2010s Centerpieces

No.101 stoneware sculpture, Tonfisk by Ciona Lee One of a kind Dimensions: Ø 11 x H 28 cm Materials: black stoneware, frost white glaze Variations of size and colour available Tonf...

Handcrafted Sterling Silver Candelabra. Each part has been thoroughly embossed with the same tools used for hundreds of years by Bolivian silversmiths. This is a form of art that may...

'AnanasMusaPrunus' is from the British artist and Blown Away II series winner, Elliot Walker's ongoing body of unique still life artworks. Freehand sculpted in clear glass, the piece...

Temptation III, is a hand-blown glass sculpture by the collaborative artists Hanne Enemark (Danish) and Louis Thompson (British) Incorporating an outer form in clear and pink glass which contains a multitude of white glass canes and candy-colored, glass hundreds and thousands. The piece is topped with a glass cherry with a silver sterling stem...

Korean Glass with Gold 9 is a unique sculpture by the South Korean artist Choi Keeryong. Created from cast and cut glass combined with porcelain, the piece is finished with elegant details in gold lustre. Keeryong is a South Korean artist based in Scotland. His work is informed by his investigations into the similarities and cultural differences that we all experience in relation to the objects around us in contrast to where we live. Something he is has personally experienced living in another country. In this collection, Keeryong has developed a process using the ancient Korean ‘Saggam’ pottery technique, which allows him to explore a state of ambiguity created for the viewer’s visual experience. Using delineating geometric patterns and counterfeit letters (meaningless Korean words) he combines his glass with found English teapots...

Shizé S “The centerpiece draw its inspiration from Nature. The irregular shape of Shizè comes from the stones found in rivers.” Like a big rock sitting on furnishings in the home, this container has a soft, organic form. And it plays with the contrast between the ample size of the woven wicker part and the leather-clad plate that rests on the rim of the vessel. Complex in the making due to the asymmetrical form, and for the so called “passatemorte”, passages where the strand does not complete its circuit. Use and maintenance All the items are made with raw materials and are guaranteed for interiors. If it is necessary, they can also be installed outdoors as long as they are sufficiently protected from atmospheric agents and not directly exposed to the sunlight or water, in spaces like verandas, gazebos, arcades or protected spaces. The raw materials used for weavings could be not extremely homogeneous due to different physical properties and the items could have dimensions a bit different from descriptions listed in this document. The colors could change for the same reasons. Those features are the demonstration of authenticity of each product that is unique and handcrafted in Italy by Mogliano’s masters. Woven wicker is extremely resistant over the years, if it is stored in a dry place and without excessive temperature changes, and it could also change color or nuances due to its sunlight exposure based-on nature. The weaving by the craftsman is performed with soft and wet material, and the material dries naturally with the passage of time losing its elasticity. For this reason, avoid excessive pressures, overloads of heavy weights or impacts. The bases or wooden parts are entirely in solid wood: with the aging they could change in size and present natural micro-cracks. Avoid direct and long exposure to the sun, completely avoid wetting. About the lamp usage, in normal condition the items don’t require special maintenance. Technicals About item technical details and bulbs specifications, please refer to the technical data sheets. Cleaning Use a soft cloth for cleaning. Don’t use any chemicals, acids, scourers or steel brushes. The base in natural wood must be cleaned and dusted using a soft cloth, even slightly damp. Immediately wipe again with a soft, dry cloth. For lamps cleaning, unplug the appliance from electric power...

This organic amorphous centerpiece, in lush green flourishing with white color, is created as a piece of Art by Italian artist and designer, GioMinelli. Realized using and mixing recycled fiberglass...

Vessel 1456 by Jörg Pietschmann Dimensions: D 60 x W 108 x H 73 cm Materials: Walnut. Finish: Polished oil finish. Made from a huge lower trunk of an old walnut. In Pietschmann’s ...

Reliquia by Ehécatl Moreno Handmade Dimensions: D 45 x W 45 x H 12 cm. Materials: Glass, steel. A glass platter modeled from thermoforming, it is a masterpiece of transparency and l...

The Terra tray, made of Port Saint Laurent marble, can be used as a fantastic centerpiece to support a vase, or as a pocket emptier to place objects that are often scattered througho...

Blue Amaltea by Ivan Colominas Dimensions: 36.5 x 10 cm Materials: Blu Sodalite Also available: different marbles, Ivan Colominas studied industrial design at the UCH-CEU in ...

Block Stand Low Verde Guatemala Centerpiece by Studionudo Unique Piece. Dimensions: Ø 32 x H 10 cm. Materials: Verde Guatemala marble. Different materials and sizes are available. P...

