Max Ingrand Pendant
About the Item
- Creator:Fontana Arte (Maker),Max Ingrand (Designer)
- Dimensions:Height: 30.5 in (77.47 cm)Width: 8.25 in (20.96 cm)Depth: 8.25 in (20.96 cm)
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:circa 1962
- Condition:Rewired: All wiring and socket have recently been changed. Wear consistent with age and use. Very good vintage condition. Overall oxidation to brass, minimal scuffs and marks to glass panels. No chipping or breaks. Removable ceiling plate has been made to cover US j-box. Overall drop can be easily adjusted.
- Seller Location:New York, NY
- Reference Number:
Fontana Arte
Best known for its elegant and innovative vintage lighting fixtures, the Milan-based firm Fontana Arte pioneered one of the key features of 20th-century and contemporary Italian design: the union of artistry and industry wrought by partnerships between creative talents — chiefly architects — and entrepreneurial businesses. Fontana Arte is further distinguished by having had as artistic director, in succession, four of Italy’s most inventive modernist designers: Gio Ponti, Pietro Chiesa, French transplant Max Ingrand and Gae Aulenti.
The bread and butter of the glassmaking company that Luigi Fontana founded in 1881 was plate-glass panels for the construction industry. In 1930, Fontana met Ponti — then the artistic director of the Richard Ginori ceramics workshop and the editor of the influential magazine Domus — at a biannual design exhibition that became the precursor to today’s Milan Design Triennale, and the two hatched an idea for a furniture and housewares firm. Fontana Arte was incorporated in 1932 with Ponti as its chief of design. He contributed several lamps that remain among the company’s signature works, including the orb-atop-cone Bilia table lamp and the 0024 pendant — a stratified hanging sphere.
The following year, Fontana Arte partnered with the influential Milan studio glassmaker and retailer Pietro Chiesa, who took over as artistic director. Chiesa’s designs for lighting — as well as for tables and items including vases and ashtrays — express an appreciation for fluidity and simplicity of line, as seen in works such as his flute-shaped Luminator floor lamp and the 1932 Fontana table — an arched sheet of glass that is held in the permanent collection of the Museum of Modern Art.
Six years after Chiesa’s 1948 death, the École des Beaux Arts–trained Max Ingrand took over as head of design at Fontana Arte. Ingrand brought a similarly expressive formal sensibility to wares such as lamps and mirrors, but he also had a masterful eye for the manipulation of glass surfaces — whether they be cut, frosted, acid-etched or sand-blasted. His classic design is the Fontana table lamp of 1954, which has a truncated cone shade and curved body, both of which are made of pure, chic white-frosted glass.
Following Ingrand, the often-audacious Italian architect Gae Aulenti served as the company’s artistic director from 1979 to 1996, and while she generally insisted that furnishings take second place aesthetically to architecture, she made an exception for Fontana Arte pieces such as the Tavolo con Ruote series of glass coffee and dining tables on wheels, bold lighting pieces such as the Parola series and the Giova, a combination flower vase and table lamp. As a key incubator of modern design under Aulenti’s tenure, Fontana Arte remained true to its long-held commitment — creating objects that have never been less than daring.
Find vintage Fontana Arte lighting fixtures such as pendants, table lamps and more on 1stDibs.
- ShippingRetrieving quote...Ships From: New York , NY
- Return PolicyThis item cannot be returned.
