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Bronze sculpture by Alfred Barye
$7,173
£5,227.75
€6,000
CA$9,835.25
A$10,981.32
CHF 5,728.15
MX$135,031.65
NOK 72,296.45
SEK 68,064.56
DKK 45,655.22
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About the Item
There is a powerful and silent energy that emanates from this bronze sculpture by Alfred Barye, a work that captures the romantic spirit and wild elegance of nineteenth-century Orientalism. The knight, proud and alert, guides his steed with an almost suspended elegance, telling through the tension of the muscles, the softness of the drapes and the precision of the detail, a story of courage, nobility and adventure. Every curve, every fold of the cloak and every grain of the mane seem to be sculpted with the care of someone who deeply knows both the technique and the soul of the subject. Alfred Barye, son of the famous sculptor Antoine-Louis Barye, has inherited the passion for the form and expressive power of bronze, leaving his mark with works that combine anatomical vigor and narrative intensity. This statue is much more than a decorative object: it is a declaration of style and cultured taste, capable of giving character and depth to any environment. Ideal for collectors, art lovers or anyone wishing to own an authentic fragment of great 19th-century French sculpture, this creation by Barye does more than fill a space: it transforms it.
- Creator:Alfred Barye (Artist)
- Dimensions:Height: 31.1 in (79 cm)Width: 24.8 in (63 cm)Depth: 12.59 in (31.98 cm)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1832
- Condition:Wear consistent with age and use.
- Seller Location:Catania, IT
- Reference Number:1stDibs: LU5255245508942
Alfred Barye
Alfred Barye was a French sculptor, of the Belle Époque, pupil of his father the artist Antoine-Louis Barye. He learned his craft of animalier sculpture under the watchful eye of his father who was one of the original pioneers of animal sculpture in the mid-to-late 19th century. The younger Barye didn't always get along with his father, there were times when the two of them were not on speaking terms because until instructed not to do so, Barye was signing some of his bronzes as "A. Barye" which the senior Barye objected to because it created confusion as to which Barye, father or son, created the sculpture.
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