Beginning with a ball of clay, Cristina Salusti pinches it into vessels and textures them with stone fragments. After multiple firing it is finally lustered with platinum. Its vo...

Vessel 1082 by Jörg Pietschmann Dimensions: D 12 x W 53 x H 11.5 cm Materials: tropical driftwood Finish: polished oil finish. In Pietschmann’s sculptures, trees that for centurie...

An exceptional crystal vase cut into a relief of well-arranged diamond shapes and accented with silver and gold colored details. This piece, like many of Cristal Benito's extraordina...

Half half vase by Jung Hong. Unique piece. Dimensions: W 30.5 x D 30.5 x H 34.5 cm. Materials: Porcelain. I use the technique of 'sang-gam' (=inlay work) with my special tool, which I made myself, and create delicate and exact lines, which are all handmade, although they are often mistakenly considered manufactured. In the notched hollow lines, I delicately place the subtle different colors one by one, just as hyperrealist painters do. It took me about a year to get a detailed "moon" pattern on the porcelain "moon jar". I am a Berlin-based ceramic artist from Korea and these are very early works made in Berlin, Moon jar is a type of traditional Korean white porcelain...

Aldo centerpiece by Arthur Arbesser Masters Collection Dimensions: 36 x 12 cm Materials: Nero Marquinia, Rosso Levanto, Bianco Michelangelo, Arabescato Vagli Filo Rosso, Verde Gua...

Sculpture form No_005 by AOAO Dimensions: W 27 x D 12 x H 48 cm Materials: Ceramic bisque Color options available upon request. The idea was born after deciding to reconnect with my...

Introduce a modern touch to your home with the Coppa High Container by Michael Verheyden. Crafted in Montepulciano Marble, this sophisticated piece adds a timeless elegance to any ro...

Candle holder, Large Quartz Points by Aver Dimensions: D 14 x H 28 cm Materials: Quartz, Steel, Polyvinyl chloride, Resin.  

Bowl, large quartz points by Aver Dimensions: D 23 x H 10 cm. Materials: quartz, steel, polyvinyl chloride, resin.  

Adspera is a centrepiece in silver plated metal designed by Chiara Andreatti for Paola C. and it is part of the collection Coquille, a col...

Half half vase by Jung Hong Unique piece Dimensions: W 28 x D 28 x H 32 cm Materials: Porcelain. I use the technique of 'sang-gam' (=inlay work) with my special tool, which I made myself, and create delicate and exact lines, which are all handmade, although they are often mistakenly considered manufactured. In the notched hollow lines, I delicately place the subtle different colors one by one, just as hyperrealist painters do. It took me about a year to get a detailed "moon" pattern on the porcelain "moon jar". I am a Berlin-based ceramic artist from Korea and these are very early works made in Berlin, Moon jar is a type of traditional Korean white porcelain...

Red white Yugen stonewares No 4 bowl by Yusuke´ Y. Offhause One of a Kind, the work is in two parts. Dimensions: D 24 x W 24 x H 8.8 cm. Materials: polished stoneware, polished po...

Shizé L “The centerpiece draw its inspiration from Nature. The irregular shape of Shizè comes from the stones found in rivers.” Like a big rock sitting on furnishings in the ho...

"Origin" in Grigio Carnico marble is a centerpiece designed in 2020 by designer Alessandra Grasso, clearly inspired by Gustave Courbet's famous painting, Origine du Monde, to shamel...

Escenario Mediterráneo is a collection that evokes the land of the designer, using handcrafted wrought iron as the only material, the creator shows the love for iron craftsmanship in...

Earth Mother Stoneware by Eguzkiñe Egaña Unique Dimensions: W 24.5 x L 24.5 x H 36 cm Materials: Black stoneware, Slip. Eguzkiñe Egaña Corta studied advertising and for more than 20...

Small alice tray by Slow Design Dimensions: W 19 x H 24 cm Materials: Glass. Technique: Grisaille. Available in colors: Gray and gold, and in size large. Heavy aged mirrored tray with oxidized details. Each piece is unique. Heavy aged mirrored tray with oxidized details. Slow Design is an Italian based company...

