19th Century Musical Instruments

Exceptional quality antique C.Bechstein Victorian rosewood boudoir grand piano Model V (1898) having a superb quality rosewood lift up top opening to reveal an ornate adjustable musi...

Antique Swiss 8 Tune Cylinder Music Box Unsigned C1890 4 3/4" x 14 1/4" x 7 1/8". This antique Swiss music box from circa 1890 features a beautifully crafted wooden case with a subt...

An exception Early Thomas Edison Model A Cylinder Phonograph with original horn, tube cabinet & 93 records. Phonograph box and cabinet are made from oak in Late Victorian manner wit...

This is a lovely antique Swiss 10 airs Gonçalo Alves cylinder music box, manufactured by Langdorff & Fils, circa 1880. The case is inlaid and crossbanded with floral marquetry and banded decoration. The lid opens to reveal an ebonised interior with a glazed hinged cover showing the comb, and a paper label to the underside of the lid stating 'Fabrique De Geneve' Langdorff & Fils, Fabricants The music box has got its original tune sheet which is stamped: "No 24017 Fabrique de Geneve" and lists the ten tunes and composers. Condition: It is is in excellent condition and in working order. Dimensions in cm: Height 18 cm x Width 69 cm x Depth 27 cm Dimensions in inches: Height 7 inches x Width 2 foot, 3 inches x Depth 11 inches Music box (also musical box) is a 19th/20th century automatic musical instrument that produces sounds by the use of a set of pins placed on a revolving cylinder or disc so as to pluck the tuned teeth (or lamellae) of a steel comb. They were developed from musical snuff boxes of the 18th century and called carillons à musique...

Exquisite late 19th century Swiss marquetry / parquetry cylinder music box capable of playing eight different tunes. Rectangular hardwood box with painted wood grain sides and inlaid...

Dutch Street Organ Music Box Late 19th Century This delightful music box takes the shape of a barrel organ or street organ, known as draaiorgel in Dutch. It is designed as a miniatu...

This beautiful grand piano was built by Erard in Paris in 1895. With irreplaceable original cabinet art created and signed by an artist named Finel - specifically commissioned by th...

This Erard parallel-strung grand piano, crafted in Paris in 1845 (serial number: 18725), has been extraordinarily well-tended, restored and maintained, enduring today as not only a spectacular example of the pinnacle of 19th Century piano design - characterized by its innovative construction and exceptional sonoral qualities - but also as a premium instrument by the most advanced modern standards, concert-ready for world-class, discriminating performers and their audiences. Erard was a renowned piano manufacturer established by Sébastien Erard, and for much of the 19th Century, the company produced some of the most exquisite and innovative European pianos of the era. The sound produced by this parallel-strung grand piano is characterized by a clarity and transparency that distinguishes it from its contemporaries. The parallel arrangement of strings contributes to a more direct transfer of sound energy, resulting in a balanced and articulate tone across the instrument's registers. This piano's tone is beloved for its sweetness in the treble range and a robust quality in the bass, while also allowing for an especially nuanced and expressive interpretation of the musical repertoire of its era. The ebony and ivory keyboard is a testament to the meticulous attention Erard paid to the tactile experience of playing. Each key is precision-weighted, providing a responsive touch that allows the pianist to articulate a wide range of dynamics and expressiveness. An interior faux tableau latches to the outer case lid in an open position for maximum concert volume, and rests in a lowered position to maintain a softer, more muted experience. The year 1845 places this Erard instrument in the heart of the Romantic era, a period marked by a surge in musical creativity and emotional expression. Composer/performers like Chopin and Liszt were drawn to Erard grand...

Antique Edwardian Marimba Xylophone with a combination of hardwoods and iron. There are two separate tables that bolt together. Each marimba breaks down for transport into three pi...

