Pair of Neo-Greek Floor Lamps Att. to Lacarrière, Delatour & Cie, France, C 1860

Height without/with lampshade : 168/185 cm (66,1 / 72,8 in.) ; Base : 43 x 43 cm (16,9 x 16,9 in.) Beautiful pair of neo-Greek floor lamps in bronze with double patina, composed of cylindrical lamps, decorated on the body with a rotating frieze representing women dressed in the Antique style weaving and spinning, surmounted by lampshades with cut sides in red pleated silk with golden braid. They are placed on pedestals from which hang thin chains attached to the slender shaft decorated with stylized leaves and flowers, resting on a tripod base decorated with large palmettes and ending in lion’s paws. The stylistic repertoire used here, composed in particular of palmettes, masks, and nymphs, evokes Greek Antiquity, as does the reuse of forms of furniture and objects such as tripods and antique vases. The rediscovery in the 18th century of the archaeological remains of Pompeii and Herculaneum allowed artists of all disciplines to draw inspiration from Antiquity while reinterpreting it. This trend did not fade and, in the 19th century, many personalities fitted out their interiors with neo-Greek furniture, as was the case for the Maison Pompéienne built in 1856 by the architect Alfred Normand (1822-1909) for Prince Napoleon, or Empress Eugénie who bought from the Maison Barbedienne pedestals inspired by antique tripods. Related work : Pedestal model presented by Maison Barbedienne at the Universal Exhibition in Paris in 1855. On this occasion, Empress Eugénie bought it for her bathroom in the Château de Saint-Cloud. This model pleased the Empress so much that she ordered two other pairs in 1858 for her boudoir in the palaces of Compiègne and Fontainebleau. (see photo attached) Photo showing a floor lamp similar to ours in Empress Eugénie’s bedroom in the Château de Compiègne (Oise), in Architecture intérieure et Décoration en France des...

Rare pair of Greek style floor lamps made in patinated bronze attributed to G. Servant, each surmounted of a frosted glass globe engraved of stars and a Greek motif frieze. The body of the vase, decorated with Greek style patterns such as palmets, Greek motif frieze and water leaves, stands on a shaft decorated with deer heads. Fine chains are connected to a delicate butterfly. The set is based on tripod legs with lion claw feet alternating large palmets. Height : 183 cm (72 in.) ; 213 cm (83 3/4 in.) with glass shades ; Diameter : 43 cm (19 2/3in.) Georges Emile Henri Servant (1828-c.1890), who took over his father in 1855 at their foundry, rue Vieille-du-Temple, in Paris, specialized in the production of neo-Egyptian style clocks, very popular in France since 1860’s, and also the making of Greek style decorative objects. He drew considerable attention to the high quality of his bronzes at the 1855 Paris Universal Exhibition and then at the 1862 London Exhibition. At this time Servant exported up to 40% of his production, principally to the United States, where for instance, his clocks were sold with great success by Louis Tiffany Inc. or Hamann & Roche of New York. But his success came really at the 1867 Paris Universal Exhibition, where he was awarded a gold medal for his neo-Greek and Egyptian works (Les Merveilles...

Gueridon made in silvered and gilded bronze, composed of four claw feet decorated with lion’s head held together by crossed bars in gilded bronze. It is surmounted by a large onyx to...

A pair of neo-Greek wall-light sconces executed in two patina bronze attributed to F. Barbedienne. The central up-turned foliage stem, surmounted by a Greek style vase...

Pair of patinated and gilded bronze turntable pedestals with for each of them, three paw feet, headed by stylized lion muzzles, ornated with beaded chains and joined by a fine foliate stretcher. The belt is adorned by a banded frieze cast in low-relief representing an ancient scene : “The Battle of the Lapithes and the Centaurs”. These pedestals can be associated with the "Vases de Bacchus", presented by G. Servant at the 1867 Exposition Universelle, on which the similar ornamentation is applied. (Reproduced in « Merveilles de l'Exposition Universelle de 1867 », Jules Mesnard, p°167) Biography : Georges Emile Henri Servant...

Pair of patinated and gilded bronze high guéridon attributed to L.C Sevin and F. Barbedienne, with for each of them, three paw feet joined by X shaped stretche...

This beautiful pair of sconces is a re-edition of a model of the famous Parisian bronze maker Delatour Lacarrière. Lacarrière creates in 1825 a factory at 3 bis, rue Sainte- Elisabeth (Paris, France). Simple craftsman, he specializes and excels in the application of bronze in lighting devices. In 1834, he received an honorable mention, in 1839, a bronze medal and in 1844, a silver medal for a large triangular candelabra, prefiguring the one presented at the Universal Exhibition in London in 1862. He also participated in the design of the chandelier for the Queen's Theatre in London. From 1851 to 1870, he changed his company name several times. Lacarrière, Delatour et Cie (active in 1870) cast and chiseled most of the lamp posts, candelabras and chandeliers of the Paris Opera, including the one in the auditorium, designed by Charles Garnier...

Classic mid century floor lamp, constructed of wrought iron metal rods, in tapered conical form, with brass collar. Design attributed to Gerald Thurston, manufacture attributed to Li...

Classic Post Modern reinterpretation of the antique Pharmacy Lamp form, attributed Koch & Lowey circa 1970's. The lamp is constructed of solid brass, having an angular hood shade whi...

A highly important and monumental pair of gilt bronze mounted marble and alabaster floor lamps att . E.F.Caldwell New York Date: late...

Rare patinated bronze lamp floor. Attributed to André Arbus. Height adjustable from 45" to 59" excluding shade. Shade for showing purposes only. ...

Peter Hvidt (1916-1986) & Olga Molgaard-Nielsen (1907-1993) (in the style of) Teak tripod floor lamp with three lights and lampshade. Circa 1960