18th Century French Louis XVI Period Ecran Fire Screen

A rare late 19th century carved mahogany French Louis XV style portfolio table / sheet music stand. Exquisitely handcrafted and elegantly finished in timeless Rocaille taste. A classic representation of the genre, with serpentine shaped molded edge parquetry top of matched diamond pattern inlay, supported by a finely hand carved, scrolled and scalloped apron and single frieze drawer with original asymmetrical gilt ormolu pull, over a conforming contoured shelf and open gallery of vertical slots for sheet music, books, magazines, letters, documents and whatnots, all raised by four long cabriole leg wonderfully carved with complementary motifs. In excellent condition, exceptional craftsmanship and detail, having warm, rich antique mahogany color...

An extraordinarily scarce French hand-painted oil on canvas wooden three panel folding screen - room divider; Signed P.A. Ekman (Pierre-Adrien Ekman, France, 1904-1993), fabulous Tro...

A fabulous French antique gilt-bronze adjustable (33" to 45" long) three-piece suite fireguard dating to the 19th century. Finished in refined, elegant and luxurious Louis XV style,...

A stunning, rare, and very fine quality French Transitional Louis XV - Louis XVI style mahogany inlaid marble-top chest after Jean-François Oeben / Jean-Henri Riesener. Exquisitely hand-crafted in France, born in the late 19th / early 20th century, exceptionally executed Parisian work, retaining the original shaped marble top with contoured molded edge, over conforming solid mahogany case extensively inlaid with rich floral decoration and geometric trompe l'oeil marquetry-work. Embellished with finely sculpted and chisled gilt bronze ormolu mounts, the case fitted with three high quality locking bar mounted cabinet doors, each adorned with matched ornate escutcheon and opening thanks to the original keys, revealing a mahogany finished interior with single shelf. Featuring rare and exotic woods inlaid, all rising on bronze mounted transitional cabriole legs, ending in the finest quality patinated bronze sabots. Its three doors do not interfere with its delicate marquetry with decorations of geometric cubes and beautiful flowers on gilt gold ground, its two flat uprights with cut sides inviting finesse and harmony, while its bronzes, with antique motifs indicate the return to refined classic taste. A fine example of the Transition style, this chest subtly combines Louis XV marquetry with shapes that are already more rectilinear. From the middle of the 18th century, certain French artists, at the head of which the architects Blondel and Contant d'Ivry as well as the painter Louis-Joseph Le Lorrain, rose up against the excesses of the rococo style and advocated a calming of lines by the use of classical or even ancient principles. If the "Greek" style was too categorical a response to these requests, the Transition style, soon launched by the Marquis de Marigny, brother of Madame de Pompadour and Minister of the Arts, was much more measured and appreciated. Dutch cabinetmaker Matthijs Horrix was also front and center, a leader a Transition style. Celebrated ebanista Jean-François Oeben was one of the leaders of this new taste, with Jean-Henri Riesener following in the 19th century. Oeben a genius with inlay, he gave birth to several patterns, both sober and elegant, such as the marquetry of bottomless cubes, which was adopted by many of his colleagues including Jacques Dautriche and Charles Chevallier. Jean-François Oeben was particularly known for his "Louis XV or Transition furniture, adorned with leaf veneers, flower inlays or geometric patterns", according to Pierre Kjellberg (Le Mobilier français du XVIIIe, éditions de l'Amateur, 1989). A small secretary in the Transition cabinet...

This Louis XVI period giltwood firescreen is a rather unique find. Typically firescreens from this period (the late 1700’s) were produced with a tapestry or needlepoint body; this particular piece has a solid colored (gold) silk upholstery screen which meshes well with the giltwood frame. Firescreens were used during warmer months to cover the opening of the fireplace. The detachable crest (which can be removed to replace or reupholster the screen) has bell shaped finials on the shoulders that are connected by a raised carving. These elements are surrounded by slightly spiral gadrooning. Beneath the crest is a repeating laurel leaf motif that runs all the way around the border. The ornamentation is double sided. Louis XVI firescreens...

French gilt carved wood and painted free standing fire screen with floral medallion motif terminating on lions paw feet. Dealers please call for trade price.

Elegant fireplace screen in Louis XVI style made of gilt wood hand carved frame upholstered with authentic silk tapestry in light colors and ...

Three-panel folding screen with a blue moiré silk curtain featuring laurel ornaments. The gray-painted frame is decorated with rosettes and leaf motifs. The surface shows signs of ag...