Dutch Conquest of Rio Grande, Brazil (1633) Under Prince Frederick Hendrick

Antique print titled 'Slag bij Waterloo (De Kroonprins gekwetst)'. Old print of Willem Frederik George, Prince of Orange, wounded during the Battle of Waterloo...

Antique print titled 'Rio Janeiro'. Bird's-eye view of Rio di Janeiro and Guanabara Bay, Brazil. From the French edition (translation by Renneville) of Commelin's 'Recueil des Vo...

Antique map titled 'Carte du Brésil'. ?Beautiful map of Brazil extending south to the mouth of the Rio de la Plata and Buenos-Aires in Argentina. Published by Tardieu, 1821. Pier...

Description: Antique map titled 'De Ingang van Rio de la Plata, Waar aan de Stad Buenos Ayres ligt, in Zuid-Amerika'. A map showing the Rio de la Plata es...

American artist Barkley L. Hendricks (1945–2017) revolutionized contemporary portraiture with his vivid depictions of Black subjects beginning in the late 1960s. This book contextualizes Hendricks’s portraits at different stages of the country’s history and places him in the pantheon of innovative twentieth-century artists. Hendricks developed his signature style at a time of significant social and cultural change in the United States, especially with regard to Black artists, and amid a perceived bifurcation between abstraction and representation. He produced portraits from the late 1960s through the early 1980s. Following a hiatus during which he made landscapes, basketball paintings, works on paper, and photographs, he resumed his portraiture practice from 2002 until his death in 2017. Hendricks’s portrait paintings, often derived from photographs of friends and family, hired models, or figures he encountered on the street, were inspired by the artist’s research, international travels, and visits to museums like The Frick Collection, where he studied centuries-old European paintings...

1633 map entitled "Beauvaisis Comitatus Belova Cium," Hand Colored Ric.0002 Description: Cartographer : - Hondius, Henricus 1587-1638 Artists and Engravers:Jodocus Hondius, one of the most notable engravers of his time. He is known for his work in association with many of the cartographers and publishers prominent at the end of the sixteenth and the beginning of the seventeenth century. A native of Flanders, he grew up in Ghent, apprenticed as an instrument and globe maker and map engraver. In 1584, to escape the religious troubles sweeping the Low Countries at that time, he fled to London where he spent some years before finally settling in Amsterdam about 1593. In the London period he came into contact with the leading scientists and geographers of the day and engraved maps in The Mariner\\\\\\\\\\\\\\\'s Mirrour, the English edition of Waghenaer\\\\\\\\\\\\\\\'s Sea Atlas, as well as others with Pieter van den Keere, his brother-in-law. No doubt his temporary exile in London stood him in good stead, earning him an international reputation, for it could have been no accident that Speed chose Hondius to engrave the plates for the maps in The Theatre of the Empire of Great Britaine in the years between 1605 and 1610. In 1604 Hondius bought the plates of Mercator\\\\\\\\\\\\\\\'s Atlas which, in spite of its excellence, had not competed successfully with the continuing demand for the Ortelius Theatrum Orbis Terrarum. To meet this competition Hondius added about 40 maps to Mercator\\\\\\\\\\\\\\\'s original number and from 1606 published enlarged editions in many languages, still under Mercator\\\\\\\\\\\\\\\'s name but with his own name as publisher. These atlases have become known as the Mercator/Hondius series. The following year the maps were reengraved in miniature form and issued as a pocket Atlas Minor. After the death of Jodocus Hondius the Elder in 1612, work on the two atlases, folio and miniature, was carried on by his widow and sons, Jodocus II and Henricus, and eventually in conjunction with Jan Jansson in Amsterdam. In all, from 1606 onwards, nearly 50 editions with increasing numbers of maps with texts in the main European languages were printed. Summaries of these issues are given under the entry for Gerard Mercator. Jodocus Hondius the Elder * 1588 Maps in The Mariner\\\\\\\\\\\\\\\'s Mirrour (Waghenaer/Ashley) * 1590 World Map...

1633 map, entitled "La douche de Berry," Hand Colored Ric.0005 Description: 1633 map, entitled "La douche de Berry," Dimension: Paper: 23.3" W x 20.3" H (59 cm W x 51.7 c...

1633 map, entitled "La douche de Berry," Hand Colored Ric.0005 Description: 1633 map, entitled "La douche de Berry," Dimension: Paper: 23.3" W x 20.3" H (59 cm W x 51.7 cm H) ; ...