Vintage Golf Book, The Art Of Golf By Simpson

Antique Golf Book, The Golf Courses Of Great Britain By Bernard Darwin. A fantastic new and revised edition golf book written by Bernard Darwin, one of the greatest golf writers ever to put pen to paper. 'THE GOLF COURSES OF GREAT BRITIAN' is the follow up to Darwin's original book fifteen years on from 'THE GOLF COURSES OF THE BRITISH ISLES, DESCRIBED BY BERNARD DARWIN, PAINTED BY HARRY ROWNTREE'. The book is with its original hard green cloth cover with embossed title to front and with gilt title to spine. The book has wonderful illustrations of famous holes of famous courses by Harry Rowntree and great descriptions of the individual courses by Darwin that make excellent reading. ex Norwich Public Library, library stamps and label and perforation to the main title page and stamped throughout the book. Amongst the courses in the book are St. Andrews, Sunningdale, Walton Heath...

A colorful humorous golf print after Charles Crombie entitled "Putting for his Nose". The picture is framed in an old dark brown oak frame with gold sl...

Golf Book, F.G. Tait "A Record, Being His Life, Letters And Golfing Diary". A very well produced first edition golf book, F.G. Tait "A Record, being his life, letters & golfing diary" The book was published in three bindings: in both red and green decorative cloth and in red decorative vellum. This is a hard bound copy with the original red cloth cover with gilt title to front with a gilt image of a golf bag and clubs with a sword. Spine with gilt title 'F.G. Tait "A Record", J.L.Low, Nisbet & Co.'. The cover in reasonable condition for age (see images) all 304 pages are there, printed in London. Illustrated with 16 plates (with tissue-guards) from photographs, including frontispiece photogravure portrait of Tait with facsimile autograph. A good copy, some light foxing and staining to some pages. All profits from original sales of this book were donated to the Black Watch Widows' and Orphans' Fund. Edited by John L. Low with an introduction by Andrew Lang, published J. Nisbet & Co., Ltd., 21 Berners Street. Inscribed copy signed 'Mrs Tait' dedicated to Colour Sergeant Mitchell (Black Watch Regiment...

Vintage golfing travel poster, 'Come to Britain for Golf' by Roland Hilder. A striking golfing poster by Rowland Hilder entitled 'Come to Bri...

The Treasures of Rembrandt Book by Michiel Roscam Abbing Art Gallery Book in slip case. Celebrating the 400th anniversary of the birth of one of the wo...

A vintage "Paul Klee" art book by Metropolitan Museum of Art, circa 1987. This hard to find paperback book is in good vintage condition and measures 9.5"W x 12"H. Beautiful book lar...

The Great Book of Post-Impressionism by Diane Kelder, In this splendid sequel to The Great Book of French Impressionism, Diane K...

Tropical Light The Art of A. E. Backus By: Natasha Kuzmanovic Winner of the 2016 Florida Book Award Gold Medal for Visual Arts Surpassing all potential rivals, artist A. E. Backus (1906–1990) developed a masterful aesthetic for portraying Florida’s lush tropical landscape, and his works became the definitive images of the state. Displaying a Backus painting quickly became a mark of distinction for a certain set of affluent Floridians. Defining his own artistic roots as “part Cracker [a hardy, early Florida pioneer] and part Monet,” Backus’s primary subject matter was tropical nature as defined by light, which he rendered using complementary colors. His avant‑garde use of a palette knife to create entire compositions produced paintings that combined a sensitive observation of nature with gestural paint application. So skillful was Backus at depicting the light and atmosphere of a particular locale that the season and exact time of day, to the hour, can be identified in most of his works. Backus excelled at capturing the essence of traditional Florida: rustic fishing camps, magnificent beaches, tidal rivers fringed with palms and mangroves, and the abrupt changes in the weather that characterize Florida’s tropical light to both natives and visitors. Besides his exceptional artistic talent, Backus also possessed an extraordinary humanitarian spirit. He drew no lines of distinction between young and old, rich and poor, black and white, and his studio door in Fort Pierce was open to all. He developed enduring friendships with black musicians, artists, and authors, including Zora Neale Hurston, one of the leading figures of the Harlem Renaissance. The circle of African‑American artists known as the Highwaymen...