Early 18th Century Ceramics

This is a beautifully hand-painted Chinese Export porcelain blue and white, large deep plate or dish which we date to the Qing, early 18th Century, Yongzheng period, Circa 1730. The...

This is a beautifully hand painted Chinese Export porcelain plate or bowl from the Qing, Kangxi period, 1662-1722, fully marked to the base with the Kangxi period Artemisia Leaf mark within a double blue ring. The plate is of dinner plate size, finely potted with a carefully cut base rim and a lovely rich glassy, white glaze with a light blue tinge. The plate is carefully hand painted in a free flowing style, characteristic of the period, in varying shades of a clear cobalt blue, iron red and gold. The central well is decorated in the Imari style with flowering peonies, asters and other flowers and grasses, with a small insect flying above the flowers, all within two sets of concentric blue circles. The outer rim is richly decorated with flower sprigs and leaves, all within an outer blue circle. The base of the plate has a recognized and documented hand painted Kangxi symbol of an Artemisia Leaf, within a double blue ring. See Page 168 of "How to Identify Old Chinese Porcelain" by Willoughby Hodgson and published by Forgotten Books. A Kangxi plate...

This is a beautifully hand painted Chinese Export porcelain Plate or Bowl from the Qing, Kangxi period, 1662-1722, fully marked to the base with the Kang...

An antique Italian hand painted Savona tin glazed syrup jar inscribed AQUA DE PIANTAGNE dating from the early 18th century, the rounded earthenware jar stand...

This is a beautifully hand painted Chinese Export porcelain Plate or Bowl from the Qing, Kangxi period, 1662-1722, fully marked to the base with the Kang...

A large and magnificent Chinese famille verte enameled porcelain large dish or charger, Qing Dynasty, Kangxi Period (1662 - 1722), circa 1700, China. The shallow, shaped dish of fo...

A pair of famille verte porcelain plates, the left made in China during the Kangxi period (r. 1662–1722) and the right a copy by Meissen made circa 1740. Chinese porcelain has alw...

This is a beautiful hand painted blue and white Chinese porcelain large diameter deep plate or charger, dating to the first half of the 18th century, circa 1720, Qing dynasty, either...

This is a beautifully hand painted Chinese Export porcelain Plate from the Qing, Kangxi period, (1662-1722), circa 1700. The plate is of large dinner plate size with a 10 inch di...

This is a very good early Chinese Teapot and matching cover from the Qing Dynasty, Kangxi period ( 1662 to 1722) which we date to Circa 1710. The teapot has a globular form on a sho...

An early Meissen porcelain teapot made circa 1715, decorated by a Dutch hausmaler circa 1730-1740. The teapot is decorated in a Kakiemon pa...

A fine example of a German Baroque tobacco jar with original pewter lid. The rich ocher salt glaze decorated with raised floral motifs. A handsome addition for the collector of pipes...

Quality pair of 18th Century Chinese plates, having a quality pair of 18th century Chinese plates decorated with flowers in wonderful red, blue, gold and white colours. D. 1780

