Japanese Sake cup Porcelain Gold Kutani Ware 1970s Showa

This is a bowl that we use during tea ceremony. This is made with porcelain and it was made around 1980 in Showa era. This bowl has a style Kyo raku. It is called Kyo ware and it was...

This is a matcha bowl which we use for tea ceremony. This bowl was made around 1980s in Showa era in Japan. This bowl was made with a style called Kyo yaki. And it is made by an arti...

This is a matcha bowl which we use for tea ceremony. This bowl was made around 1980s in Showa era in Japan. This is made with porcelain. Dimensions: 13x 13 x H 6 cm

This is a Matcha bowl which we use for tea ceremony and this bowl was made in Japan around 1980s in Showa era. This bowl is made with Style Kyo-Kiyomizu. Kyo-kiyomizu style is made i...

Circa 1850 Kiyomizu Chawan or Tea Ceremony Bowl, Kyoto, Japan. A rare example, late Edo period. Incredibly light pottery, elegant crackle glaze & restrained decoration of a few leave...

A beautiful, perfectly shaped antique Bizen ware Chawan tea bowl by renowned Japanese master potter/artist Kaneshige Toyo (1896-1967) featuring a unique natural, organic forming ash glaze. Kaneshige is universally considered to be the founder of modern Bizen pottery. In 1956, Kaneshige was certified as a Living National Treasure (Important Intangible Cultural Heritage) for his work in Bizen Ware pottery/ceramics. Bizen Ware is a type of Japanese pottery traditionally from the Bizen province, presently a part of the Okayama prefecture. It is considered one of the Six Ancient Japanese Kilns (along with Echizen ware, Seto ware, Shigaraki ware, Tamba ware, and Tokoname ware). The piece is signed/ sealed on the base with one of Kaneshige's traditional incised marks. A rather engaging and scarce work. Would be a fantastic addition to any Japanese/Asian pottery or Bizen Ware collection or eye-catching stand-alone work in about any setting. Kaneshige's work can be found in numerous prominent collections and museums including: Aichi Prefectural Ceramic Museum, Seto, Japan Brooklyn Museum, NY Hagi Uragami Museum, Yamaguchi, Japan Honolulu Art Museum, HI Ibaraki Ceramic Art Museum, Kasama, Japan Indiana Art...

A rare ceramic bowl with overglaze paint decoration by Japanese imperial potter Makuzu Kozan ((1842–1916). Unlike the better-known works Kozan made for the expositions in the west and export to the foreign market, this piece exemplifies his work for the domestic market and the tea ceremony. The bowl was made in the so called "Utusushi" Ogata Kenzan (1663-1743), a celebrated Edo painter and ceramicist. Utusushi is loosely translated as "in the spirit of". It is not at all a simple imitation of a master, but a Japanese concept of embracing the spiritual essence of a master while the creator is free to mix in his or her own unique artistic interpretation and flavor. The bowl was made to hold fruits during the tea ceremony. It has a very distinguished form with a circular lower body morphing into a square upper portion that further opening with flared rim. The surface has a grey glaze onto which Asagao flowers (Japanese morning glory) on the vines were painted in a free and poetic style. White was used for the petals, green for the leaves with touches of gold highlight. Asagao, the symbol of the summer was rendered in the spirit of Ogata Kenzan, and interestingly the shape of the blossom echoes the unique form the bowl. It was likely reserved for the tea ceremony during the summer months. Under the base, Kozan was signed in black on a white porcelain plaque inlay. For two similar examples of Kozan's work Utusushi Kenzan, see Page 168-169 of the book: Sekai ni Aisa Reta ya Kimono Miyagawa Kozan Makuzu...

A spectacularly designed and beautifully made Chawan tea bowl dating back to the Edo period. This work is attributed to Ogata Kenzan (1663-1743) who is wi...