Northwest Coast Thunderbird Figure

Colorful Alaskan three figure winged totem. Carved and painted by Marlin Alphonse. Noted on back "purchased by Brad and Hazel Ritter on board Royal Princes, Sitka, Alaska 1986. His name heavily carved on back. PERIOD: 1986 ORIGIN: Alaska SIZE: 13"H x 12"W x 3 1/2"D Family Owned & Operated Cisco’s Gallery deals in the rare, exceptional, and one-of-a-kind pieces that define the history of America and the Old West. Our pieces range from American Indian to Cowboy Western and include original items of everyday life, commerce, art, and warfare that tamed America’s frontier. Our 14,000 square foot gallery opened in 1996 in beautiful Coeur d’Alene, Idaho. Personal Service Cisco’s operates on old fashioned values – honesty and integrity, and all of our items are backed by our money back guarantee. We appreciate the opportunity to earn your business. Whether you desire assistance with a jewelry purchase, choosing a gift, identification, or even selling – we hope to be your trusted source. Native American carvings & totems native American Indian native American totem poles n.

Tsonoqua/Dzunukwa, “The Wild Woman of the Woods,” is an important ancestor figure to the Kwakwaka’wakw people of British Columbia. A giantess that fills important cultural roles during the potlatch, she is best known as a wealth-bringing being to those who encounter her and as a creature that parents tell their children stories about to make them behave and not venture far from the village – as she is also a cannibal and has been known to snatch stray children from the woods. She is the female counterpart of the male Bak’was, the Kwakwaka’wakw “Wild Man of the Woods.” Tsonoqua is analogous to the Coast Salish Sasq’ets, better known as Sasquatch, the Nuxalk Sniniq (female) and Buks (male), the Tsimshian Ba’oosh, the Haida Gagiit, the Athabaskan Hairy Man (or Woman), and the Tlingit Tl’anaxéedáakw. She is also what a lot of folks would call Bigfoot. This pole is carved in a Coast Salish style but shows several Kwakwaka’wakw influences, so is perhaps better termed a female Sasq’ets pole. This pole shares a lot of stylistic elements with work by the Coast Salish Horne family and was perhaps carved by one of them. The features of the face that identify this pole as a Wild Woman are the tightly squinted eyes, the prominent cheekbones, and the pursed red lips that depict her making her telltale whistling call. Large breasts are created by “split-u” formline elements on her chest, motifs which are repeated (unpainted) on her arms and legs. Her hands and appropriately large feet are rendered naturalistically, and she is depicted in a kneeling position. A very fine example of Northwest Coast carving. Period: Last quarter 20th century Origin: Salish Size: 49"H x 17'W. Family Owned & Operated Cisco’s Gallery deals in the rare, exceptional, and one-of-a-kind pieces that define the history of America and the Old West. Our pieces range from American Indian to Cowboy Western and include original items of everyday life, commerce, art, and warfare that tamed America’s frontier. Our 14,000 square foot gallery opened in 1996 in beautiful Coeur d’Alene, Idaho. Personal Service Cisco’s operates on old fashioned values – honesty and integrity, and all of our items are backed by our money back guarantee. We appreciate the opportunity to earn your business. Whether you desire assistance with a jewelry purchase, choosing a gift, identification, or even selling – we hope to be your trusted source.  Native American, Carving, Totem, Pole, Painted, Cedar, Salish Indian

(1918-1990). This very large totem pole is a Tsimshian interpretation by George Mather Sr. of one of the famous Thunderbird Totems of Alert Bay, BC, o...

Northwest Coast Bella Bella totem pole. Portraying three finely carved masks above a bear with elongated tongue wrapping around face. Painted in colors of red, blue and black on natu...

A fine vintage Pacific Northwest Native wooden carving. The carving in the form of an hawk with red, black, white, and yellow tones set on a brown wooden board. By William Wasden Jr. Wasden was trained from a very young age in numerous artistic practices of the Kwakwa̱ka̱’wakw peoples including carving, jewelrymaking, and printing. As a high schooler, he began focusing primarily on preserving traditional singing after hearing his grandfather perform. Wasden currently teaches singing in Alert Bay on Cormorant Island, British Columbia. He also heads the Gwa'wina Dancer's Cultural Society, whose mission is to spread authentic Kwakwa̱ka̱’wakw culture & teachings. In Kwakwaka'wakw art, human faces are placed strategically on animal carvings to indicate the creature's supernatural ability to transform into a human form. Kwakwaka'wakw origin myths say that their ancestors were originally animals of various kinds who discarded their animal forms and transformed into humans. Simply a wonderful piece of Pacific Northwest Native art...

This Indigenous American totem pole was done by the renowned master carver John T. Williams of the United States in approximately 1960 in his signa...

A fine example attributed to master Nuu-chah-nulth carver Ray Williams, circa 1960s. Ray Williams was the son of famed carver Sam Williams who started car...

A powerfully carved mask representing the Raven, culture hero and trickster of Northwest Coast tribal legend. Kurtis was born on the Capilano reservation in North Vancouver, British ...