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Delisle, Pair of Floor Lamps, France, circa 1950
$17,585.82per set
£13,106.85per set
€15,000per set
CA$24,207.54per set
A$27,463.97per set
CHF 14,381.09per set
MX$338,831.96per set
NOK 178,322.51per set
SEK 170,620.43per set
DKK 114,123.64per set
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About the Item
Pair of Antique-inspired floor lamps in metal and patinated and gilded bronze attributed to Delisle. The fluted shaft is topped with a gilded capital decorated with acanthus leaves and a winged cherub's head, and three spheres supporting a large metal basin. The whole rests on a molded gilded tripod base with concave edges decorated with palmettes, a frieze of pearls and acanthus frieze and three patinated winged sphinxes.
Biography :
Designer before being a bronze-caster, Henry Delisle creates in 1895 the Maison Delisle, who provides all the courts in Europe and the most famous residences, especially the Russian court from 1905 to 1917 with orders for the palace of Tsarskoie Selo. Named Horloger du Roy de Belgique in 1918 after providing the court of Serbia, the Maison Delisle chooses the Art Déco style, with a reward at the Universal Exhibition of Rio de Janeiro in 1922.
Extending its competences with the edition of contemporary creations, the Maison Delisle continues to supply the ancient royal mansions such as the Grand Trianon, Louveciennes or the Coronation room in Versailles.
- Attributed to:Maison Delisle (Manufacturer)
- Dimensions:Height: 70.87 in (180 cm)Diameter: 20.48 in (52 cm)
- Sold As:Set of 2
- Style:Empire Revival (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:circa 1950
- Condition:Wear consistent with age and use.
- Seller Location:PARIS, FR
- Reference Number:1stDibs: LU3860345426942

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- ShippingRetrieving quote...Shipping from: Saint Ouen, France
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By Georges Emile Henri Servant
Located in PARIS, FR
Rare pair of Greek style floor lamps made in patinated bronze attributed to G. Servant, each surmounted of a frosted glass globe engraved of stars and a Greek motif frieze. The body of the vase, decorated with Greek style patterns such as palmets, Greek motif frieze and water leaves, stands on a shaft decorated with deer heads. Fine chains are connected to a delicate butterfly. The set is based on tripod legs with lion claw feet alternating large palmets.
Height : 183 cm (72 in.) ; 213 cm (83 3/4 in.) with glass shades ; Diameter : 43 cm (19 2/3in.)
Georges Emile Henri Servant (1828-c.1890), who took over his father in 1855 at their foundry, rue Vieille-du-Temple, in Paris, specialized in the production of neo-Egyptian style clocks, very popular in France since 1860’s, and also the making of Greek style decorative objects. He drew considerable attention to the high quality of his bronzes at the 1855 Paris Universal Exhibition and then at the 1862 London Exhibition. At this time Servant exported up to 40% of his production, principally to the United States, where for instance, his clocks were sold with great success by Louis Tiffany Inc. or Hamann & Roche of New York. But his success came really at the 1867 Paris Universal Exhibition, where he was awarded a gold medal for his neo-Greek and Egyptian works (Les Merveilles...
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By Ferdinand Barbedienne
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The stylistic repertoire used here, composed in particular of palmettes, masks, and nymphs, evokes Greek Antiquity, as does the reuse of forms of furniture and objects such as tripods and antique vases.
The rediscovery in the 18th century of the archaeological remains of Pompeii and Herculaneum allowed artists of all disciplines to draw inspiration from Antiquity while reinterpreting it.
This trend did not fade and, in the 19th century, many personalities fitted out their interiors with neo-Greek furniture, as was the case for the Maison Pompéienne built in 1856 by the architect Alfred Normand (1822-1909) for Prince Napoleon, or Empress Eugénie who bought from the Maison Barbedienne pedestals inspired by antique tripods.
Related work :
Pedestal model presented by Maison Barbedienne at the Universal Exhibition in Paris in 1855. On this occasion, Empress Eugénie bought it for her bathroom in the Château de Saint-Cloud. This model pleased the Empress so much that she ordered two other pairs in 1858 for her boudoir in the palaces of Compiègne and Fontainebleau. (see photo attached)
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The model :
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