"the Buffalo" Modern Geometric Ceramic Sculpture by Gene and Rebecca Tobey

A tin house, its structure cold and raw. A gaping hole at its center, like an explosion. Inside, two pink figures, nude and stunned. Their round eyes, mouths agape—surprise, unease, ...

This sculpture of a hand, crafted in fiberglass, aligns directly with Rodin’s legacy. Shaped in a closed volume, it strips the gesture of any superfluous expression, concentrating a ...

Perched on a thin crossbar, this owl sculpture made by Sergio Bustamande stares at the viewer with painted eyes, their spiraling, hypnotic contours. The green and gold of its gaze su...

This 1969 resin sculpture by Li Ching embodies an aesthetic of purity. The form of the cat, reduced to continuous curves and a smooth surface, avoids any anecdotal detail. It is not ...

A Fine 19th century white marble sculpture of “Rebecca at The Well” depicting a Classical maiden wearing a robe, with one breast semi-exposed, stan...

Black geometric sculpture by Ursula Meyers conceptual Artist. Ursula Meyer (1915-2003) American sculpture signed and dated. This monumental geometric form sculpture is one the first work of art ever offered for sale, only at Greenwich Living, by renowned artist Ursula Meyer. Provenance: From the Estate of Ann Pollon Re: The Collection of Ursula Meyer. Descendant. Acquired from the Artist Studio. Ursula Meyer was a German-born American sculptor, art-focused academician, and fine art critic, who proved an influential player in the transmission of and appreciation for European born Modernism to the United States in the post-World War II era. At first a ceramicist beholden to the teachings of 1930s Germany’s Bauhaus and Italy’s Futurists, she eventually became a creator and exponent of a crisp, geometry-focused sculptural lexicon in ceramics, and later wood and metal sculpture. Her legacy includes a decades-long exploration of Minimalism, as well as experimentations in creating and deciphering Conceptual and Expressive genres. Born in Hanover, Germany in 1915 to Ernst Josef Meyer and Elsa Katzenstein, Ursula Meyer is recorded as having “studied with former Bauhaus masters after the Bauhaus itself had closed under threat of National Socialism” in 1933. Spanning the years 1934 through 1937, Ursula’s Bauhaus tutorial is not fully documented, but it may well have included at least brief study with the French-born Marguerite Friedlaender Wildenhain (1896-1985), the first woman to earn the Master Potter certification in Germany, and who worked with Paul Klee, Wassily Kandinsky, Max Kehan and Gerhard Marcks (1889-1981). Meyer is recorded as having directly worked with Marcks, as well as with Otto Lindig...

An elegant ceramic sculpture by Tim Orr. Signed under the base, circa 1970.

An important ceramic sculpture by Tim Orr. Signed under the base, circa 1970.