Bronze Floor Lamps

Pair of impressive and stunning candelabra floor lamps, each with 5 lights, in engraved bronze adorned with faceted crystals atop fluted ivory lacquered pedestal bases, France 1950's...

A gilt bronze floor lamp by Maison Bagues, dating from the 1950s, featuring a magnificent "faux bamboo" design that illustrates the elegance and craftsmanship of this renowned French...

Finest Quality 19 century French Monumental torchiere finely sculpted and cast bronze floor candelabra with dark brown patina, depicting neocla...

Sleek and iconic floor lamp or reading lamp attributed to Cedric Hartman. Gilt bronze. The upper section fully rotates horizontally. The shade rotates 360°. In fair vintage condition...

Exceptional early 20th century Art Deco (Swedish Grace) bronze floor lamp in the Egyptian taste. ca 1920 - 30s Sweden.

Gorgeous mid-century modern brass adjustable pharmacy style floor lamp attributed to Casella Lighting, San Francisco, CA. The lamp features a rare solid brass T shaped base that is v...

This exceptional floor lamp by Tiffany Studios features an iconic dome shade crafted from the firm's legendary Favrile glass, complemented by its original curved harp bronze base that accentuates the shade's overall form. Supported by three elegantly curved legs ending in spade feet, this striking lamp stands gracefully. Displaying the beautiful Wave pattern, the blown glass shade shines with the iridescent luster of a green and gold gradient. The lamp exhibits a vivid green hue when turned off, and comes alive with brilliant yellows and pinks when lit. Complete with both a Favrile glass shade and a base of Tiffany’s invention, this floor lamp is one of the rare examples of a complete Tiffany design still intact today. Standing floor lamps such as this one are particularly rare and highly desirable as a stunning marriage of form and function. Inspired by the fluidity and translucence of ancient Roman and Middle Eastern glass, Louis C. Tiffany produced blown glass, named "Favrile," between 1891 and 1928. The glass became renowned for its colorful opalescent and iridescent finishes. In sharp contrast to more "industrial art" and commercially produced pieces, the Favrile collection featured hand-crafted objects that were both beautiful and functional. This Wave floor lamp...

Stunning Louis Philippe period antique French Empire style black fluted column floor lamp with stepped base, bronze accents, and acorn finial. Unique 3-socket style with individual p...

Italian Fontana Arte Attributed Glass And Bronze Floor Lamp. This stunning Italian modern Max Ingrand For Fontana Arte attributed glass and...

Handsome pair of mid-century modern style pharmacy floor lamps featuring a rich oiled bronzed finish. The lamps have large 8 inch shades supported by an adjustable height column that...

Vintage Tiffany style heavy bronze floor lamp featuring Art Nouveau styling with twisted column and lily pad base supporting twelve floral tulip glass shades. Marked kembia astm 88-...

Maison Charles, by. Floor lamp, “Roseau” model in patinated bronze and gilded brass. Striated shaft decorated with a reed placed in its “Chambord” vase, ending in the upper part wi...

A French neo-classical gilt bronze, tôle, and Siena marble twin arm standard lamp. Weighted marble base. Re-wired and tested.

Lampe de la Maison Charles & Fils Paris en bronze nickelé, signé. Hauteur : 68 cm diamètre : 35 cm

Floor lamp, Spanish, by iconic Barcelona design powerhouse Valenti. It is made of silvered plated bronze. The floor lamp is crafted to replicate a young tree. We love the exquisite d...

Neoclassical floor lamp, three lights, brass parts and bronze "canon de fusil" finish. Custom made lampshade included, rewired. By Maison Jansen 1950.

Introducing the Seraph floor lamp designed by Samuel Hillard. The double sided shade rotates 360 degrees to highlight your rooms best details with dynamic illumi...

Bronze neoclassical patinated bronze floor lamp. Good quality casting. Early 20th century. Needs to be rewired.

Imposant brutalist floor lamp made out of bronze and glass. Very good condition without damages. 1980-s Germany

Spectacular pair of unique tripod base floor lamp made of bronze and goatskin lampshades. They are in vintage condition. Its lampshades has some imperfections, ( check it out in the ...

Unique and great design, antique bronze oil lamp with angel sculptures, by one of Europe's finest. There is a reason why the late 19th and the early...

This lamp demonstrates the great design of Adnet, it is chromed bronze, the central column is black lacquered metal, the lampshade is parchment leather. It can be adjusted in height ...

Sculptural bronze floor lamp, in the style of Diego Giacometti, French, circa 1970s. We are unsure if this is constructed of bronze, or a bronze finished metal with a verdigris patin...