A Very Fine German 19th Century Louis XVI Style Burr Walnut Bechstein Concert Grand Piano, Serial No. 5655. The beautifully crafted Grand piano, raised on three tapered barrel shaped legs, with an intricately carved ornate music desk and original keys. Circa: 1872. Length: 80 inches (203.2 cm) Width: 59 inches: (149.9 cm) Height (top closed): 38 5/8 inches (98.1 cm) C. Bechstein Pianofortefabrik C. Bechstein Pianofortefabrik AG (also known as Bechstein) is a German manufacturer of pianos, established in 1853 by Carl Bechstein. Before Bechstein Young Carl Bechstein studied and worked in France and England as a piano craftsman, before he became an independent piano maker. His first pianos were made for other companies. C. Bechstein C. Bechstein piano factory was founded on 1 October 1853 by Carl Bechstein in Berlin, Germany. Carl Bechstein set out to manufacture a piano able to withstand the great demands imposed on the instrument by the virtuosi of the time, such as Franz Liszt. In 1857, Hans von Bülow (Liszt's son-in-law) gave the first public performance on a Bechstein grand piano by performing Liszt's Piano Sonata in B minor in Berlin By 1870, with endorsements from Franz Liszt and Hans von Bülow, Bechstein pianos had become a staple in many concert halls and private mansions. By that time three piano makers, all of which were founded in 1853, became established as the industry leaders across the world: Bechstein, Blüthner and Steinway & Sons. In 1881 Bechstein began supplying pianos to Queen Victoria. A gilded art-case piano was delivered to Buckingham Palace, followed by several more Bechstein pianos to Windsor Castle and other royal residences. By January 1886 they were among the piano manufacturers holding a Royal Warrant as a supplier to the Queen. Several British embassies across the world acquired Bechstein pianos. In 1885, Bechstein opened a branch in London, that eventually grew to become the largest showroom and dealership in Europe. By 1890 showrooms had been opened in Paris, Vienna, and Saint Petersburg. On 31 May 1901, Bechstein Hall, built at a cost of £100,000, was opened next to the company's London showroom at 36-40 Wigmore Street. Between 1901 and 1914, C. Bechstein was the largest piano dealership in London. At that time, Bechstein was patronized by the tsars of Russia, the royal families of Spain, Belgium, the Netherlands, Italy, Sweden, Norway, Austria and Denmark, and other royalty and aristocracy. The list of royal clients of Bechstein may be found on the soundboard of vintage Bechstein pianos made before the Second World War. The list is part of the original Bechstein trademark logo; it can be seen under the strings in the center of a piano's soundboard. The signature of Carl Bechstein The years from the 1870s through 1914 brought Bechstein their most dramatic increase in sales. In 1880 a second Bechstein factory was opened in Berlin, and the third factory was opened in 1897 in Berlin-Kreuzberg. Production reached 3,700 pianos annually in 1900, and 4,600 in 1910, making Bechstein the largest German manufacturer of high-end pianos. At that time, about three quarters of production went to international markets, especially Britain and the Commonwealth, and Russia. Carl Bechstein died in 1900, and the Bechstein company continued to operate under the management of his sons. Between 1900 and 1914 C. Bechstein was one of the leading piano makers in the world, employing 1,200 craftsmen and workers by 1913 and making five thousand pianos per year. First World War C. Bechstein suffered huge property losses in London, Paris, and St. Petersburg during World War I. The largest loss was in London. Although the company's position in the United Kingdom was initially unaffected, with the company still listed as holding a Royal Warrant in January 1915, Warrants to both King George V, and his wife Queen Mary were cancelled on 13 April 1915. Bechstein was not the only musical concern to be affected by growing anti-German sentiment: there were earlier attempts, led by William Boosey, to boycott German music altogether. In 1915, despite being a Baronet and Privy Counsellor, Sir Edgar Speyer, who was then funding the Proms, was forced to leave the country. Following the passing of the Trading with the Enemy Amendment Act 1916 the British arm of the company was wound-up on 5 June 1916, all Bechstein property, including the concert hall and showrooms full of pianos, were seized as "enemy property" and closed. In 1916 the hall was sold as alien property at auction to Debenhams for £56,500. It was renamed Wigmore Hall, and then re-opened under the new name in 1917. All 137 Bechstein pianos at the Bechstein showrooms were confiscated too, and became property of the new owner of the Hall. After a dispute with his brother, Edwin Bechstein left the company and was paid off. Eventually the Bechstein factory resumed full-scale production during the 1920s. At that time, technical innovations and inventions of new materials and tools, as well as improvements in piano design and construction, had allowed Bechstein to become one of the leading piano makers again. The most successful models were the updated "A"-185 and "B"-208 grand pianos. The upright pianos became more popular after the war, and C. Bechstein were successful with its upright pianos Model-8 and Model-9, both of which have been considered the finest upright pianos. As the company was changed into a joint-stock company 1923, Edwin Bechstein and his wife Helene, bought themselves back into the company as shareholders. In 1930 the company collaborated with German electrical goods manufacturer Siemens under Nobel laureate Walther Nernst to produce one of the first electric pianos...

