Anglo-Indian Furniture

19th Century Anglo-Indian White Lacquered Carved & Pierced Lion Motif Arm Chair, circa 1880 This stunning 19th-century Anglo-Indian armchair, circa 1880, is a striking example of th...

A striking vintage Anglo-Indian silvered metal-clad chair, 20th century, influenced by the dowry wedding chairs of Indian Royalty during the British Raj Period (colonial crown rule i...

PRESENTING AN EXCEPTIONAL 20C Anglo Indian Style Double Sided Profusely Inlaid 4 Panel Screen or Room Divider. Made in Hoshiarpur, India, circa 1960-80. Made of ‘teak’ wood in the ...

Presenting a lovely antique Indian Dhokra horse and rider sculpture. Probably from the late 19th or early 20th century as is evidenced by its natural patina and clear evidence of age. It depicts an Indian Warrior with a sword in his right hand mounted on his horse/steed. The warrior is in classical and ancient Southeast Asian Indian attire and he holds the horse’s reins in his left hand. The body of the horse is a series of lines (in the Classic Dhokra Style) and it has a tribal headdress...

Presenting an absolutely stunning 19c Anglo Ceylonese sewing box of museum quality. Made in Ceylon (now Sri Lanka) circa 1860, this is one of the finest sewing boxes of it’s kind that we have ever seen! The box is made from coromandel wood (an exotic hardwood found in Ceylon) and has a serpentine edging all over the front, back and sides. Very often the lids/tops of these boxes suffer cracks due to shrinkage but this one is near perfect with no crack in the lid/top. There is some evidence of natural shrinkage but that is around the edges of the lid/top. It is when you open this box that it reveals it’s true beauty, quality and treasure ! The inside of the lid/top is heavily and beautifully decorated with inlaid bone in scrolling floral patterns which have then been hand painted with red and black ‘lac’ ink. The central medallion is a circle of inlaid specimen exotic hardwoods radiating towards a central bone and hand painted flower. The circle is edged in bone, wood and silver chevrons. What makes this box Exceptionally rare is that it contains 3 lift out base sections. Normally, there would be a maximum of 2. The first tray/section is clearly for the purposes ancillary to sewing with a pair of sections with bone spools for thread etc. There are 17 other lidded compartments with each one highly decorated using hand painted bone and specimen woods to replicate tortoiseshell. The first tray lifts out to reveal a second removeable tray which is made up of a pair of open sections and 8 specimen wood lidded sections each with chevron banding. The third tray is a smaller tray underneath with 14 lidded compartments each with hand painted bone and specimen wood inlaid lids again, replicating the look of tortoiseshell. Again they are banded with a chevron border. This is a museum quality piece ! It is in fantastic condition for it’s age with the minor shrinkage to the edges of the lid/top, some finger pulls missing and some very minor cracks to the tray lids and bases but nothing that in any way detracts from the piece. No key. Dimensions: Closed the box is 16.75 inches wide, 11.25 inches deep and 7.5 inches high Fully open the box is 16.5 inches high, 16.75 inches wide and 11.4 inches deep Anglo-Indian and ceylonese boxes: Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. Anglo-Indian boxes normally consist of 3 main types:- (1) Most of the best and highest quality Anglo-Indian boxes in the 18th and 19th centuries were made in Vizagapatam, India, renowned for its exquisite craftsmanship in using ivory and tortoiseshell and lac decoration. These are referred to as ‘Vizagapatam Boxes...

PRESENTING a LOVELY 19C Anglo Indian Bombay MOP (Mother of Pearl) Sadeli Mosaic Trinket Box from circa 1875-85. Gorgeously detailed and hand-crafted ‘sadeli mosaic’ inlay, from the Bombay Area, with deep greens with silver, pewter, mother of pearl, bone and ebony in geometric patterns. The box case, is made of sandalwood but completely covered in MOP, bone, faux ivory, ebony and mosaic inlay. Edged with faux ivory and banded with a different pattern of sadeli mosaic. Some minor damage to the top (repair is obvious in pics) and ivorine replacements to some edging, but it still a BEAUTIFUL BOX and of real QUALITY! The mosaic work is FABULOUS! Box opens to reveal its original blue velvet lining. It sits on 4 (recently added) silvered button feet. SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

Unique, impressive antique wooden chandelier made from hand-carved, Grinling Gibbons-style antique English body and hand-forged iron arms. Ni...