We kindly suggest that you read the entire description, as with it we try to give you detailed technical and historical information to ensure the authenticity of our objects. Peculiar, rare, and antique pair of Italian altar candlesticks in the shape of a torch; they were made completely by the technique of manual turning, a special way of working that allows the objects to have a rounded shape: the piece of wood rotates with the aid of the lathe, while the craftsman uses special tools called "gouges" to shape and decorate its surface; they were then painted with a pasty gray-white varnish, which over time has taken on the craquelure effect; on the wooden structure we did not, therefore, consider doing any restoration because its veiled patina and imperfections make it truly alluring and fascinating and attest to its antiquity and authenticity; at the top of each one is a metal "bobeche" of shaped leaves made to hold large candles; when, in more recent times, they were electrified, a candle-shaped lamp holder was applied; the base is made of three lion's paws in cast bronze. They were produced in a craft workshop in the province of Lucca (Tuscany, Italy) between 1830 and 1835; the area was famous for producing liturgical furnishings of all kinds. The master craftsman was inspired by ancient medieval torch...

A fine Pair of 19th century Japanese Imari Porcelain and French Gilt-Bronze Mounted Thirteen-Light Celadon Torchere Candelabra. The bottle-shaped Japonisme vases with a Royal red background, decorated with parcel-gilt and black soaring eagles in the hunt within a forestall scene. Each Vase fitted and surmounted with a French 19th century Louis XV Style 13-Light scrolled candelabrum and all raised on a circular pierced gilt-bronze plinth. circa: 1880. Imari Porcelain (????) is the name for Japanese porcelain wares made in the town of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe extensively from the port of Imari, Saga, between the second half of the 17th century and the first half of the 18th century. The Japanese as well as Europeans called them Imari. In Japanese, these porcelains are also known as Arita-yaki (???). Imari or Arita porcelain has been continously produced up through the present day. Characteristics Though there are many types of Imari, Westerners' conception of Imari in the popular sense is associated only with a type of Imari produced and exported in large quantity in mid-17th century. This type is called Kinrande. Kinrande Imari is colored porcelain with cobalt blue underglaze and red and gold overglaze. The color combination was not seen in China at that time. Traditional Ming dynasty color porcelain used dominantly red and green, probably due to scarcity of gold in China, whereas gold was abundant in Japan in those days. The subject matter of Imari is diverse, ranging from foliage and flowers to people, scenery and abstractions. Some Imari design structures such as kraak style were adopted from China, but most designs were uniquely Japanese owing to the rich Japanese tradition of paintings and costume design. The porcelain has a gritty texture on the bases, where it is not covered by glaze. There is also blue and white Imari. Kakiemon style Imari is another type of Imari, but it tends to be categorized separately in Europe. History "Imari" was simply the trans-shipment port for Arita wares. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, when kaolin was discovered in 1616 by the immigrant Korean potter, Yi Sam-pyeong (1579–1655). (He may also be known by the name, "Kanage Sambei".) Yi Sam-Pyeong, along with his extended family of 180 persons, left Korea on the offer of a privileged position in Japan. This decision was made after the occurrence of certain Japanese invasions of Korea. After Yi Sam-Pyeong's discovery, his kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari". In the mid-17th century there were also a lot of Chinese refugees in Northern Kyushu due to the turmoil on Chinese continent, and it is said one of them brought coloring technique to Arita. Thus Shoki-Imari developed into Ko-KutaniImari. Ko-Kutani was produced around 1650 for both export and domestic market. Blue and white porcelain continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are accordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon style Imari, which was produced for about 50 years around 1700. Imari achieved its technical and aesthetic peak in Kakiemon style, and it dominated European market. Blue and white Kakiemon is called Ai-Kakiemon. Kakiemon style transformed into Kinrande in the 18th century. Kinrande used blue underglaze and red and gold overglaze, and later some other colors. Imari began to be exported to Europe because the Chinese kilns at Ching-te-Chen were damaged in the political chaos and the new Qing dynasty government stopped trade in 1656–1684. Exports to Europe were made through the Dutch East India Company, but the designation "Imari Porcelain" in Europe connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China began export to Europe again, since Imari was not able to compete against China due to high labor cost. By that time, however, both Imari and Kakiemon style were already so popular among Europeans, Chinese export porcelain copied both Imari and Kakiemon style, which is called Chinese Imari. At the same time, European kilns, such as Meisen also tried to copy Imari and Kakiemon. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe. Thus in western world today, two kinds of Imari can...