A fully restored and working Swiss cylinder music box enclosed in a box of polished fruitwood featuring a central floral inlaid medallion on the hinged lid which opens up to reveal ...

English Regency gilt stenciled figural and floral ebonized dital harp signed by maker Edward Light. Retailed at Srohl Foley place London, Early 19th century.

Heavy Bronze Bell, Tower Bell This is a very heavy piece the clapper is a replacement The bell is Sound no cracks and a great long echoing ring The bell is 12.5” in diameter and 1...

French Louis XV-style ormolu mounted kingwood, tulipwood & parquetry grand piano (sgnd C.BECHSTEIN, numbered 20475 for the date 1888)

Conductor's baton from the Victorian period. This is a very interesting and elusive antique director's baton created in Devonshire England during the Victorian period, back in 1890....

Antique 1890s dictionary stand with a cast iron base featuring four curved legs ending in small casters. The top features two adjustable oak book rests, designed to hold large books ...

An 1861, Erard grand piano with an ornate burr walnut, black and gilt cabinet. Piano casework features Egyptian Revival and Neoclassical elements. Th...

This rare upright piano was made by Pleyel in France in September 1871 according to the Pleyel Archives found at Musée de la Musique. The natural wood cabinet is beautifully decorated with hand painted floral garlands. The piano sides are square and it has fluted, columnar legs resting on original castors. The instrument...

Late 19th century copper & brass bugle, English. Military Regimental Crest of the Argyll & Sutherland Highlanders Regiment (1881-2006 when folded into the Royal Regiment of Scotland)...

Six antique Regina music box 16.5" discs 19th C Measures - 16.5"diam

Very rare gadget-System walking stick: stick with the function of a music instrument, a flute. Painted fruitwood shaft, wooden handle. Inside the shaft is hollow, and holes and keys ...

Swis music box with original tune sheet, cylinder, comb and the brass bed plate, within a rosewood case, the lid inlaid with boxwood lines and a central motif. Dimensions Height 8 ...

Attributed to Henry Dasson (d. 1896) Origin: French Date: circa 1885-q890 Dimension: (H) 35 1/4 in x (W) 54 in x (W) 78 in. Provenance: Acquired by Dr. J. T Nieto-Gomez from fi...

19th Century oak floor-standing dinner gong and striker, dating from the Aesthetic Movement period. English - Circa 1870. The gong frame is made in solid oak. The pediment is affix...

A very fine and elegant Regency Satinwood and parcel-gilt double action Harp from the workshop of the famous harp and piano maker Sebastian Erard (1752-1831), decorated in the Grecia...

This is a distinguished late Victorian dinner gong, evoking the grandeur of a Scottish Highland country estate, circa 1880. This superb antique chime fe...

Antique English Victorian Hand Crank Mahogany Case Portable Upright Barrel Piano with Gold Gilt Trim. Circa Late 19th Century. Measurements: 45" H x 26" W x 18" D.

A wonderful and highly decorative desk or counter bell, my favourite kind with the more unusual clapper to the side rather than the ones you ring from the top. The hinged clapper is ...

A wonderful and highly decorative desk or counter bell, my favourite kind with the more unusual clapper to the side rather than the ones you ring from the top. The hinged clapper is ...

Antique English Silver Plated Dinner Bell Mounted on an Oak Base, Circa 1890-1900.

A wonderful piece! two sided with leather hand painted snare on two sides trimmed in nail heads. The collapsable wooden stand, while making the piece complete, can be put aside and t...

Great decorator piece, strong presence, pictures do no justice. Tanggu drum. The tanggu (堂鼓; pinyin: tánggǔ, pronounced [tʰɑ̌ŋkù]; literally "ceremo...

