow center bowl, with applied black trim and gold leaf inclusions. The b...

Royal Crown Derby Old Imari 1128 five piece place setting for dinner. The set comprises a Dinner Plate, Salad Plate, Side Plate, Footed Cream Sou...

Gorgeous, monumental, vintage Murano hand blown blue with gold flecks Italian art glass seashell centerpiece sculptural bowl with pearl inside. Documented to designer Ercole Barovier...

Italian Art Deco Black onyx centerpieces with shape of a balance, 1940s Pair of centerpieces in the shape of a balance in black onyx. Hand crafted and carved. 1940s Good condition...

Murano Attributed to Seguso - Barovier We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. The history of "Seguso Vetri D' Arte" is directly linked to the "Vetreria Artistica­ Barovier" company. When the Barovier workshop was forced to reduce production in 1929, due to a financial crisis in America, the original group of ten partners had to separate and Antonio Seguso in 1931, assisted by his sons Ernesto and Archimede opened a small workshop of his own. They were joined by Luigi Olimpio Ferro and Napoleone Barovier the following year. Together the craftsmen establish the "Artistica Soffieria e Vetreria Barovier Seguso & Ferro" company as equal partners. In 1934 Flavio Poli joins the firm as artistic director and within only a brief period of time a distinct style of designs emerged. The close collaboration between Flavio Poli, Archimede Seguso and Alfredo Barbini played an important part in the success of the company. New glass techniques are developed which include never before seen color applications. The companies innovative designs constantly received awards and during the 1935 World Fair in Brussels and the 1936 Milan Triennale they did attract the interest of a new group of clientele. One of them is the French wholesale company "Veronese" from Paris which would play a defining role in the history of the company. The demand for an increase in production requires additional investments and the partners felt that there is a need to multiply their investment tenfold. Luigi Olimpio Ferro subsequently decided to withdraw from the company and his shares are acquired by Flavio Poli, which makes him a full partner. As a result, the company name is changed to Seguso Vetri D’ Arte and it is officially recognized in 1937. A period of great success and prosperity ensues, lasting until the outbreak of World War II. The post ­war period is a time of great change in Europe and the rebuilding of the economical structure in Italy requires major investments which result in the introduction of new import duties and taxes. To safeguard the copyright of the Seguso Vetri D'Arte designs an application for a second entry into the commercial registers of Venice is made by the partners in 1945. Strict export regulations curb international business relations for many years after the war and the company decides to focus on the domestic market instead. In 1946 a large retail location is opened at the Piazza Diaz in Milan where in addition to the art glass...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'V...

Murano. We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads '...

This is an interesting collection of hand blown ribbed crystal finial-like sculptures made by Venini. Extremely well-matched in clear crystal in a teal shaded green. Each piece is mo...

Royal Crown Derby Old Imari 1128 oval vegetable dish. A timeless example of English bone china craftsmanship. Featuring the brand’s iconic Old Im...

Seguso centerpiece.

This stunning, embossed, and polished pewter tureen was designed and crafted by H.J. Swiss Pewter. The modernist shape has a detailed embossed design and solid wood handles. The cove...

Murano Technical Bullicante We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal.  Carlo Scar...

Made in Italy, 1930s- 1940. This is a vase attributable to Ercole Barovier and is made in transparent heavy rostrated Murano glass: glass rostrating is a particular technique in whi...

Made in Italy, 1940. This is a vase attributable to the "A Mugnoni" series in transparent heavy blown glass, decorated with prunts containing air bubbles, which is a typical Ercole ...

This large handblown Venetian centrepiece is large enough to be the focal point as a low centerpiece or used as a decorative piece on a sideboard or coffee table. The organic life-li...

Barovier e Toso.

Centerpiece VENINI.

Barovier e Toso centerpiece “Rostrato“ Murano glass, 1940, Italy.

It is a tray from the Art Deco period, in brass with geometric patterns. It is equipped with two candle holders. It was made in Sweden around the 1940s. It is gold in color. The manu...

This is a trivet in ceramic, with Art Deco decoratives Patterns. It has been done Circa 1940 byLuneville K&G, it is signed.

Hallmarks: S.A. Calderoni, Milano, 800. Weight: 160.14 troy ounces (5 kg 794 g), including non-silver material. DIMENSIONS: Overall height: 12inches Bottom vessel dimensions: Length: 21 inches Depth: 18.5 inches Height: 7.5 inches Top vessel dimensions: Length: 12 inches Depth: 9.5 inches Height: 9.7 inches This magnificent formal centerpiece was created around 1940 in Milan, Italy by S.A. Calderoni, a famous Italian firm of fine jewelers and silversmiths that was established in 1898 and achieved its greatest fame during Italian Art Nouveau and Novecento periods. The company also manufactured items by special private orders and commissions, and was a supplier to the court of the last Italian King, Victor Emmanuel III. The outstanding artistic design in the style of Novecento and its generous proportions combined with a remarkable handmade rendering make this magnificent centerpiece not simply a functional object but a true masterpiece of applied arts. This luxurious hand-hammered silver centerpiece consists of two parts: - The smaller footed bowl...