Antique German Neo-Baroque Silver Wine Jug, 19th Century

This elegant vintage Soviet Russian cut crystal and silver set of wine pitcher and twelve glasses consists of a tall pitcher with the gold-plate...

Hallmarks: S.A. Calderoni, Milano, 800. Weight: 160.14 troy ounces (5 kg 794 g), including non-silver material. DIMENSIONS: Overall height: 12inches Bottom vessel dimensions: Length: 21 inches Depth: 18.5 inches Height: 7.5 inches Top vessel dimensions: Length: 12 inches Depth: 9.5 inches Height: 9.7 inches This magnificent formal centerpiece was created around 1940 in Milan, Italy by S.A. Calderoni, a famous Italian firm of fine jewelers and silversmiths that was established in 1898 and achieved its greatest fame during Italian Art Nouveau and Novecento periods. The company also manufactured items by special private orders and commissions, and was a supplier to the court of the last Italian King, Victor Emmanuel III. The outstanding artistic design in the style of Novecento and its generous proportions combined with a remarkable handmade rendering make this magnificent centerpiece not simply a functional object but a true masterpiece of applied arts. This luxurious hand-hammered silver centerpiece consists of two parts: - The smaller footed bowl...

Although unmarked, this rare and important, grand but at the same exquisite patinated bronze vase has just a very few little details, defying the shape of the handles, as well as the...

Alfonso Canciani (Italian-Austrian, 1863-1955) was a famous Italian-Austrian sculptor of the period of accession to the Viennese Secession. Son of a stonemason, after a realist period he managed to establish himself as a leading sculptor of the Viennese Secession. In fact, he worked in Vienna, where he had enrolled in 1886 at the Academy of Fine Arts, then at the Higher School of Sculpture and finally at the Special School, where he obtained the Rome prize for the sketch for Dante's Monument. He developed a notable business obtaining important prizes and numerous commissions. First among the sculptors of the Viennese capital, he was invited to join the Association of the Viennese Secession, of which Klimt was magna pars, after the exhibition of Dante's group in 1900 at the Secession exhibition, and obtained the most important Austrian artistic prize, the Kunstlerlpreis. This same work, presented in 1910 in Berlin, at the Great Art Exhibition, also received an important recognition here. He obtained the Rome prize in 1896, exhibited successfully in Munich and in 1899 at the III International Art Exhibition in Venice. In that period he made some statues of saints for the cathedral of Santo Stefano in Vienna, the monument to Wagner, the bust of Nietzsche for the University, the scepter and the gold chain of the University Rector, figures of Italian poets ( Petrarch, Boccaccio, Tasso, Ariosto). He submitted a sketch for the official monument to Empress Elizabeth, which was then built in Austrisn Gföhl and Pula. At the time of his accession to the Secession, he dedicated himself to decorating the facade of the Artaria house in Vienna in collaboration with the architect Max Fabiani. He later abandoned the symbolist decorativism of the Jugendstil for a more concentrated and vigorous style, approaching the Belgian sculptor Constantin Meunier for the theme of work, and preferring to exhibit at the Künstlerhaus. In Vienna, he was generous with advice and help with the Italians and in particular with his fellow citizens (such as the Brazzanese Luigi Visintin, then a university student). After the First World War, he returned to Italy and lived in Friuli, penalized by the fact that the Habsburg Empire had by now disappeared. Instead of large-scale public monuments, he then devoted himself to engraving medals (e.g. for Benedict XV and for the Italian mission in Vienna in 1919) and to designing funeral monuments (examples in Mali Lošinj and Trieste) and portrait busts (of Generals Carlo Caneva and Antonio Baldissera in Udine, sculptures of the War Memorial of Corno di Rosazzo). After all, he had already executed the Bab grave monument in the Döblinger cemetery in Vienna in 1909. He taught in Trieste from 1920 until 1935, at the local school of industrial art, where he had Marcello Mascherini...

An exceptional 19th century French claret jug crafted from finely hand-engraved crystal and mounted in high-quality sterling silver (.950), bearing t...

An exquisite example of Rococo style ornamentation, this antique (circa 1890) silvered bronze pitcher comes from France. The pitcher has been adorned with spiral fluting that expand ...

Antique Victorian Sterling Silver Wine Jug Decanter made at the workshop of Alexander Macrae, London in 1868. Full set of British hallmarks on the neck and the rim of the original st...

A magnificent crystal & silver decanter. France, circa 1900. Dimensions: height 14 1/2" diameter 7". CW4990.