Dryade Floor Lamp by Emilie Lemardeley Limited Edition of 8 pieces Dimensions: D 40 x W 50 x H 164 cm Materials: Bronze and glass. Designed as jewellery for the interior, the Lemard...

Fabulous and rare to find in this design style. Moorish style lanterns with Mica shades that sit on very decorative lamp poles with spiral twists and heavy cast iron bases with spade...

Pair of large candelabras in the Gothic style, in painted bronze ("tree" part) and iron (base) The upper part is decorated with flowers and foliage, 7 lights with painted sheaths, a...

Trunk-form stem with colored hardstones on a circular base.

Bronze neoclassical tripod floor lamp by André Arbus. Lion feet decor. Height can be adjusted from 45" to 60". In good vintage condition. European socket and wiring (price includes ...

Stunning vintage 19th century bronze floor lamp designed in France. This exquisite lamp is a true masterpiece, crafted from bronze and ...

A Large and Impressive Italian 19th Century Patinated Bronze Figural Torchere, after a model by Niccolò Roccatagliata (Genoa 1593 - Venice 1636). The triangular foot base with projecting putti supporting the stem and oval reserves within cartouche motifs, one containing the initials "S.D" with an olive tree in-between and a bull-head below. The stem knot with figures of winged caryatids and festoons and upper part with cherub heads, acanthus leaves and egg and bead patterns and topped with a later white glass globe. The decorative system refers to the documented artistic production of the Venetian workshop of Niccolò Roccatagliata and takes inspirational model from the base of the Renaissance bronze of the Scuola Grande di San Teodoro in Venice, a work signed by Andrea del Bartolomeo di Alessandri known as Brescianino. Electrified. Circa: Venice, 1850-1880. RELATED LITERATURE L. Planiscig, Venezianische Bildhauer der Renaissance, Vienna, 1921, figs. 661-664; C. Avery, 'Andrea del Bartolomeo di Alessandri detto il Bresciano" lavator di gettar di Bronzo": candelabri, satiri e battenti', M. Ceriana and V. Avery (eds.), L'Industria artistica del Bronzo del Rinascimento a venezia e nell'Italia settentrionale, Venice, 2008, pp. 233-252. Similar models of this torchere were part of the interior decor collection at the Vanderbilt Mansion in New York (see black and white photo). The Cornelius Vanderbilt II House was a large mansion built in 1883 at 1 West 57th Street in Manhattan, New York City. It occupied the frontage along the west side of Fifth Avenue from West 57th Street up to West 58th Street at Grand Army...

An exceptional late 19th century rare French Rococo revival style floor lamp featuring amazing details. The floor lamp is made of bronze and shows great patina adding Beauty and char...

Floor lamp 'Amanita' designed by Mariana Pellegrino Soto in 1970. Floor led lamp, with dimmable switch, giving direct light. Base and sloped stem in anodic bronze, adjustable reflector in satin gold. PMMA transparent closing disk. Manufactured by Oluce, Italy. Amanita is a reading lamp by Mariana Pellegrino Soto consisting of two discs: the first, the slimmest, functions as the base, while the second and thicker of the two houses the LED bulb. The two metal discs are connected and spaced by a slim, oblique stem in the shape of a ‘Z’. Materials and color: Anodic bronze PMMA transparent Dimensions: D 24 cm x W cm x H 135 cm Technical information: 1 x max 18W (LED) Not UL Listed. Founded in 1945, Oluce is the oldest Italian design company in the lighting sector still in operation today. Oluce lighting’s design aesthetic is crisp, linear, and decorative. A subtle, intellectual beauty that over the years has led the company to produce some of the more recognizable and admired iconic lighting in the world. Oluce, already participating at the 9th Triennale in Milan, throughout its long history, has received numerous acknowledgements including two Golden Compass awards, two Design Awards and the Gold Medal at the 13th Triennale in Milan. Its lamps appear in the most important permanent design collections worldwide. Oluce’s expertise reveals its unparalleled manufacturing excellence which transforms into objects an untiring technological research into the potential of light. Each lamp is a milestone along this journey. Over time, from unusual materials, original designs and new lighting sources ensued revolutionary iconic designs by Tito Agnoli, Joe Colombo, Marco Zanuso, Ostuni e Forti, and Vico Magistretti, who since the 50s, have been rewriting the history of lighting. Recent collections reaffirm Oluce design and decorative approach, expressed through the signs by Italian and international designers such as Angeletti & Ruzza, Francesco Rota, Nendo, Victor Vasilev...

