Tapio Wirkkala Stainless Steel Puukko Knife with Leather Sheath Hackman Finland

Swedish ceramic artist Carl-Harry Stålhane (1920- 1990) played a major role in popularizing Swedish pottery during the 20th century, working for more than three decades at Rörstrand, one of the oldest ceramics manufacturers in Europe. During his long tenure at Rörstrand, Stålhane was responsible for small-batch studio pieces, mass-produced tableware , and all manner of decorative accessories . Born in 1920 in Mariestad, Sweden, Stålhane began working at Rörstrand in 1939 as a decorative painter, assisting Danish-Finnish ceramic artist, designer, and sculptor Gunnar Nylund (1904-1997). During this time, Stålhane decorated various ceramic pieces, most notably Nylund’s Flambé range (1939s), quickly establishing himself as a talented ceramic artist. Inspired by the desire for new products during the postwar economic boom, Stålhane went from being a talented decorator to an exceptional ceramic artist. In 1943, Stålhane caught the eye of Swedish artist Isaac Grünewald (1889-1946), who was visiting Rörstrand. Grünewald was so impressed with Stålhane’s work that he took him on as a student, and from 1943 to 1946, Stålhane studied art at Grünewald's Art School in Stockholm. Subsequently from 1947 until 1948, he studied sculpture at Académie Colarossi in Paris. During the 1950s, Stålhane’s work appeared in several solo exhibitions in Sweden, the United Kingdom, and the United States. His Blanca Tableware range (c. 1955) won numerous international prizes and was in high-demand. In 1958, Stålhane succeeded Nylund as Artistic Director and Chief Designer at Rörstrand. In 1960, Stålhane unveiled a new collection at Stockholm’s Galerie Blanche. Featuring dark stoneware pieces made from local clays, this collection represented a bold departure from the soft, restrained shapes of the 1950s. It has since been praised for its precient aesthetic that would influence the look of ceramics for more than a decade. From 1963 until 1971, Stålhane taught ceramics at the Art Industrial School in Gothenburg. For a short time, he also was the Design Director at the Swedish factory Upsala Ekeby, which in addition to porcelain, produced tile, brick, and glass. Stålhane eventually left Rörstrand in 1973 in order to establish his own ceramic company, Designhuset, in Lidköping, where he further experimented with local clays and minerals. Stålhane continued to work until his death in 1990. Today, Designhuset is a school for ceramists and model-makers. Over the course of his career, Stålhane created several public works for The Commerce Trust Company in Kansas City, Missouri, and for Volvo in Gothenburg, Sweden. His work is represented at several international museums, including Stockholm’s Nationalmuseum and New York’s MoMA. Rörstrand is the second oldest brand of ceramics in Europe and can be found in homes all across Sweden and Europe. Rörstrand’s long legacy includes some of Europe’s most iconic ceramics collections including Swedish Grace, Mon Amie, Ostindia, Filippa...

Hermès Paris Mahogany Stationery / Correspondence Box, 1988 This refined Hermès correspondence box exemplifies the Maison’s dedication to craftsmanship, discretion, and timeless lu...

A fine puukko knife & sheath from the 1960's. Designed by Tapio Wirkkala and produced by Hackman. The puukko comprising a stainless steel blade, brass fittings, and a black nylon ...

This vintage Argentine knife from the 20th century is a remarkable piece that embodies the craftsmanship and functionality characteristic of traditional Argentine blades. With a sleek design and a substantial blade, this knife is not only a practical tool but also a collectible item for enthusiasts of fine cutlery and Argentine culture. Key Features: Authentic Argentine Craftsmanship: This knife showcases the rich heritage of Argentine knife-making, known for its quality and durability. It reflects the traditional styles and techniques used by artisans in the region. Quality Construction: Made from silver-colored metal, this knife is both visually appealing and sturdy. The materials used ensure longevity and functionality, making it suitable for both display and practical use. Functional Design: The total dimensions of the knife are 33 cm x 7 cm x 2 cm, with the blade measuring 20 cm. This size provides a comfortable grip and excellent balance, making it ideal for various cutting tasks. Good Condition: This knife is in good condition, showing minimal wear that adds to its character. It is a perfect addition for collectors or anyone interested in Argentine history and craftsmanship. Dimensions: Total Size: 33 cm x 7 cm x 2 cm (approximately 13" x 2.8" x 0.8") Blade Length: 20 cm (approximately 7.9") Why Choose This Vintage Argentine Knife? This antique Argentine...