Jimmie Durham (Phaidon Contemporary Artists Series)

A publishing collaboration between Gagosian Gallery and Phaidon. An in-depth study of painters’ and photographers’ studios with examples from the sixteenth through the twentieth centuries. Introductory essays and catalogue entries on individual works by two experts in their respective fields—John Elderfield for In the Studio: Paintings and Peter Galassi for In the Studio: Photographs. An invaluable and unprecedented art historical resource that will also appeal to a general audience. The slipcased two-book set accompanies simultaneous exhibitions, one each on painting and photography, at Gagosian Gallery’s New York locations, open February 17 – April 18, 2015.Gagosian Gallery was founded in 1980 by Larry Gagosian. Since then, it has grown from a single exhibition space in Los Angeles to fourteen distinct spaces in eight cities around the world. Specializing in modern and contemporary art, Gagosian Gallery maintains a distinguished historical program and a roster of the world’s most acclaimed living artists. John Elderfield, a Consultant at Gagosian Gallery, is Chief Curator Emeritus of Painting and Sculpture at The Museum of Modern Art, where he directed numerous celebrated exhibitions, among them Kurt Schwitters, Henri Matisse: A Retrospective, and De Kooning: A Retrospective, and the more specialized Manet and the Execution of Maximilian and Matisse: Radical Invention, 1913–1917. He is the recipient of Harkness and John Simon Guggenheim Fellowships; of the first Mitchell Prize for an outstanding publication on twentieth-century art; and has been a visiting scholar at the Getty Research Institute and the American Academy in Rome. In 2005, Time magazine named him one of the 100 Most Influential People of the Year; and in 2006 was awarded an honorary D. Litt. from The University of Leeds, and was made Officier dans l’Ordre des Arts et des Lettres by the French Government. Peter Galassi retired from The Museum of Modern Art in 2011 after thirty years at the museum, including twenty as Chief Curator of Photography. He has devoted exhibitions and publications to the work of Henri Cartier-Bresson, Roy DeCarava...

A compelling gallery of women who made their way into a man's world, shown through group portraits, each featuring a lone woman An original approach to gender equality, this strik...

A fresh and unconventional approach to exploring 6,000 years of art history through 800 masterpieces from The Metropolitan Museum of Art Featuring more than 800 artworks from the ...

The first serious study on the work of one of the most iconoclastic artists living today An aesthetic outlier and artistic maverick, Cameron Jamie is a Los Angeles-born, Paris-based...

This is a signed First Edition of Ed Ruscha: Reading Ed Ruscha hardcover book. The signature is personalized to the gallery owner, Patrick Painter. The book was released on March 31,...

A Phaidon publication, 1st edition, London, 2001. Hardback with English text. “Truth or Consequences”, a funny name for a small American town, acquired its unusual name from a call from a radio quiz in the 50s looking for a location to host their tenth-anniversary fiesta. Nick Waplington...

Jimmy DeSana: Submission, Exhibition by The Brooklyn Museum 11/22-4/23. 1st Ed hardcover published by DelMonico Books and The Brooklyn Museum, 2022. immy DeSana: Submission is the first museum survey of work by a significant yet overlooked figure in the histories of photography, New York City, and LGBTQ artists. From his time photographing suburban landscapes in Atlanta, Georgia, to his role in the New York punk scenes, Jimmy DeSana (American, 1949–1990) conveyed the radical spirit of his era through an irreverent critique of the American Dream and its images. The exhibition traces his brief yet prolific career through nearly two hundred works on view (some for the first time) and over twenty years that bridged mail-art networks, New York’s 1970s and ’80s subcultures, the illuminating image-play of the “Pictures Generation,” and various responses to HIV/AIDS. As part of punk aesthetics and its symbolic forms of resistance, DeSana and his peers sought to forge art communities outside of official institutions. The exhibition showcased his extensive involvement in zines, artist collectives, performance art, experimental film, and club culture. In his major series—101 Nudes (1972), Submission (1977–79), and Suburban (1979–84)—DeSana photographed himself and friends (often nude and faceless) in and around bland suburban homes, creating an interplay among sexual liberation, queer aesthetics, and consumerist conformity. During the late 1970s and early 1980s, DeSana was heavily involved in New York’s punk and No Wave scenes and photographed prominent creatives for album covers and alternative publications. This exhibition will be the first to feature his portraits of art and music luminaries such as Kathy Acker, Laurie Anderson, Kenneth Anger, Patti Astor, David Byrne, John Giorno, Debbie Harry, and Richard Hell. Accompanying these works are DeSana’s more abstract efforts from the late 1980s, after he contracted HIV, that show an artist who resisted dominant narratives about the body and sexuality in the early years of the ongoing HIV/AIDS epidemic. Some graphic nudes...

Installation Art: Space as Medium in Contemporary Art by Gingko Press. 1st Ed hardcover, no dust jacket as published. Immerse yourself in the thought-provoking and sometimes bewilder...