Elegant tripod gilt bronze floor lamp attributed to Riccardo Scarpa. Italy 1950s. Patinated bronze. Rewired for use in the US.

An exceptional piece! Superb sculpture floor lamp in patinated and painted bronze and brass, depicting a Japanese crane (tsuru) / heron / wading bird picking red berries in the middle of lush nature (flowers, water lily leaves). 5 lights with tulip shades in glass / opaline colors. Art Nouveau / Japonisme style, France, around 1900. Inspired by the productions of Meiji Japan, which was opening up to the rest of the world, Western artists, particularly the French, were inspired by them. The movement called "Japonisme" was born and from it flowed Art...

Carved & polychromed wood Chinoiserie pagoda motif floor lamp England, Circa 1900s An extraordinary carved and polychromed substantial chinoiserie pagoda floor lamp...

1960s Solid wood and bronze eagle mounted floor lamp table in good vintage condition. Measures 15"W x 15"D x 47.5" H to the top of socket.. Would stand around 60" tall with harp and...

A slender floor lamp handcrafted in plaster. A cast bronze base and a linen shade complete the light. The light has one medium based bulb with a three-way socket.

Modern bronze floor lamp in the style of Giacometti. Circa 1980s. This modern designed floor lamp has a beautiful dark patina, two soc...

Italian Renaissance style bronze floor lamp. Torchiere form lamp in Grand Tour style Circa 1900, baluster shaft with mermaid and amorini decorations, tripod mermaid and swag legs, ra...

Neo Gothic bronze architectural fragment mounted as lamp.

A Rare Tall Pompeiian Style 19th-20th century gilt patinated bronze tripod torchere Floor Lamp fitted with a molded glass shade. The tall fluted center column, topped with decorated ...

Rare and completely original set creating a Hollywood Regency floor lamp. This exceptionally beautiful and what we believe to be a very rare set of a midcentury pedestal with a ma...

Elegant precious floor lamp with bronze structure and Bassano ceramic inserts, hand decorated, Gio Ponti style. Number three lights, with overhauled an...

Stunning pair of gilt bronze and sandblasted glass sconces with gilt mid-century decor. The sconces feature a beautiful curved sandblasted ...

Unusual, extraordinary and exciting floor lamp by Toni Cordero. Very interesting combination of different materials. Toni Cordero was born in Lanzo Torinese in 1937. He took his architecture degree in Turin, and in 1962 opened his first design office. His architectural work includes Turin’s ”Delle Alpi” stadium with the collaboration of Hutter, Ossola and Majowiecki, a building based on advanced timber technology in Turin’s Mandria Park in 1997 and the Staff International factory in Noventa-Vicenza in 1996. Among his many important interior design projects we can cite: the Olivetti head offices in Ivrea (1997); the chain of Kenzo boutiques in Europe and the USA (1981); the renovation of the Gio Ponti Montecatini building in Milan, and the conversion of a London place of worship into an apartment hotel and gallery; the 1983 restorations of the Hotel Splendido...

Nicely cast with paw feet.

Chrystiane Charles for Maison Charles early rare signed model on a black marble base in cast brass / bronze table lamp with original brass meta...

Unique bronze sculpted table lamp - signed by William Guillon Sweet Thing IV Dimensions: 130 x 38 x 38 cm Weight: 9 kg. Bronze Unique lamp edition 1/1, signed Bulb E27, 540 lum...

Herve Van Der Straeten lampadaire epines 197. Measures: 18.5 x 18.5 x 67.

A French mid-century faux bamboo bronze floor lamp by Maison Bagues.  

A green, vintage Art Deco Italian pair of large floor lamps made of handcrafted bronze with a twisted shaft and broad dish, in good condition. The detailed lighting is resting on sty...

Very stylish gold gilt sheaf of wheat Italian floor lamp with original shade circa, 1950s. The floor version of this iconic sheaf of wheat deign lamp is quite rare and the fact that ...

In the Louis XVI style with finely cast decoration signed on side of base. Ex Christies sale.

Rare patinated bronze lamp floor. Attributed to André Arbus. Height adjustable from 45" to 59" excluding shade. Shade for showing purposes only. ...

Italian Modern brushed and twisted solid bronze floor lamp or reading lamp. UL Listed, US wired and working with a 100 W standard bulb or LED bulb. Light tarnish and minor scratche...

We are delighted to offer this very rare floor standing snake lamp after the original by Edgar Brandt which sold in 1994 at Christies for $76,000 A very good looking and decorati...