Double buddy sculpture by AOAO Dimensions: W 26 x D 14 x H 28 cm Materials: Ceramic Bisque Color options available upon request. The idea was born after deciding to reconnect with my family and my grandfather – a sculptor artist. Learning to sculpt and being a designer compelled me to combine these two mediums and use their best values. Experimenting with the functionality of sculpture and the meaning of furniture led me to create the collection. Studio AOAO is an interdisciplinary studio combining art and design. It was created by Alicja Strzyzynska and Onur Iseri in Amsterdam in 2020. “We specialise in making sculptural pieces by experimenting with the functionality of sculpture and the meaning of furniture. In our works, we focus on the emotional connection between the object and the user. All of our work seeks the experience of intimacy and the metaphysical bond between personal interaction and meaningful narrative. Through sculptural value and reflective design, we aim to create pieces that last for generations and help reduce environmental waste.” The inspiration to sculpt came from Alicja’s roots, her grandfather – an artist sculptor. Alicja completed Masters of Arts Degree in Product and Visual Communication Design at Warsaw Academy of Fine Arts and finished her bachelor degree in Interior Architecture. Alicja previously worked in Tokyo and Amsterdam in architectural design studios. Onur completed his business studies in Japan and worked in digital design & marketing as well as teaching in Tokyo. The studio’s first collection debuted at Rossana Orlandi Gallery during Milan Design Week 2021. The studio currently collaborates with RO Gallery...

Secondo Fuoco is an investigation into bronze, a reflection on the multiple souls of matter: its mineral origin, re-obtained by smelting processes and it...

Vano Model 2 Pink Object by Eter Design Unique Piece. Dimensions: Ø 25.4 x H 17.8 cm. Materials: Clay. Sustainable - Eco-friendly. Handmade. Each pie...

Unique III Stoneware sculpture by Lisa Geue Dimensions: D 12 x W 10 x H 21.5 cm Materials: Stoneware with Chamotte, Porcelain Slip, Kaolin, multiple firings Non-functional. Lis...

O'Connor bowl by Fakasaka Design Dimensions: W 41.5 cm D 16 cm H 9.5 cm. Materials: dark bronze. FAKASAKA is a design company focused on pro...

The Titled collection by Emmanuel Babled is a 2013 collection of nine domes each with a self-explaining title. The Top Victory series is one of the three part of the series. Handmade...

Decorative handmade tree for unique centerpiece decoration or even more. Great effect as a pair on a table. Handcrafted tin and nice gilded color hand painted patina. Au Bain Marie...

Contemporary handmade Italian post-modern Work of Art in the shape of a Fleur de Lys crown in majolica, exclusive design by Ceramica Gatti, a long tradition studio and famous designe...

'Abstracted Land Grey Sky over Winter Blue' is a unique handblown and cut glass artwork by the British artist, Kate Jones of Gillies Jones. In the artist's own words: “This new bod...

No.8 stoneware sculpture, Tonfisk by Ciona Lee One of a Kind Dimensions: W 11 x D 5.5 x H 9 cm Materials: grogged stoneware, satin cream glaze Variation...

Unique wall art: a series of 5 ceramics evoking the phases of the moon The pieces can also be arranged on a large table. Diameters are: 8.5", 9.8",...

‘Echochamber’ by Carlo Lorenzetti, 2019 Turquoise and white milky glazed stoneware A vessel that you sit against and talk into, either by yourself or with another person. The te...

