Art Deco Majolica Bowl Candy Fruit Rörstrand Sweden 1880

2 rare antique items from Rörstrand. The Rörstrand company has produced ceramics for nearly 300 years and is one of Sweden’s oldest industries. The Swedish Porcelain Works was founde...

Rare antique item from Rörstrand. The Rörstrand company has produced ceramics for nearly 300 years and is one of Sweden’s oldest industries. The Swedish Porcelain Works was founded i...

Absolutely rare set of Swedish majolica from famous manufactory Rörstrand, 1880s 1 central piece h 11 cm d 21,5 cm 6 plates h 3 cm d 19,5 cm Fantastic floral display with beautiful...

Antique Majolica set Villeroy & Boch Germany 1 centre piece/fruit stand H 13 cm (5,12 inches) D 23 cm (9,05 inches) 6 side plates d 17 cm (6,69 inches) Hand Painted Majolica Pedes...

A brown bowl in ceramics, it is designed by Carl-Harry Stålhane at Rörstrand, the bowl is 12 x 8.5 cm wide. It´s in excellent condition except from some craquelure and air-bubbles on...

A blue/gray bowl in ceramics, it is designed by Gunnar Nylund at Rörstrand, the bowl is 10 x 7.5 cm (4" x 3") in diameter. It´s in excellent condition except from a tiny mark on the ...

Beautiful stoneware bowl by Gunnar Nylund, in an oval boat shape with an undulating edge. Large size. Purple and blue glaze with nuances of brown. Gunnar Nylund was one of the most influential ceramicists and designers of the Swedish mid-century period. He was Rörstrand’s creative leader from 1931 until 1949 and as such propelled the artistic work at the factory and served as mentor to younger artists, among them Carl-Harry Stålhane and Hertha Bengtsson. Nylund was a dedicated functionalist, who brought ideas of democratizing stoneware and creating beautiful, qualitative and affordable everyday items for the people to Rörstand in the mid-1920s. The factory had at the time lost its former leading market position, but Nylund’s efforts gave it a great reboot. He designed ceramic kitchenware...

Swedish ceramic artist Carl-Harry Stålhane (1920- 1990) played a major role in popularizing Swedish pottery during the 20th century, working for more than three decades at Rörstrand, one of the oldest ceramics manufacturers in Europe. During his long tenure at Rörstrand, Stålhane was responsible for small-batch studio pieces, mass-produced tableware , and all manner of decorative accessories . Born in 1920 in Mariestad, Sweden, Stålhane began working at Rörstrand in 1939 as a decorative painter, assisting Danish-Finnish ceramic artist, designer, and sculptor Gunnar Nylund (1904-1997). During this time, Stålhane decorated various ceramic pieces, most notably Nylund’s Flambé range (1939s), quickly establishing himself as a talented ceramic artist. Inspired by the desire for new products during the postwar economic boom, Stålhane went from being a talented decorator to an exceptional ceramic artist. In 1943, Stålhane caught the eye of Swedish artist Isaac Grünewald (1889-1946), who was visiting Rörstrand. Grünewald was so impressed with Stålhane’s work that he took him on as a student, and from 1943 to 1946, Stålhane studied art at Grünewald's Art School in Stockholm. Subsequently from 1947 until 1948, he studied sculpture at Académie Colarossi in Paris. During the 1950s, Stålhane’s work appeared in several solo exhibitions in Sweden, the United Kingdom, and the United States. His Blanca Tableware range (c. 1955) won numerous international prizes and was in high-demand. In 1958, Stålhane succeeded Nylund as Artistic Director and Chief Designer at Rörstrand. In 1960, Stålhane unveiled a new collection at Stockholm’s Galerie Blanche. Featuring dark stoneware pieces made from local clays, this collection represented a bold departure from the soft, restrained shapes of the 1950s. It has since been praised for its precient aesthetic that would influence the look of ceramics for more than a decade. From 1963 until 1971, Stålhane taught ceramics at the Art Industrial School in Gothenburg. For a short time, he also was the Design Director at the Swedish factory Upsala Ekeby, which in addition to porcelain, produced tile, brick, and glass. Stålhane eventually left Rörstrand in 1973 in order to establish his own ceramic company, Designhuset, in Lidköping, where he further experimented with local clays and minerals. Stålhane continued to work until his death in 1990. Today, Designhuset is a school for ceramists and model-makers. Over the course of his career, Stålhane created several public works for The Commerce Trust Company in Kansas City, Missouri, and for Volvo in Gothenburg, Sweden. His work is represented at several international museums, including Stockholm’s Nationalmuseum and New York’s MoMA. Rörstrand is the second oldest brand of ceramics in Europe and can be found in homes all across Sweden and Europe. Rörstrand’s long legacy includes some of Europe’s most iconic ceramics collections including Swedish Grace, Mon Amie, Ostindia, Filippa...