Teak Howdah Elephant Saddle Chair. Beautifully carved Asian teakwood Howdah elephant saddle chair or bench, Thailand, 1920. This unusual Anglo-Indian chai...

PRESENTING A LOVELY Vintage Indian Hand Embroidered Door Tapestry. Early 20th Century, circa 1920. Probably from Central India. Made of Cotton and hand stitched or embroidered wit...

This lamp measures 21 inches tall. The base measures 5 inches and at the wideset point, the lamp is 8 inches wide. The vase from which this lamp was made was brought back to the US f...

Monumental Anglo-Indian Polychromed Rajasthan Bulbous Covered Tole Urn India, Circa 1960s A monumental example of Anglo-Indian workmanship, this polychromed Rajasthan bulbous cove...

Vizagapatam box, India, 19th century. This highly decorative and unusual Anglo-Indian table box features rustic workmanship that adds to the character and charm of this unique Sout...

Pair of Anglo-Indian Cast & Engraved Brass Ewers, Black Enamel & British Coins, India, 1960s An exotic pair of Anglo-Indian cast and engraved brass ewers, crafted in India during th...

19th Century Anglo-Indian Carved & Polychromed Gondola Settee This 19th-century Anglo-Indian carved & polychromed gondola settee is a remarkable example of colonial-era craftsmanshi...

Magnificent carved hardwood elephant chair A comfortable, substantial realistically carved, chair, modelled as a standing elephant. The raised back a...

A vintage Chinese decorative tureen that's very 'of the moment' with it's animal motif in browns, blacks, creams and gold. A stunning and versatile accent piece for any room. A beaut...

Presenting a beautiful and iconic vintage Indian tapestry of Shah Jahan and Mumtaz Mahal. We are of the opinion that this is from the early 20th centur...

A fine and intricately carved Anglo Indian hardwood tilt top pedestal table, British Colonial period, mid 19th century, Ceylon or India. The pedestal tilt top table features a wide ...

An interesting and finely crafted pair of mid 20th century Indo Asian brass clad side or end tables. Constructed of lacquered wood (likely mahogany and teak) and finished on all side...

Presenting an absolutely gorgeous and very rare 19C Anglo Indian Vizigapatam stamp box. Made in Colonial India (the Time of the Raj) circa 1860. Prob...

A vintage Anglo-Indian hand-carved solid wood round tripod pedestal end table with stunning brass inlay throughout. Hand-crafted in India in the second half of the 20th century, ...

Presenting an absolutely fantastic 19C Anglo Ceylonese lap desk of museum quality. We can safely say that this is one of the finest lap desks we hav...

PRESENTING A BEAUTIFUL and RARE 19C Anglo Ceylonese Specimen Wood Trinket Box. Made in ‘Galle’, Ceylon (now Sri Lanka) circa 1860-80. Made for the ex...

Elaborate carving accentuate the entire surface of this striking pine secretary. Enlarge photos to appreciate the extensive details, including vines, birds, leaves, trees, dentil mol...

A fine 19th c Anglo Indian carved camel table. Original bone horn in the Camel's nose.

Pair of Antique Anglo-Indian etched and polychrome brass peacock figures. Stunning pair of Anglo-Indian etched and polychrome brass peacock figures or sculptures. These beautiful pe...

A charming early patinated metal oil lamp, India, 19th century or earlier. Most likely originating in the South Indian state of Tamil Nadu, richly cast using the renowned ancient b...

Hand carved inlaid Anglo Indian sofa.

A decorative Continental bronze planter 20th century.

PRESENTING A GORGEOUS 19C Anglo Indian Rosewood Caddy with Silver Mounts. Really nice and unusual, 19th Century Anglo-Indian Spice or Tea Caddy, from cir...

Early Anglo-Portuguese chest Intricately carved hidden compartments 13 working drawers lined in original red paper Black lacquer with gilt decoration...

An intricately carved and pierced Anglo-Indian sideboard in rosewood with ornate openwork in an over-all floral design and scrolling acanthus leaves. Solid top and carved back, apron...

This sturdy box is slightly waxy to the touch. Giving light to the olden way of preserving carved wood. There are blue pieces to this box that give off a cultural and exotic feel. Th...

