Rare Meissen Miniature Figure after Johann Joachim Kändler, Girl with Flowers

Rare antique Meissen miniature figure after Johann Joachim Kändler in hand painted porcelain. Boy with falcon. Dated 1850-1880. Model Number 286...

Meissen, Germany. Rare and early Meissen bowl with pierced rim, handles in the form of branches, foliage and moulded flowers. Approx. 1800. In excell...

Meissen most remarkable figurine: Winter Measures / dimensions: height 8.07 inches / 20.5 cm diameter of base 2.36 inches / 6.0 cm Manufactory: Meissen Hallmarked: Blue Meissen Sword Mark (glazed bottom) First quality  Dating: 19th century / made circa 1880 Material: porcelain, glossy finish, multicolored painted Technique: handmade porcelain Style: Rococo Modelled by: Johann Joachim Kaendler (born in 1706 near Dresden / Germany-died 1775 in Meissen). Model C 83 created in period 1768-1770. Kaendler was chief sculptor at Meissen manufactory as from 1742 until the year 1775. He is the most famous modeller Meissen manufactory ever had and created well-known series such as Shepherd Figurines, Comedian's Children, Gardener Children (with Acier), Paris Town Criers (with Reinicke and Meyer), Gallant Figurines, Asian Figurines etc. Additionally, Kaendler made, too, excellent models of animal figurines as well as of stunningly decorated vases. Detailed description: The Winter is of very interesting appearance / it is a long-bearded nude old man...

A Rare 18th-Century Meissen Porcelain Horse-Drawn Sleigh Group Featuring the Court Jesters Joseph Fröhlich and Gottfried Schmiedel, After a Model by Johann Joachim Kändler. This finely modeled and painted Meissen porcelain group, created circa 1750, captures a dynamic and theatrical sleigh ride featuring the court jesters Fröhlich and Schmiedel. The composition is anchored by a galloping white horse adorned with a blue cloth draped over its back, trimmed with gilt tassels. The harness, with delicate chains, connects the horse to an elaborately detailed sleigh with scrolling gilt accents and openwork elements. The sleigh glides over a textured, snow-covered base, sculpted to mimic the uneven terrain. At the center of this lively scene, Fröhlich, dressed in vibrant carnival attire with a green hat and yellow cape, stands on the runners of the sleigh, leaning forward to embrace and steal a kiss from Countess Friesen. However, the "Countess" is, in fact, Schmiedel in disguise, adding to the humor of the piece. Schmiedel wears a floral-patterned gown with intricate hand-painted blooms in shades of purple, yellow, and red, complemented by a white apron and a red bonnet. The finely painted facial features capture the moment's theatricality, as Schmiedel grips the reins while seemingly playing along with the jest. In front of them, a small monkey with wings sits perched at the sleigh’s edge, holding a dish with two burning hearts, reinforcing the amorous and playful nature of the composition. The back of the base bears the Meissen underglaze blue crossed swords mark, confirming its origin at the renowned German porcelain manufacturer. The model was first created by Johann Joachim Kändler in 1741, during his tenure as Meissen’s chief modeler. Kändler’s ability to animate porcelain figures with expressive gestures and dynamic movement is evident in this work, reflecting the theatrical influences of the period. Meissen, established in the early 1700s under the patronage of Augustus the Strong, Elector of Saxony, was the first European porcelain manufacturer to successfully produce hard-paste porcelain. The factory became synonymous with innovation, refinement, and technical excellence, with Kändler playing a key role in developing its sculptural traditions. Meissen’s 18th...