Late 18th Century Ceramics

A wonderfully designed and exceptionally rare hand painted, earthenware three tile/panel plaque/ wall hanging by ceramics masters husband and wife artists Vivika and Otto Heino. Quite heavy and substantial in size. The couple was best known for their inspired designs and distinctive glazes. This massive 3 tile plaque, which shows clear signs of Asian influence, is attached to a board for hanging. Again exceptionally rare in both scale and design. We have never seen another like this by the couple. The work is signed and dated (1988). Would be the crown jewel in any Heino collection and sure to stand out in any setting, modern or otherwise. Very unique. Very rare. Dimensions: 47.5" high, 18" wide, 1.5" deep. The piece is quite substantial and weighs 44 pounds. The couple are winners of the following awards: Gold Medal from the sixth Biennale internationale de céramique d'art, in Vallauris, France, (1978). Silver medal from the International Ceramics Exhibitions in Ostend, Belgium, (1959). Their work can be found in the following museums and collections: American Craft Museum, New York City, NY American Museum of Ceramic Art, Pomona, California Ariana Museum, Geneva, Switzerland Arizona State University Art Museum, Tempe, Arizona Baltimore Museum of Art, Baltimore, Maryland Brunnier Art Museum, Iowa State University, Ames Iowa Cooper-Hewitt National Design Museum, Smithsonian Institution, New York, New York County Art Museum and Craft Folk Art Museum, Los Angeles, CA Craft and Folk Art Museum, Los Angeles, California Des Moines Art Center, Des Moines, Iowa De Young Museum, San Francisco, CA Everson Museum of Art, Syracuse, New York Fitchburg Art Museum, Fitchburg, Massachusetts Fred Jones, Jr. Museum of Art, The University of Oklahoma, Norman, Oklahoma Hartford Jewish Community Center, Hartford, Connecticut Joslyn Art Museum, Omaha, Nebraska Long Beach Museum of Art, Long Beach, California Los Angeles County Museum of Art (LACMA), Los Angeles, California Memphis College of Art, Memphis, Tennessee Mills College Art Museum, Oakland, California Mingei Museum, San Diego Museum of Art and Design, New York, New York Museum of Fine Arts, Boston, MA Newark Museum, Newark, New Jersey Nora Eccles Harrison Museum of Art, Utah State University, Logan, Utah Picasso Museum in Vallauris, France St. Paul Gallery, St. Paul, Minnesota Ruth Chandler Williamson Gallery, Scripps College, Claremont, California Smithsonian Institution, Washington, DC Southern Highland Craft Guild, Asheville, North Carolina Tweed Museum of Art, University of Minnesota, Duluth, Duluth, Minnesota University of Illinois at Urbana-Champaign, Champaign, Illinois Ventura County...

A very stylish studio pottery porcelain mug decorated with columns design by Susan Parkinson for the Richard Parkinson Pottery and made between 1953 an...

A distinctive studio ceramic vase has a tall narrow shape, brown, with an outer glossy glaze and speckled white detailing. The cylindrical form contains an unglazed area at the neck ...

19th century decorated stoneware jug with a bird on the face. This is a New York State jug. The condition is very good.

A fine, very large, 18th century English creamware pottery charger or wall plate. With a raised feather edge border. Simply a great antique English pottery...

This beautiful blue and white delftware dish was hand painted in England around 1760. It features a lively garden scene with a songbird in flight, her head tilted up in song, and a h...

This stunning lidded urn might have once been found in a 19th century Italian apothecary. The front of the shaped urn body has the hand-painted phrase “C. Violaru”, which is the heavily abbreviated form of the Latin word for violet (violaceum). Up until the mid-1700’s, apothecaries would make syrups from violets and use it to treat kidney ailments. Above the Latin wording is a whimsical musical scene with a man blowing a horn leading a couple who is holding hands over rocky terrain lined with shrubbery. A large house and trees can be seen behind the trio with a pair of mountains in the distance. On the opposite side of the urn is a floral display with a bird perched on a rock. Beneath the bird is a geometric design, possibly a stylized sun with radiating beams of light. Both scenes are segmented by a pair of thin quarter round moldings that encircle the entire vase. Other hand-painted motifs include floral and foliate margents, geometric patterns, and Vitruvian waves that are infilled with horizontal fluting. The sides of the urn have a fish-scale background beneath two mustachioed mascarons. Both men have been styled in grotesque fashion, with a pair of spiraled horns emanating from their heads. In between the horns is a looping handle that is affixed to the body in similar tight spirals. The domed lid has three scrolled arms that merge in a geometric finial. The base color of the urn is white, with illustrations in a monochromatic cobalt oxide blue, reminiscent of Delft blue pottery...

A fantastic early work (circa early 1950s) by Master Greek-American potter Peter Voulkos. Signed on base with incised signature by Voulkos. Voulkos is widely considered to be the most important and impactful ceramists of the modern era. He won the Rodin Museum prize at the first Paris Biennale in 1959 and was the winner of a Guggenheim fellowship in 1984. Voulkos received the College Art Association’s Distinguished Artist Award for Lifetime Achievement in 1997. He was made an honorary member of the American Academy and Institute of Arts and Letters in 2001. He also received six honorary. Doctorate degrees as well as three National Endowment for the Arts awards. His work can be found in many prominent collections and museums including: Aichi Prefectural Ceramic Museum, Nagoya, Japan Albany Mall, Albany, New York American Museum of Ceramic Art...

A lovely antique French Rouen faience blue and white ironstone soup tureen, circa 1900. No maker's mark. This gorgeous lidded tureen is dec...

Delftware Blue & White Chinoiserie dish, Irish (Dublin) or Liverpool, 1745-65 The rectangular British Delftware underglaze Blue Dish with canted corners and of large size is pai...

We are delighted to offer for sale this one of a kind, fully signed, original circa 1930 Roger Guerin ceramic pots of large proportions. I have three posts for sale, one has a stitched detailing, another, fler de lis and lastly one with handles and Deers, this sale is for the pot pictured alone, the others are listed under my other items and not included in this sale Roger Guèrin (1896-1954) was one of the leading Belgian ceramists in Bouffioulx near Charleroi. Typical was his use of flowing glazes in his decorations. He was true to the history of this region, often working on a type of hard ceramic (fired to over 1250 degrees Celsius) which was made there since the late Middle Ages. He exhibited at the Paris expos...

A very fine and stylish English studio pottery teapot and cover decorated in red glazes with blue spot designs by Kent based potter Karen Ann Woo...