Sketches On The Old Road Through France to Florence by A. H. Hallam Murray

Waltham Saint Lawrence: The Golden Cockerel Press, 1930. Illustrations by Denis Tegetmeister (1895 – 1987). 8vo, 9 x 6 in (229 x 153 mm); 175 pp., 6 copper engravings by Denis Tege...

Nuova Raccolta delle più interessanti Vedute della Città di Firenze con alcune altre della Toscana Florence: Lorenzo Bardi, c 1840. Oblong quarto, 7 3/4 11 inches (195 x 280 mm). 1...

One of the great 19th-century English color plate books illustrating the scenery along the Seine. Sauvan, Jean Baptiste Balthazar. Picturesque Tour of the Seine, from Paris to the Sea; with Particulars Historical and Descriptive. London: R. Ackermann, 1821. First Edition. 4to, 13 1/2 x 11 (343 x 280 mm), pp. x, 177, title vignette and 24 hand colored aquatints, map. Later three-quarter yellow levant morocco with fillets, spine decorated in gilt with 5 raised bands and black title label; marbled boards and endpapers, a.e.g.. Spine and boards in very good condition, binding tight and square, text and plates with very occasional spotting. [Abbey, Travel 90; Tooley 445; Bobins, Exotic and the Beautiful II: 548] Condition: Near fine. This is a first printing of one of the great nineteenth-century English color plate books illustrating the scenery along the Seine from Paris to Le Havre. Luminous impressions of the plates, beautifully hand-colored. Engraved by Thomas Sutherland (1785 – 1825) and Daniel Havell (1785 – 1826) from sketches and drawings by Augustus Pugin (1812 – 1852) and John Gendall (1790 – 1865), the illustrations also include a vignette on the title page representing the Château de Rosny (home of the Duchess of Berry...

Montagu, Mrs. (Elizabeth), 1718-1800 An Essay on the Writings and Genius of Shakespeare; An essay on the writings and genius of Shakespeare, compared with the Greek and French dramat...

3 Volumes. Henry Hallam, The Constitutional History of England. Bound in full tree calf. The covers and raised band spines are gilt-tooled with red and green morocco labels. All the ...

This is the “New Census Edition” of Clason’s United States Green Guide. It features two large maps of the United States on a single sheet. The recto map shows the complete road net...

AUTHOR: CLARKE, Joseph Clayton (KYD) (Charles Dickens). TITLE: Barbara (from The Old Curiosity Shop) PUBLISHER: England, [c. 1920] DESCRIPTION: ORIGINAL INK AND WATERCOLOR SKETCH...

A road map from Britannia, by John Ogilby Esq., Cosmographer and Geographick Printer to Charles II. Containing 293 miles. No 32. From Standard in Cornhill London to Andover thence to Amesbury, to Shruton, to Warminster, to Maiden-Bradley, to Bruton, to Weston, to Ascot and to Bridgewater Hand coloured, some foxing and creasing, commensurate with age. Floated in a cream mount with a gilded linear border within a burr walnut, ebonised and gilded frame. Provenance : purchased as pair from a collector with no 15 London to St Davids. Framed as a pair. Measures: Black Linear Border around Map Length 44cm., 17 1/8" Height 36cm., 14". Full Sheet Length 51cm., 20" Height 39cm., 15 1/4" Frame Length 62cm., 24 1/2 " Height 52cm., 20 1/2" Literature: In a remarkable life John Ogilby pursued, several careers, each ending in misfortune, and yet he always emerged undeterred, to carry on. His modern reputation is based on his final career, started in his sixty-sixth year, as a publisher of maps and geographical accounts. Ogilby was born outside Dundee, in 1600, the son of a Scottish gentleman. While he was still a child, the family moved to London. When the elder Ogilby was imprisoned for debt, the young John invested his savings in a lottery, won a minor prize, and settled his father's debts. Unfortunately, not enough money was left to secure John a good apprenticeship; instead, he was apprenticed to a dance master. Ogilby was soon dancing in masques at court but, one day, while executing a particularly ambitious leap, he landed badly. The accident left him with a permanent limp, and ended his dancing career. However, he had come to the attention of Thomas Wentworth, later Earl of Strafford, Charles I's most senior minister. Ever one to exploit his contacts, Ogilby became a dance instructor in Strafford's household. When Strafford was sent to Ireland, Ogilby accompanied him as Deputy-Master of the Kings Revels, and then Master of Revels. In Dublin, he built the New Theatre, in St. Werburgh Street, which prospered at first, but the Irish Rebellion, in 1641, cost Ogilby his fortune, which he estimated at £2,000, and almost his life. After brief service as a soldier, he returned to England, survived shipwreck on the way, and arrived back penniless. On his return, Ogilby turned his attention to the Latin classics, as a translator and publisher. His first faltering attempt, in 1649, was a translation of the works of Virgil, but after his marriage to a wealthy widow the same year, his publishing activities received a considerable boost. One means by which Ogilby financed these volumes was by subscription, securing advance payments from his patrons, in return for including their name and coats-of-arms on the plates of illustrations. Another approach was to secure a patron, preferably in the court circle. Ogilby's first patron was Strafford, who found out too late that all leading ministers are dispensable when Charles I assented to his execution in 1641. As he re-established himself, Ogilby sought a new patron, the King himself. In 1661, Ogilby was approached to write poetry for Charles II's coronation procession; he later published 'The Relation of His Majesties Entertainment Passing Through the City of London', and a much enlarged edition the following year, which included a Fine set of plates depicting the procession. Royal favour was bestowed in 1674 when John Ogilby received the title of 'His Majesty's Cosmographer and Geographick Printer' with a salary of £13.6s.8d per annum. In 1665, Ogilby left London to avoid the Plague then ravaging the capital. The following year, in the Great Fire of London, Ogilby claimed that he lost his entire stock of books valued at some £3,000, as well as his shop and house, leaving him worth just £5. As he sought to restore his fortunes, Ogilby was already looking in new directions. The initial opportunity he seized on was the reconstruction of London's burnt-out centre. He secured appointment as a 'sworn viewer', whose duty was to establish the property boundaries as they existed before the Fire. Ogilby was assisted in the project by his step-grandson, William Morgan...