A rare and most impressive antique Burmese hand-carved hardwood side table. circa 1880 Exquisitely hand-crafted in Burma (present day Myanm...

PRESENTING a STUNNING and HIGHLY DESIRABLE and IMPORTANT 19C Reverse Glass Painting of Shiva, Parvati and Ganesh from the Pal Collection. This piece has impeccable Provenance! It was purchased by a Private Dallas Collector at Christie’s New York Auction on 20th March 2008. Sale Number 2112, Lot No. 290. Christie’s operate a twice yearly auction of Southeast Asian Art & Antiquities in New York in the months of March and September. This sale was titled “The Scholar’s Vision: The Pal Family Collection”. The painting was described as “A reverse glass painting of Shiva, Parvati and Ganesh – India, Maharashtra, 19th Century. The holy family seated on the floor, mother and child in the lap of Shiva, with a red background and blue borders. Opaque pigments and metal leaf on glass. 12 x 16 in. (30.4 x 40.6 cm.) Exhibited: Durga: Avenging Goddess, Nurturing Mother, Norton Simon Museum of Art, 7 October 2005 – 27 March 2006″. It carried an Auction estimate of USD 2,500 to USD 3,500 and Sold for USD 2,500 (not including Buyers Premium). Allowing for inflation alone this would be over $4,300 in today’s value. At highest estimate, this would equate to over $6k in today’s value. As an added bonus and proof of authenticity the painting still retains it’s original Christie’s Lot No. Label. It has substantially increased in value over the years as a RARE piece from the ‘renowned’ Pal Family Collection and a RARE piece of antique Asian Indian...

PRESENTING A VERY NICE 19C Anglo Indian Highly Carved Teak and Sandalwood Sarcophagus Sewing Box. Made in Bombay, India circa 1890-1900. The box case/body is made of sandalwood wit...

A charming antique Burmese / Anglo-Indian sculptural carved padauk hardwood accent table with figural animal carving feet. circa 1900 Finely hand carved in Burma (present day Myanma...

PRESENTING A LOVELY 19C Anglo Indian Vizagapatam Bone and Shell Domed Stationery Box – ‘Alice’s Box’. Made in Vizagapatam, India, circa 1860-80. We call this one: “Alice’s Box”! It has lived ‘a hard, well used and traveled life’, as is evident from the number of losses and repairs, as is obvious from the photos, especially to the faux ivory panels and bands to the top. The bonus to the loss of the frieze panels to the dome has a ‘bonus’, however, as their loss has revealed the most GORGEOUS faux blonde tortoiseshell underneath! The box is dome/casket shaped. The top has 3 bands, with the center one being the original. The 2 side bands are later ivorine. The faux ivory and hand-painted medallions on the domed lid, have been saved and they depict Hindu Gods, Vishnu and Shiva. The front and side panels are still in pretty good shape and are decorated with lac ink (indelible ink made from crushed beetles) depicting lovely floral designs. The domed lid open to reveal a series of open compartments for envelopes, writing paper etc. and one lidded panel for stamps. Inside the box are 2 paper labels: one probably being the original item ticket and the other with: ” Alice’s address is 272 Ashworth Ave, Toronto 4, Ontario”. Probably, the original owner? Hence, we call it ‘Alice’s Box’. What a journey/life this box has had! Made in India, made its way to Canada, back to Ireland and then to Texas! This is why, WE LOVE ANTIQUES...

An antique 'all-over' tortoise pattern bamboo side table from South Asia. A distinctive and soulful piece that is well crafted. The 'tortoised bamboo' in furniture is sought after, y...