Six maiolica “ambrogette” (tiles) Rampini manufactory, painter probably Siro Antonio Africa Pavia, 1693-1704 a) 6.88 x 5.51 in (17.5 x 14 cm); 0.55 lb (252 g) b) 7.08 x 5.70 in (18 x 14.5 cm); 0.51 lb (233 g) c) 6.88 x 5.70 in (17.5 x 14.5 cm); 0.54 lb (245 g) d) 6.81 x 5.51 in (17.3 x 14 cm); 0.50 lb (230 g) e) 6.88 x 5.51 in (17.5 x 14 cm); 0.50 lb (229 g) f) 7.08 x 5.70 in (18 x 14.5 cm); 0.51 lb (233 g) State of conservation: intact. These six ”maiolica fina” small “ambrogette” belong to a family of ceramic works considered among the finest produced between the 17th and 18th centuries. For a long time, this type of maiolica was attributed to the Venetian village of Angarano, but later it was definitively attributed to the pottery factories in Pavia. A fundamental study ascribed this production specifically to Pavia through an analysis of Lombard collections and a comparison with archaeological remains found near the two main manufacturing sites in the city. (E. Pelizzoni - M. Forni - S. Nepoti, La maiolica di Pavia tra Seicento e Settecento, Milano 1997). The six small oval tiles have rounded edges and are decorated with a historiated motif. They were created using high-fired polychrome technique, with a predominance of cool tones and a dominance of gray and blue, interspersed with manganese, citrine yellow, orange-yellow, and green. The six small “ambrogette” are characterized by the same stylistic features, with a similar decorative design. The first tile (a) depicts a female figure, holding a stiletto and sitting near a pedestal supporting a relief-decorated baluster vase. Behind her, a child is holding a chalice, while through the arches of a portico, a glimpse of a mountainous landscape can be seen in the background. The female figure could possibly be Lucretia, an example of virtue in ancient Roman culture. In the second “ambrogetta” b), the Biblical episode of Judith and Holofernes is depicted through canonical iconography: the decapitated body of Holofernes lies on the bed in the background, while the protagonist, Judith, is seen placing his head into a sack held by a maidservant. Through an archway a shining slice of the moon gives the perception of nighttime. Surprisingly, within the narrative, there is the presence of a basin in the shape of a large shell, closely resembling the products of Pavia's factories. The third small plaque (c) depicts a female figure standing on a plinth and framed by an architectural arch with a vast mountainous landscape in the background. The woman, with her breasts exposed, is accompanied by two children: one approaching her as if wanting to be picked up, and the other seated with an apple in his hand. The protagonist lends herself to different interpretations: perhaps she represents Rea Silvia with the two twin founders of Rome, or perhaps she is an allegory for the Pietà, a common theme depicted on maiolica. In the fourth tile (d), three characters are depicted near a column. The main figure is an old man with a sad expression, holding a cup, while a woman, wearing a turban on her head, also holds a cup in her right hand and a pitcher in her left. A second woman with her hair bound holds another pitcher behind the old man: at his feet a traveller's bag can be seen, along with some apples and a slice of cheese on a rectangular base. It is likely the sad Biblical episode of Lot and his daughters...

A pair of very large Chinese armorial export blue and white porcelain 'Pelgrom' chargers Kangxi period, circa 1710 The two chargers, decorated in...

This is a beautifully hand painted Chinese Export porcelain Plate from the Qing, Kangxi period, (1662-1722), circa 1700. The plate is of large dinner plate size with a 10 inch di...

A milky white dish with slight scalloped rim and decorated with cobalt blue iron red and green enamel over glaze, this delicate piece in Kakiemon Style was dated at least to the earl...

A very fine and rare German Nurenberg Delft style moon flask hand painted with a figure by Andreas Kordenbusch dated 1726. The lightly and finely potted earthenware flask stands rais...

A gorgeous pair of 18th century Chinese Export porcelain plates decorated in stunning famille rose enamels, Yongzheng Period, circa 1730, China. The small plates decorated in bright and bold famille rose enamels, with pink dominating the color palette. The center of the plates featuring large floral sprays featuring magnolia and peony blossoms among other flowering plants. The rims of the plates with alternating half blossoms of pink magnolia and pink lotus against a dense diaper ground. Gilt painted ribbons scroll around the rim and down the cavetto, holding peaches and Daosit emblems, including castanets, a flute, a drum, and a ruyi scepter...

Centerpiece white maiolica shell Ferniani factory, early period: 1693-1776 Faenza, circa 1700 Measures: 5.6 in x 14.72 in x 13.46 in (14.3 cm x 37.4...

Centerpiece light blue maiolica shell Ferniani factory, early period: 1693-1776 Faenza, 1700 circa 5.5 in x 14.72 in x 13.77 in (14 cm x 37.4 cm X cm 35) lb 4.40 (kg 2) State of con...

Spanish Charger c1700 with building decoration in the centre and outer decorated rim. Old hanging retained on the back. Diameter: 30 cm / 12”