Enameled Reliquary Pendant – 19th Century

Elegant 18th-century reliquary in solid silver, finely hand-engraved, with ornamental decoration typical of Baroque religious art. Its oval shape features floral and symbolic details...

A refined and devotional 17th-century sterling silver reliquary featuring a delicate reverse glass painting of the Virgin Mary. This exqui...

Elegant 18th-century reliquary in solid silver, finely hand-engraved, with ornamental decoration typical of Baroque religious art. Its oval shape features floral and symbolic detail...

Period: 19th century Material: Solid silver (probably sterling silver) Dimensions: 5 x 4 cm Antique solid silver religious pendant, dated to the 19th century, probably of European o...

Mary Magdalene and John the Baptist. Possibly mallorquin. One of the glasses is fractured. Oval pendant ornamented in its outline by turned gold loops and small metallic pearls. On ...

On one side of the pendant, Christ appears tied to a tall column in the center of the composition, being whipped by two sayones or soldiers with branches, following a customary compo...

Devotional pendant or reliquary. Oil painting on aventurine, enamel, gold. Spain, 17th century. Medallion or devotional pendant or reliquary made of aventurine or aventurine with an octagonal shape and faceted fronts, enhanced with a series of enamels combining black and gold, which protect two oil paintings with a Catholic Christian religious theme, located one on each side of the piece. Protected, you can see a very particular Virgin with Child for being inspired by the Icon of the Madonna del Popolo (Rome, Italy), and a simplified Martyrdom of San Lorenzo (the saint, the grill and an angel with a crown and the palm corresponding to the subject). The edges of the piece have been protected with simple metal elements. The painting of San Lorenzo follows a common composition in the Spanish school, and would recall works such as the painting of the main altar of the Church of San Lorenzo de Huesca, for example, but also others such as the engraving by Marcantonio Raimondi (executed around 1527) in some details. The so-called icon of the Madonna del Popolo was well known for being considered as made by Saint Luke, and was brought to the church of the same denomination by Gregory IX from the Sancta Sanctorum of the Lateran Palace after a flood caused a terrible plague in the city and through a solemn procession with the image of Santa Maria del Popolo. Regarding the material of the piece, a certain type of glass and a type of quartz (which can be green or reddish-brown, and usually has tiny elements of yellow mica that give it golden reflections) is known as aventurine or aventurine. In the first case, it is known that “aventurine” or “stellaria” appears mentioned in the Murano workshops for the first time during the first quarter of the 17th century, in reference to a very complicated production paste (it is said that the name comes from of this circumstance, that is, that its creation was due to luck or luck) that imitates the effects of that stone (from India and Russia at that time) thanks to the inclusion of copper particles, and that it was used as if out of stone (cut) given the complexity of its use in blowing (practically impossible). And, dealing with this material, it is necessary to mention “The Nativity” by Pietro da Cortona, dated around 1656, which is kept in the El Prado...

This beautiful religious pendant is 1890 ca Rare find from the Art Nouveau period, having distinctive decoration of the era, it has been hand crafted of solid 18 KT gold, Austro Hungarian origin standing from age and language written on the reverse It is a large oval shaped, with amazing designed frame, typical Art Nouveau, depicting the blessed Virgin Mary standing on the moon in the blue sky surrounded by cherubs, beautifully executed, hand painted miniature giving a suave image of the Virgin with spectacular skills and colours reverse is in white porcelain with Blue inscription in Hungarian – translated: “Blessed Mary mother of God...