Pair of French Pussy Willow Form Lamps

Pair of Sculptural Black and Brass Swirl Lamps, American, circa 1950s. Rewired and ready to use.

Selection of Italian midcentury lamps, Italy, circa 1950s. They are, from left to right in the first photo: 1) Brass and wood lamp. It measures 37.5"H x 14"W. 2) Brass and enameled m...

Bronze lamp in the form of a townhouse by Bergman Austrian, circa 1900 Measures: Height 30m, width 17cm, depth 10cm This delightful cold-painted bronze lamp was crafted by the famous Viennese foundry owner, Franz Xavier Bergman. Franz Xavier inherited the Bergman Foundry from his father, Franz Bergman, in the 1890s. Bergman’s works were called ‘cold-painted’, meaning that several layers of paint were applied by hand to the bronze piece after it had been cast. The lamp takes the form of a tall, multi-storeyed timber and brick building. The house is faced with yellow plaster and roofed with red tiles. It is dotted with green-grilled windows of varying shape and size and features a small turret on its right side. A door opens on the left side of the middle storey, to allow access to the light bulb contained there. When turned on, the light produced by the bulb shines atmospherically out through the house’s colored windows. To the right of the building, a minstrel stands on stone steps, and sings along to a tune he plays on his mandolin. The hanging sign of a boot projects out from the house on the left, identifying the building as a cobbler’s shop. Indeed, the two large oak doors...

A beautifully cast pair of French 19th century neoclassical patinated figural bronze nine arm candelabra after a model by Jaen Jacques Pradier They are signed J. Pradier and were converted into lamps in the 20th century. Each candelabra is cast as classically draped maiden with one representing Phyrne and the other unknown, standing on a circular stepped dark green marble socle base. There are no visible foundry marks on the bronzes. Born in Geneva in 1792 in Switzerland, Pradier was the son of a Protestant family from Toulouse. He left for Paris in 1807 to work with his elder brother, Charles-Simon Pradier, an engraver, and also attended the École des Beaux-Arts beginning in 1808. He won a Prix de Rome that enabled him to study in Rome from 1814-1818 at the Villa Médici. Pradier made his debut at the Salon in 1819 and quickly acquired a reputation as a competent artist. He studied under Jean-Auguste-Dominique Ingres in Paris. In 1827 he became a member of the Académie des beaux-arts and a professor at the École des Beaux-Arts. At the Salon of 1834, Pradier's Satyr and Bacchante...