19C Anglo Ceylonese Specimen Wood Trinket Box

Another stunning 19th century Anglo-Ceylonese piece. Made circa 1880 in Ceylon (Now Sri Lanka) of Coromandel wood and specimen woods. This is a simply gorgeous and quality item!! Tray made of various compartments with various high quality specimen wood lids, all edged and banded in chevrons of bone, silver or pewter and ebony. The tray itself is made of expensive coromandel wood. There are two open sections on either side of the tray which have bone and hand-painted lac ends. The main tray sits onto a base made of coromandel wood with green baize lining. This tray could have a number of practical uses, for keeping stationary, watches, jewelry, or thinking outside of the box, holding you remote controls and candy!! We have a matching box also in our Inventory and for auction. ANGLO-INDIAN AND CEYLONESE BOXES: Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. Anglo-indian Boxes normally consist of 3 main types:- (1) Most of the best and highest quality Anglo-Indian boxes in the 18th and 19th Centuries were made in Vizagapatam, India, renowned for its exquisite craftsmanship in using ivory and tortoiseshell and lac decoration. These are referred to as ‘Vizagapatam Boxes...

PRESENTING A LOVELY 19th century Anglo-Indian Carved Teak Wood and Sadeli Mosaic Box, featuring a carving of a Hunt Scene. Made circa 1870 in Bombay, India during the Rule of the Br...

PRESENTING A LOVELY 19C Anglo Indian Highly Carved Sadeli Mosaic Inlaid Sewing Box. Made in Bombay, India, circa 1880. The box is made of sandalwood with highly carved raised teak wood panels on all sides, depicting temple scenes, animals and foliage. The box is in a sarcophagus form. It is edged in bone (and we can tell it is bone and not ivory, from the color and evidence of capillaries, which are not found in ivory), and banded with Bombay Sadeli mosaic and ebony veneer. The lid opens to reveal a removable tray with various open compartments and lidded compartments. 5 lidded compartments, 1 unlidded compartment and 8 holders for thimbles, etc The tray lifts to reveal a blue velvet (original) lined section, for storing jewelry etc, with sections for collars etc. The inside of the lid has a removable mirror (the mirror is missing on this one but can easily be replaced). Behind the mirror is the original green velvet lining. It has its original brass carry handles on the sides and sits on 4 silvered button feet (of recent origin). Some repairs to the exterior and condition issues (priced accordingly), but still a LOVELY COLLECTIBLE box! These boxes were made by superb Indian craftsmen, specifically for sale to the ruling British elite. These types of boxes, carved padouk and sandalwood, (whilst beautiful and superbly crafted) were of a lesser quality, than the more profusely and intricately mosaic inlay, tortoiseshell and ivory boxes, made for the British ‘Upper Classes’ in the areas of Bombay and Vizagapatam. These type of boxes were much more affordable back in 1880 (and indeed today) and would probably have been bought by mid-level diplomats, civil servants or visitors. Sewing boxes (in general), were in EVERY Victorian home in Britain in the 19th century and like other boxes etc were ‘status symbols’ of your place in society! The more ornate the box, the more ‘Upper Class’ you were! SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and Horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, Horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

PRESENTING A VERY NICE 19C Anglo Indian Highly Carved Teak and Sandalwood Sarcophagus Sewing Box. Made in Bombay, India circa 1890-1900. The box case/body is made of sandalwood wit...

Exotic Amboyna From our Jewellery Box collection, we are delighted to introduce this large Anglo-Indian Campaign Amboyna Box. The Amboyna Box of large rectangular form veneered in b...

19th century Anglo-Indian Mughal wood box, inlaid and hand carved with the Taj Mahal and some flowers all around. Jewelry box, Anglo-Raj box from India in great condition. Nice Mughal Bombay Box...

Vintage hand carved wood jewelry trinket storage box with brass inlaid. Hand-carved large wooden Anglo-Raj jewelry box. Found in Kashmir, India. Mi...

Hand-carved large wooden Anglo-Raj jewelry box. Early 20th century wood box richly decorated overall with arabesques and floral carving. Hinged lid shallow relief carving with interi...