A lovely quality antique music box made by Karrer of Geneva, Switzerland in c. 1875. The fully serviced musical movement features a highly attractive arrangement of 6 individually e...

A magnificent quality six bell and drum cylinder music box made by Charles Lecoultre of Geneva, Switzerland in c. 1870. The fully serviced musical movement features a central drum an...

An excellent-sounding Fortissimo 6 bell antique music box made by J. Manger & Co. of Geneva, Switzerland in c. 1885. The fully serviced musical movemen...

An early Rochat singing bird box with fusee automaton movement numbered 316 and with stamped three tulip mark in the top plate of the movement. The tortoiseshell case with hinged snuff ( or key) compartment to the rear of the box. The gold lid is finely hand painted in enamel with an excellent alpine scene with a mountain in the background, a lake in the forground. The bezel surrounding the grille through which the bird pops up and down is also of gold. The underside of the lid is also beautifully painted with a posie of flowers on a light blue background. The bird, typically for Rochat, is of a large size for a singing bird box and the grille is typical of Rochat's work rather than Bruguier's. The top of the case with a fine border made from gold. The key wound chain driven fusee movement working the bellows & driving multiple cams that on sliding the operating lever to the front, the lid opens and the bird pops up, sings its head off and 1/ turns its head from left to right, 2/ flaps the wings and finally 3/ pirouettes left and right. On completion of his 20 second performance he drops through the superbly pierced silver gilt grille and the lid closes after him. All fusee movements allow the bird a longer performance than the later spring barrel movements but more importantly one extra manipulation, the movement of the head from left to right. Frères Rochat...

Antique marquetry wood music box by Langdorff & Fils Swiss, Late 19th Century Height 31cm, width 68cm, depth 35cm Crafted in the late 19th century, this exquisite music box was pro...

French Faience Violin Manufacture of Rouen Beginning 1800 with a side pocket and two holes for hanging on the wall by means of a string, missing. This stanniferous glaze majolica vi...

This pair of beautiful German Art Nouveau two arm bronze candlesticks dates from the 1890's and would make a great addition to a piano or a wall. The two arms have an elegant and sty...

A very fine Anglo-French 19th century rosewood, palisander, amboyna and satinwood marquetry (inlaid) art-case baby grand piano, the works by "Collard & Collard". The intricately deco...

Antique Gothic Revival harp by Erard French, c. 1880 Height 178cm, width 54cm, depth 91cm Of typical form by the famed instrument maker Érard. ...

A spectacular 19th century Black Chinoiserie lacquered Presentation Steinway & Sons Grand Piano . Model #37278 ,having fall key cover reading Steinway & Sons patent Grand New York &...

A Chinese Qing dynasty period leather drum from the 19th century, with turned wood red mallet. This Chinese Qing dynasty period leather drum from the 19th century is a captivating piece that brings together historical craftsmanship and aesthetic appeal. The drum, with its circular form, is covered in leather that showcases the patina of age, a testament to its enduring presence over the centuries. The drum is complemented by a turned wooden mallet...

Antique English Bronze reception bell with original patina. The bell still works great!

Francois Linke (1855-1946) A very fine Louis XV style gilt bronze mounted kingwood piano,late 19th century , signed Francois Linke, stamped Joseph-Emmanuel Zwiener, movement by E...

A spectacular French mid-19th century, circa 1855, Louis XVI st. tulipwood parquetry and ormolu mounted, Model 2 Concert Grand Piano, signed Pleyel...

Rebuilt, 1886, Steinway Model B grand piano with a black case. The music desk is in an openwork arabesque design featuring a central lyre motif surrounded by stylised tendrils and foliage. The serpentine piano cheek features a dual linear case moulding. The piano lyre has two fluted spindle upright supports with two brass pedals and a brass footplate. The fluted, barrel piano legs have sunken brass casters. The leg pediment is carved with a stylised flower and curlicues. Piano has an eighty-five note keyboard. Enjoy the vintage styling of an antique Steinway...

Antique Swiss Music Box circa 1890.