PRESENTING A LOVELY 19C Anglo Indian Highly Carved Sadeli Mosaic Inlaid Sewing Box. Made in Bombay, India, circa 1880. The box is made of sandalwood with highly carved raised teak wood panels on all sides, depicting temple scenes, animals and foliage. The box is in a sarcophagus form. It is edged in bone (and we can tell it is bone and not ivory, from the color and evidence of capillaries, which are not found in ivory), and banded with Bombay Sadeli mosaic and ebony veneer. The lid opens to reveal a removable tray with various open compartments and lidded compartments. 5 lidded compartments, 1 unlidded compartment and 8 holders for thimbles, etc The tray lifts to reveal a blue velvet (original) lined section, for storing jewelry etc, with sections for collars etc. The inside of the lid has a removable mirror (the mirror is missing on this one but can easily be replaced). Behind the mirror is the original green velvet lining. It has its original brass carry handles on the sides and sits on 4 silvered button feet (of recent origin). Some repairs to the exterior and condition issues (priced accordingly), but still a LOVELY COLLECTIBLE box! These boxes were made by superb Indian craftsmen, specifically for sale to the ruling British elite. These types of boxes, carved padouk and sandalwood, (whilst beautiful and superbly crafted) were of a lesser quality, than the more profusely and intricately mosaic inlay, tortoiseshell and ivory boxes, made for the British ‘Upper Classes’ in the areas of Bombay and Vizagapatam. These type of boxes were much more affordable back in 1880 (and indeed today) and would probably have been bought by mid-level diplomats, civil servants or visitors. Sewing boxes (in general), were in EVERY Victorian home in Britain in the 19th century and like other boxes etc were ‘status symbols’ of your place in society! The more ornate the box, the more ‘Upper Class’ you were! SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and Horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, Horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

PRESENTING A GORGEOUS 19C Anglo Indian Highly Carved Sadeli Mosaic Sarcophagus Sewing Box. Made in Bombay, India circa 1860-80. Box made of sandalwood with highly carved teak wood reliefs and panels on all sides. Edged with bone and ebony veneers and glorious sadeli mosaic, made from tiny pieces of faux ivory, pewter, green semi-precious stone. The box is in a sarcophagus form with domed lid. The original brass carry handles are on the sides. The interior is in great condition and consists of a removeable mirror under the lid portion, with the original red velvet lining behind it. The base is removeable and contains a number of lidded compartments. 6 of the interior lids on the base, are each inlaid with sadeli mosaic banding. The rest are also carved and chased. The interior is fully complete with 7 lidded faux ivory/bone, thread canisters with sadeli domes and the original bone thimble. The box sits on 4 brass ball or bun feet with the original velvet lining on the base. Some minor repairs and losses, but this box is fully complete. This is ‘rare’ as many of these boxes have not survived in such condition! Included in the sale are 2 photos that were in the box (under the base tray). Interestingly, one of them is a view of downtown Nassau, New Providence (Bermuda) from the early 20C and stamped on the rear. What a ‘journey’ this piece has made! Made in India … travelled to Bermuda, probably via Britain … back to Ireland (where we bought it) …. then to Texas! These boxes were made by superb Indian craftsmen, specifically for sale to the ruling British elite. These types of boxes, carved padouk and sandalwood, (whilst beautiful and superbly crafted) were of a lesser quality, than the more profusely and intricately mosaic inlay, tortoiseshell and ivory boxes, made for the British ‘Upper Classes’ in the areas of Bombay and Vizagapatam. These type of boxes were much more affordable back in 1880 (and indeed today) and would probably have been bought by mid-level diplomats, civil servants or visitors. Sewing boxes (in general), were in EVERY Victorian home in Britain in the 19th Century and like other boxes etc were ‘status symbols’ of your place in society! The more ornate the box, the more ‘Upper Class’ you were! Of it’s type, this one, is one of the very higher quality one’s, than the norm! SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

19C Anglo Indian solid silver perfume bottle case. Lovely 19th century Anglo-Indian solid silver perfume bottle case with profuse repousse work. Not hallmarked because it was m...

Pair Of Anglo-Indian Brass Urns With Cobras. This great pair of incised brass urns with cobra handles date to the 1920's India. Unusual statement acce...

A pair of antique Indian hand-painted figural brass head religious sculptures. Hand-crafted in the Maharashtra or Karnataka region of India in the late 19th / early 20th century, d...

PRESENTING A LOVELY 19th century Anglo-Indian Carved Teak Wood and Sadeli Mosaic Box, featuring a carving of a Hunt Scene. Made circa 1870 in Bombay, India during the Rule of the Br...

Vintage Anglo-Indian metal clad table. Great vintage Anglo-Indian silver metal clad square table. This versatile table can be used as a side table, e...

These beads where made by a true craftsman's hands. Each one is uniquely formed with minor imperfections and age. They are strewn along a bright braided Raffia ribbon giving this pie...

Handmade antique silver cup medium.