Daum nancy Cameo Scenic Table Lamp

A warm scenic tall vase by Daum Freres from Nancy France circa 1900. The scene is a landscape with lake and green trees and bushes in the fore and back ground. The interesting featur...

Daum Freres Nancy; Edgar Brandt, Table light, circa 1925, Daum Nancy shade is variegated and mottled art glass with powder fusions of, white, orange...

Tiffany Studios Bronze And Favrile Glass Harp Table Lamp. Circa 1910, period Art Nouveau Art Deco Patinated bronze and Iridescent favrile glass Height: 13....

French Art Nouveau Maurice Bouval Bronze Table Lamp Signed: “M. Bouval” Circa 1900 Bronze Foundry Stamp: Thiebaut Freres / Foundeurs / Paris Measurement: 17 x 6 x 6 1/2 in. (43.2 x...

Daum Nancy Art Nouveau table lamp, circa 1910. High-quality wrought iron base, stamped (illegible). Powder tulip signed Daum Nancy. Electric and in perfect condition. Height: 40.5 c...

A museum piece of French Art Nouveau glass art: Lamp with baluster-shaped foot on a stepped, flat, round stand raised in the centre, hemispherical shade, slightly heat-stretched and pressed upwards on four sides, made of multi-layered glass with coloured powder fusions, predominantly in yellow-orange, red, brown, green and blue-violet tones, with highly etched vine leaves and grapevine decoration, two fully sculpted snails on the foot as a special accent, Cameo signature ‘DAUM NANCY’ with Lorraine cross on the foot in the lower area, and on the shade, which rests on a patinated metal mount, which also carries the threads for the light sources, one at the top and one inside the foot. Technique: Handmade cameo glass Glass overlaid with several layers, with high-cut worked out motifs. Since the middle of the 19th century, the design has also been done by etching. Cameo glass vessels were already being made in antiquity; cameo glass vessels were already being made in ancient times, and at the end of the 19th century this glass art was further developed, especially in Nancy. Manufactory: Daum Frères / Nancy, Lorraine, France Dating: Circa 1905 Dimensions: Height: 53,5 cm / 21.06 in Diameter: 32,0 cm / 12.59 in Bibliography: Carolus Hartmann, Glasmarken-Lexikon / Encyclopedia of Glass Marks, Stuttgart / Germany 1997, Signature number 2984 on page 148, and page 561: Daum Frères & Cie, Verreries de Nancy Condition: Very good The electrification is functional, but should be renewed for safety reasons. About the design: The development of Art Nouveau glass art coincides with a revolution in lighting, the significance of which we can no longer fully appreciate today in the 21st century. Around 1880-1890, oil lamps and paraffin lamps were still almost unrivalled in every household. It was not until the beginning of the 20th century that the ‘electricity fairy’ emerged as a remarkable advance and gradually found its way into the daily lives of all social classes. The glassmakers at the Ecole de Nancy were true pioneers and eagerly seized the opportunity to use electricity to illuminate the colours applied to the glass. Colour was one of the main concerns of the master glassmakers at the Ecole de Nancy. Emile and Antonin Daum returned to the colours that had made the stained glass of the Middle Ages so splendid and extended the palette of colours in the glass mass as they needed it for the floral motifs and exact representations of nature. But the modulation of the colours, their arrangement in juxtaposed patches, the technique that the Impressionist painters practised on their canvases at the same time, was difficult to achieve due to the nature of the glass melted in a large mass. To achieve this richness of expression, around 1900 Daum developed ‘the process of applying glass powder and enamel to the outside of the vases to create coloured backgrounds or decorative spots’, according to the report of the jury of the 1900 World Exhibition. The field of naturalistic, contrasting and shimmering colours was one in which Antonin Daum excelled. This new technical process made it possible to create the symphonies of colour that we find on the ‘Vignes et escargots’ lamp...

A fine antique original, authentic, Art Nouveau French cameo glass table lamp, signed Muller Freres, circa 1900. Established in Lunéville, France, Muller Frères consisted of a group ...

Statuesque and artfully etched, this exquisite cameo glass table lamp is the work of the famed Art Nouveau master Émile Gallé, one of the most highly regarded names in French glassmaking. The artist's appreciation of nature is on full display in the detailed Marguerite daisy pattern carefully etched in varying layers of colored glass. The blooms dance across the lamp's amber-colored form in mesmerizing shades of purple and red. When lit, the lamp emits an enticing warm glow. Nearly two feet in height, the lamp is much larger than is typical of Gallé's pieces, yet it maintains its grace and proportion. Émile Gallé opened a small woodworker's shop in 1885, where he began experimenting with marquetry in furniture and naturalistic glass designs. In 1889, he displayed his new glass creations at the Paris International Exhibition, where the designs and colors not previously seen caused an immediate sensation. The new style of Art Nouveau had begun to appear, and the movement's aesthetics and devotion to nature appealed greatly to the young Gallé. In 1894 Gallé built a manufacturing plant in Nancy and began creating his own designs from inception through production. Gallé personally developed many of the designs, and he was known to actively make alterations and approve the designs of his talented team of designers and craftsmen he employed at the "Cristallerie D'Emile Gallé." Signed "Gallé" on shade and base Circa 1920 Literature: A. Duncan, G. de Bartha, Glass by Gallé, London, 1984, p. 170, pl. 245 for another lamp of this model A. Duncan, G. de Bartha, Gallé Lamps...