Rare square Rosenthal porcelain dish. Statue of liberty. 1970s

Timo Sarpaneva for Rosenthal. Rare Suomi porcelain serving dish decorated with water lilies. 1970s / 80s. Measures: 33 x 27 x 3.5 cm. In excellent condition. Stamped.

Antique Meissen dish or bowl in hand painted porcelain. Romantic scenery with noble couple, butterflies and flowers, 19th century. Measures: 24 x 24 x 4...

Marianne Johanson for Royal Copenhagen /Aluminia Square dish in faience, hand-decorated with floral motifs. 1980s. Marked. First factory quality. In perfect condition. Dimensions: Di...

Wedgwood, England. Small dish in green stoneware with classicist scenes in white, circa 1930. Measures: 16 x 8.5 cm. Stamped. In very good condition.

Rounded rectangular snuffbox in 925/1000 sterling silver with fine hand-painted fire-enamelled miniature depicting the Head of the Statue of Liberty in New York. Dimensions cm. 5.5 x 7 x 1.8. Weight gr. 105. Designed by Giorgio Salimbeni in 1975 in Art Deco style and executed in numerous specimens, at the specific request of the firm Tiffany & Co., in Florence in the headquarters of the Salimbeni firm with completely manual execution by artisan artists with thick slab and large reinforcements suitable for sustaining numerous high-fire enamelled firings at approximately 750 < 800° C. Miniature is a very ancient technique which consists of painting works in small proportions. It was born for the decoration of the first letter of the paragraph of the books. Over the years, however, this technique is refined and enriched, then moving on to precious personal items. Hand-painted miniatures can be done with multiple different techniques. The most important that we use on our articles are of three kinds: 1) Fire enamel. 2) Water tempera on an ivory plate. 3) Painted on mother-of-pearl. Fire enameled miniatures: On a first layer of enamel generally white or very clear or even transparent suitably liquefied at a temperature of about 750° C, the chosen subject is painted using miniature colors which are as many colored crystals, ground and reduced to a very fine, almost impalpable powder washed and purified in distilled water with the addition of small quantities of deoxidizing acids which, diluted with essential oils (usually essential oil of solder), can be mixed to form a palette of colors. With very fine sable hair brushes you draw the subject starting from the perimeter and then gradually adding various layers of color. It is necessary to carry out various firings very often so that the colors harden and are not absorbed by the underlying glaze as, during the subsequent firings at 750 ° C, during liquefaction, it would spread irremediably. Hence the need to form the painting a little at a time, cooking it numerous times. Therefore it is necessary to proceed with numerous retouching, often overlapping different colors that only the painter's experience knows. A beautiful miniature needs from 20 to over 50 firings and is finished when the painter deems he does not have to further intervene. Some colors must have darker tones than others because then, by superimposing the transparent enamel placed at the end of the miniature, they fade. This transparent layer, called “fondant” in jargon, must be smoothed and polished like all other translucent enamel colors. The miniatures with water tempera colors are painted on real...

A piece of american history! Opened on May 24, 1883, the Brooklyn Bridge was the first fixed crossing of the East River. It was also the longest suspension bridge in the world at th...

1980s Porcelain ashtray with stamp at the bottom.

Limoges porcelain vintage centerpiece is an original object realized in the mid-20th century. Original fine porcelain. Made in France. On...