Arrebol Tibor diffuser by STUDIOROCA Dimensions: W 18 x D 18 x H 30.5 cm Materials: Volcanic rock, polished brass plated steel, glass. Includes 1 essential oil 20mL bottle. STUDIOROCA is a Mexico City design studio focused on architecture, interior design and contemporary furniture. Its penchant for collaboration, the promotion of local talent, artisanal skills and natural materials, and its ever-present pull toward sustainable practices have seen the studio create highly emotive environments and unique functional pieces that speak of a forward-thinking, borderless approach to design. Intro Through architecture, interior design and furniture, STUDIOROCA portrays a distinct Mexican aesthetic, where sophisticated, elegant designs become bold statements of strong masculine lines and dark moody shades that contrast dramatically with elongated curves and highly textured surfaces. Based in Mexico City, the studio has, since its inception, offered much more than simple design solutions, its impetus always being to meaningfully improve lives through design. By promoting, supporting and offering a platform for other Mexican designers in its two stores in Polanco and Condesa, STUDIOROCA has been at the forefront of the modern-day Mexican design movement for over 15 years. The studio’s ability to artfully blend its own architecture and interior design with both local and international product is testament to its glocal outlook. While proudly Mexican and inherently influenced by the country’s culture and craftsmanship, its designs talk to a cosmopolitan, international sense of style. STUDIOROCA’s respect for the environment and reverence of traditional skills has led to the pursuit of sustainable practices, while its affinity for collaboration and promotion of artisanal skills has seen the studio produce work in conjunction with countless talented designers and craftspeople. Its confidently utilitarian designs are the result of risk-taking, boundary-pushing processes that emerge from STUDIOROCA’s constant quest to establish innovative solutions, while simultaneously respecting each of its projects’ unique locations, incorporating the surrounding environment into the design language. Working closely with clients, a personal rapport ensures delving into the core of every design requirement, leading to the ultimate achievement of deeply embedded needs. Ultimately, what STUDIOROCA presents is a fresh iteration of Mexican design, a version which is at once moving, intoxicating and comforting. History STUDIOROCA was founded by Carlos Acosta and Rodrigo Alegre. When, in 2002, the two independent Mexico City architects were commissioned to work collaboratively on the architecture and interiors of a new spa, they were frustrated by the lack of affordable furniture available, and embarked on designing their own pieces for the project. And so STUDIOROCA was born. Initially a furniture store in the heart of the then up-and-coming leafy suburb of Condesa, it has developed into a fully fledged architecture and interior-design studio, with another store in the city’s high-end design district of Polanco, which opened in 2011. Its line of furniture, all designed and manufactured in Mexico, had humble production beginnings in a small kitchen-design factory, a foundation that has carried through into the studio’s current philosophy of small-scale, high-quality production. In conjunction with its own range of functional pieces, STUDIOROCA has always invited other local designers to showcase their work in its two stores, and, what started with three additional designers’ pieces in 2002, has led to collaborations with many more, now presenting the limited-edition work of 28 Mexican designers through its UNION- brand, while continuing to retail exclusive international brands such as Tom Dixon, Moooi and GAN. 2 More recently, the studio’s architectural and interior projects have included large housing developments and hotels, fully employing STUDIOROCA’s 360-degree approach to design. Founders and team Architects by training, founders Carlos Acosta and Rodrigo Alegre prefer to follow an unconventional, integrated model of design that incorporates its many varied facets, allowing their two unique approaches to complement one another. Rodrigo, who graduated from Universidad Anáhuac Norte, is able to envision how color and texture will combine as he explores the emotive nuances he wishes to create within a new environment. His abstract thoughts are brought to life by Carlos, the rational half of the design duo. Trained at Universidad Iberoamericana, with a student exchange to the University of Texas, Carlos’ ability to grasp volumes and spaces brings dreams to fruition through the perfect positioning of wall divisions, furniture pieces and light-streaming windows. Their small dedicated team of designers and architects plays an integral role in realizing the studio’s ambitious visions, with over 200 projects having been completed by this intimate team. Beyond designing, these passionate professionals offer practical solutions, bringing their experience in all forms of design to manifest in big-picture thinking that pays attention to detail, celebrates collaboration and goes the extra mile. The approachable, personal style with which the STUDIOROCA team works is a reflection on the responsibility its people place on themselves as architects and designers who venture beyond the drawing board. Sustainability STUDIOROCA’s focus on sustainability has seen the company establish itself as a trailblazer in the realization of buildings and furniture pieces that are produced with a sense of conscience and responsibility, taking into account the full production chain, from material source to distribution of wealth. The studio has done away with environmentally harmful varnishes on its furniture pieces, and now only use FSC-certified hardwood. It also pledges to keep materials to a minimum, a consideration most appreciated in its 77 range of furniture, where only the necessary functional structures have been designed, and where small leftover pieces of wood from bigger cuts are utilized, rather than sourcing new pieces. This approach continues in its architecture and interior designs, with 80% of materials sourced locally. This, coupled with its use of solar panels, the harvesting of rainwater, and the inclusion of indigenous gardens in its projects, has led to STUDIOROCA’s application for Leadership in Energy and Environmental Design (LEED) certification, which is currently under review. For the studio, sustainability has a much further reach than the natural environment, however. Its projects take into account social, cultural and economic sustainability too, by ensuring its production chain – from the craftspeople producing hand-worked elements, to its low-environmental-impact manufacturing line – all sits within Mexico so that the 3 communities benefiting financially are those who have been an integral part of the process. Architecture In STUDIOROCA’s architectural projects, authentic materials that are true to their Mexican origin, such as local mountain rocks, regional marble and indigenous wood, are utilized in new ways to highlight their natural rawness, deep texture and prized imperfections, imbuing buildings with unique character. It’s through such character that every structure portrays its personality, suited to the people who live, work and relax within it. This unpretentious use of materials follows through to metals, which are encouraged to rust and patinate as the building interacts with nature’s elements and becomes part of the environment surrounding it, giving projects an essential sense of place, where the here and now is as important as the then and there. Interior design STUDIOROCA’s interior style leans toward textured materials and dark hues contrasted with paler wood and lighter accent tones. These evocative, luxurious interiors are enlivened by carefully considered lighting that enhances the tonality of moody dark browns, deep blues and a spectrum of blacks, and highlights textures through illuminated reflections. Where environments dictate a paler palette, textures and materials make up the necessary contrast. Local willow wood on wall panels, flooring made from recinto volcanic rock, and countertops decorated with Mexico’s retapado marble become talking points, made even more appealing with plant life and greenery introduced indoors. Furniture Combining its deep respect for handcrafted, artisanal product, and its future-forward approach to technology and innovation, STUDIOROCA’s range of furniture places emphasis on high-quality offerings, producing its ranges in low quantities, often customized to suit the specific requirements of its varied projects. Veering away from industrialized production lines, it employs sophisticated hand-worked machinery, in line with its approach to sustainability and simplicity. The studio’s premiere collection (2002-2008) was shaped by a groundbreaking application of materials and forms, resulting in award-winning designs that set contemporary Mexican design on the map. Pieces from this collection were shown at Fabrica Mexicana and Museo de Arte Moderno in Mexico City and in the MoMA store in New York. The 2008 Eco collection initiated a change in the production of STUDIOROCA’s furniture pieces, adapting a sustainable view regarding design – a philosophy that continues to guide the studio’s practices today. Sourcing FSC-certified wood, eliminating varnishes, and using local materials wherever possible, this collection was the start of a conscious undertaking to work with local artisans and support local industry, an outlook that was celebrated at the launch of the Eco range at the Mexican Gallery...