- Max Ingrand ChandelierBy Fontana Arte, Max IngrandLocated in New York, NYRare 12-light chandelier by Max Ingrand for Fontana Arte. Colored glass, polished brass. 12 x E12, (candelabra) sockets & seafoam green glass discs with beveled edges.Category
Vintage 1950s Italian Mid-Century Modern Chandeliers and Pendants
MaterialsBrass
- Max Ingrand ChandelierBy Fontana Arte, Max IngrandLocated in New York, NYRare Chandelier by Max Ingrand for Fontana Arte. Colored glass, frosted glass, brass. Takes 6 x E12, (candelabra) bulbs. A beautiful and rare model.Category
Vintage 1950s Italian Mid-Century Modern Chandeliers and Pendants
MaterialsBrass
- Max Ingrand Dahlia ChandelierBy Fontana Arte, Max IngrandLocated in New York, NYRare "Dahlia" chandelier by Max Ingrand for Fontana Arte. Brass, colored glass, nickeled brass. 16-arm fixture of oxidized brass and nickeled metal. Each arm has an elongated blue gl...Category
Vintage 1950s Italian Mid-Century Modern Chandeliers and Pendants
MaterialsBrass
- Max Ingrand Dahlia ChandelierBy Fontana Arte, Max IngrandLocated in New York, NYMax Ingrand Dahlia chandelier. Polished & nickeled brass, curved glass. 16 Arms, each ending with a candelabra socket. Glass petals alternate betwee...Category
Vintage 1950s Italian Modern Chandeliers and Pendants
MaterialsBrass, Nickel
- Pendant No.2362 by Max Ingrand for Fontana ArteBy Fontana Arte, Max IngrandLocated in New York, NYPolished, chiseled & satin glass tiles, sating glass, brass, painted metal. Hexagonal form, with hand-cut glass tiles with acid-etched face and chipped center. Fixture has 12 x E12, ...Category
Vintage 1960s Italian Mid-Century Modern Chandeliers and Pendants
MaterialsMetal, Brass
- Max Ingrand for Fontana Arte ChandelierBy Fontana Arte, Max IngrandLocated in New York, NYChandelier #2128 by Max Ingrand for Fontana Arte. Fantastic 3 light fixture featuring thick slabs of aqua-marine glass, with frosted glass cyli...Category
Mid-20th Century Italian Mid-Century Modern Chandeliers and Pendants
MaterialsBrass
- Max Ingrand Model 2211 pendantBy Fontana Arte, Max IngrandLocated in London, GBMax Ingrand for Fontana Arte Model 221 pendant light Dark grey glass encloses a white glass cylinder for diffused light. The drop is currently at 100cm but can easily be adjusted....Category
Vintage 1950s Italian Mid-Century Modern Chandeliers and Pendants
MaterialsBrass
- Rare Max Ingrand ChandelierBy Max Ingrand, Fontana ArteLocated in London, GBMax Ingrand for Fontana Arte chandelier. Thick blades of glass, nickel brass Eighteen light. Re wired for the USA and Europe.Category
Vintage 1950s Italian Mid-Century Modern Chandeliers and Pendants
MaterialsGlass
- Model 1954 Pendant by Max Ingrand for Fontana ArteBy Max Ingrand, Fontana ArteLocated in Los Angeles, CAModel 1954 pendant by Max Ingrand for Fontana Arte. Designed and manufactured in Italy, late 1950s. Enameled metal armature with original paint,...Category
Vintage 1950s Italian Mid-Century Modern Chandeliers and Pendants
MaterialsMetal, Brass
- Model 1636 Pendant by Max Ingrand for Fontana ArteBy Max Ingrand, Fontana ArteLocated in Los Angeles, CAModel 1636 Pendant by Max Ingrand for Fontana Arte. Designed and manufactured in Italy, circa the 1950s. A gorgeous polished brass drop pendant featuring a rather complex design at t...Category
20th Century Italian Mid-Century Modern Chandeliers and Pendants
MaterialsBrass
- Max Ingrand for Fontana Arte Pendant Light Model 2409By Fontana Arte, Max IngrandLocated in New York, NYMax Ingrand for Fontana Arte pendant or suspension light model 2409 consisting of dome-shaped brass shade and a thick polished clear crystal glass diffuser held by three brass bracke...Category
Vintage 1960s Italian Mid-Century Modern Chandeliers and Pendants
MaterialsBrass
- Max Ingrand Fontana Arte PendantBy Max IngrandLocated in St.Petersburg, FLA heavy glass pendant by Max Ingrand for Fontana Arte. Heavy crystal glass and patinated brass. The glass is approx. 16.5"H. Total drop is approx. 38.5" to the top of the ceiling (in...Category
Vintage 1960s Italian Mid-Century Modern Chandeliers and Pendants
MaterialsBrass
Recently Viewed
View AllRead More
We Took Over a Historic Milan Palazzo and Filled It with Edgy Design
With "A New Breed," we showcased exceptional pieces by rising talents, a rapidly growing area of strength among 1stdibs' many offerings.
Mid-Century Master Osvaldo Borsani Gets His Due at Donzella
The New York City gallery has devoted its latest show to the work of the modernist Italian designer.