Italian Renaissance Maiolica Deruta Lustre Dish

An Iznik pottery dish made in the first half of the 17th century and decorated with chrysanthemums and tulips. The rim features the rock and wave pattern. Under the direction of O...

A Wedgwood Fairyland lustre vase designed by Daisy Makeig-Jones ca. 1920 and decorated with the 'Castle on a Road' pattern. Daisy Makeig-Jones is best known for the Fairyland Lustre...

A Wedgwood Fairyland lustre bowl designed by Daisy Makeig-Jones ca. 1925 and decorated with the 'Blue Willow' pattern. The ‘Blue Willow’ pattern is timeless, inspired by 18th-century Chinese blue and white porcelains and appearing on English transferwares since the early 19th century. Thomas Minton is credited with creating the standard pattern as we know it today circa 1780; from there, all the major English potteries, and some American ones, began producing ‘Blue Willow’ transferwares...

A ruby lustre box with mother-of-pearl lustre interior and decorated with polychrome butterflies in gold, designed by Daisy Makeig-Jones circa 1920. This ...

Crespina Faenza, last quarter of the 16th century Maiolica painted in two colors, light blue and yellow, on a thick, rich layer of white enamel. It measures 2.24 in (5.7 cm) in height, 6.10 in (15.5 cm) in diameter. lb 0.55 (kg 0.25) State of conservation: mimetic restoration. The small cup has a raised central “umbone”, a perforated brim and a shaped rim. It rests on a high jutting foot. The "crespina" shape, in some inventories is cited as "tacce de frute" (fruit cups). It was particularly appreciated in the Renaissance and has variants based on the formal types and the different sizes. The decoration, made according to the dictates of the “compendiario” style, used few standardized colors: blue and yellow on a thick white and shiny enamel, deliberately chosen as the colour which was most reminiscent of silver. This choice derived from a trend in creative design of the era: the shapes used in the molds were often taken from metal objects. An idea which would last throughout the Renaissance. The work shows, in the middle of the “umbone”, a winged putto stepping forward while playing a long thin trumpet. The depiction of the putto is fully representative of the repertoire of the Faenza workshops of the sixteenth century. Some specimens with this type of decoration have been published in a volume by Carmen Ravanelli Guidotti: there appears the whole productive repertoire of this fundamental moment of transition between the taste for the “istoriato” style and the great simplification of decoration in the “compendiario” period. This style, in its simplicity, however, saw its expression in a rather varied collection of decorative subjects, including old-fashioned busts...

A superb antique relief moulded Continental Maiolica dish or plaque relief moulded with a side profile portrait of a figure wearing a military helmet and with the words DUX D'URBINUS...

Majolica dish hand made and hand-painted in Deruta, Italy, according to the original Renaissance painting technique. The dish is enriched by the presence of four metamorphic dolphin-...

Our ceramic plate "Mediterranean Nuances" is handmade and hand-painted in Italy: realized in majolica painted in polychrome, it is characterized by elegant decorative motifs of the Deruta tradition colored with different variations of blue and brown tones following the original Renaissance painting technique. The particular shape of this dish is traditionally called "a priest's hat". This majolica can be exposed as an centerpiece or it can be used as a fancy wall dish...