Albert Gast upright piano with a quartered, walnut case and ornate, brass candlesticks. Entire cabinet inlaid in neoclassical designs. Piano has an eighty-eight keyboard and two pedals. Front panel features inlay of a central urn surrounded by scrolling acanthus and flowers. The cabinet pilasters are carved Corinthian style with a palmette flourish. The scroll piano cheeks are carved with curlicue strapwork and inlaid with foliage and flowers. The piano legs...

This fine antique harp dates from the second half of the 19th century and was made in France by Pleyel, Wolff, Lyon and Cie. The renowned Parisian firm ma...

Antique, Georg Fortner upright piano for sale with an ornately carved, mahogany case and ornate candlesticks. Entire cabinet features carved flowers, foliage, musical instruments and grotesque heads on each piano cheek. This upright piano was made to order by the german piano manufacturer Georg Fortner in Munich. The extravagant cabinet carvings were created by the famous wood sculpter, Julius Bechler, who ordered the piano for his private home in the the town Achensee in Austria. Julius Bechler was an appointed wood artist for King Ludwig II...

Rebuilt, 1881, Steinway & Sons Model D concert grand piano with a burr walnut case, filigree music desk and fluted, barrel legs. The music desk is an ...

Pianoforte tedesco anni anni 30. Restaurato nelmeccanismo ed arricchito con preziosi legni di frutta e intagli. A sobbalzo fatti da autentici artisti ebanisti intagliatori. Private c...

An 1899, Bluthner grand piano with a rosewood case, decorated with Art Nouveau and Empire style elements. It was showcased at the 1900 Paris Exposition Universelle. Piano bought by King Edward VII and Queen Alexandra in the Coronation year of 1902 to be situated in the ballroom of Malborough House. It was sold in 1936 to Major Maconochie in Bath. This piano is in great original condition having only had two previous owners. A rare opportunity to acquire a royal piano. The piano cheek side panel is inlaid with an Art Nouveau design featuring a stylised female head surrounded by whiplash lines and foliage. Musical instruments sit centrally in the design. Columnar, Empire style gilt mounts stand each side of the inlay. Napoleonic emblems of stars, palmettes and foliage feature here. Symmetrical female heads with flowing tresses and floral...

Rococo style, 1874, Steinway & Sons Centennial concert grand piano with a rosewood case, filigree music desk and ornately carved, reverse scroll legs. Piano is rebuilt. The piano cheek features a carved, Classical meander and acanthus in high relief. The two-pedal piano lyre features carved inverted fish, c-scrolls and a central cartouche. The music desk in an openwork arabesque design and a central lyre motif. A sinuous wave pattern double moulding surrounds the cabinet base. At the 1876 Centennial Exposition in Philadelphia, Pennsylvania, there were several manufacturer's competitions, including a piano competition. The Steinway company sent two grand pianos displaying their latest developments, demonstrating the firm's innovative and markedly improved piano quality. Their determined pursuit of quality was rewarded at the world exhibition with a gold medal. Steinway won the competition against several established, well-known American piano makers, including Chickering and Sons and Weber. This Steinway concert grand...

Francke upright piano with a mahogany case. Entire cabinet features Rococo style, ornate carvings in high relief. The carved, front panel features a central lyre surrounded by flowers, foliage and acanthus. The piano fall has carved latticework and a central plaque carved with flowers and acanthus. Sitting on top of the cabinet is asymmetrical arcading ornately carved with rocailles, flowers, foliage and acanthus. The brass piano pedals feature acanthus scrolls. The intricately, carved piano...

Schiedmayer grand piano with a french polished, burr walnut cabinet. The burr walnut is figured creating rippled patterns in the veneer reminiscent of oil on water. The serpentine piano cheek features carvings of scrolling foliage, spirals and a dual linear case moulding that borders the cabinet in high relief. The cut-out filigree music desk...

This extraordinary concert grand piano with 88 keys was made by the prestigious firm Steinway & Sons around 1894. The case's decoration was entrust...

Large oak dinner gong the arch top with lion mask head, and suspended ring, surrounded by carved scrolls and foliage, above two figures supporting the original brass gong. All raised...

Victorian brass courtesy counter top bell, beehive brass bell Made in the style of a beehive solid brass, good and ready to use with a high pitched di...