Discover the art of ceramics with the INCANTO AMARANTO Centerpiece/Sculpture, an exclusive piece created by hand by artist Nino Basso. Inspired by nature, this fine art object stand...

The titled collection by Emmanuel Babled is a 2013 collection of nine domes each with a self-explaining title. The top victory series is one of the three part of the series. Handmade...

Unique sculpture / candelabra in aluminum hand hammered by Jacques Jarrige. This tabletop, centerpiece can be commissioned to custom size.

The cubist Pablo and Dora vases are a tribute to Pablo Picasso and Dora Maar, his companion and muse. Crafted using the coil pottery technique, the brown ...

Jatte centrotavola in argento massiccio 800. La forma è ovale e lavorazione a traforo è stata eseguita sulle due parti principali. Il traforo è a disegno con volute. Una base oval...

This piece comes from the Collection titled 01 from Atelier Darbroche. This tray is shot in sycamore from the Vosges forest, next to which the workshop is located. On the surface, the spaces worked with the gouge...

Ava bar tray by Fakasaka Design Dimensions: W 52.5 cm D 52.5 cm H 1.2 cm Materials: polished bronze. AVA BAR TRAY / CENTERPIECE / CANDLE TRAY FAKA...

Big vase 2, 1882 Ltd. with Max Lamb. You can never have too many flowers. The question is how big can the vase be? Big vase starts life as a solid block of plaster that is hand carve...

Small vase and candle holder, small quartz points by Aver Dimensions: D 11 x H 18 cm Materials: Quartz, steel, polyvinyl chloride, resin.  

"Bill speaking" centerpiece - Fanny Laure GL 8 pieces Different types of wood (stable, sycamore, walnut, Indian rosewood, plane and cherry) Signed and numbered 2021 ““Bill speak...

Versatoio nero lucido. Contenitore foggiato al tornio con anse, smalto nero, corda nylon nera Queste ceramiche provengono dalla tradizione contadina. Forme di secolare presenza, d...

Bianco Amaltea by Ivan Colominas Dimensions: 36.5 x 10 cm Materials: Bianco Michelangelo Also available: different marbles The collection is a tribute to one of Italy’s great...

Carambola centrepiece by Studio Lievito Dimensions: D 33 x W 30 x H 5 cm Materials: Bianco carrara marble. Weight: 3.4 kg Fruits like billiard balls are ready to be ‘split’ during t...

Vessel 1366 by Jörg Pietschmann Dimensions: D 30 x W 61 x H 111 cm Materials: oak. Finish: polished oil finish. Carved out of from a curved oak trunk. In Pietschmann’s sculptures...

Small Mirage Iris oval tray by Radar. Design: Bastien Taillard. Materials: glass. Dimensions: D 17 x W 28 x H 3 cm Available in silver, gold or Iris finish. Elegant, timeles...

A dappled red crystal bowl featuring a handcut relief of clear branches modeled after those of coral. Like many of Cristal Benito's extraordinarily fr...