1690s Furniture

This large original hand-colored copperplate engraved map of southern Greece and the Pelopponese Peninsula entitled "La Moree Et Les Isles De Zante, Cefalonie, Ste. Marie, Cerigo & C...

An exceptional, fine and impressive antique German silver gilt tobacco box; an addition to our 17th century silverware collection. This exceptional antique 17th century German silver...

This large hand-colored map entitled "Le Royaume de Portugal et des Algarves Divisee en see Archeveches, Eveches et Territoires Par le Sr Sanson" was originally created by Nicholas S...

Circle of Sir Godfrey Kneller, Mrs Voss, and Catherine Kneller, oil on paper laid to wood panel Overview This exceptional Baroque portrait artwork, the circle of Sir Godfrey Kneller, is an oil on canvas painting from the early 18th century. The painting, laid onto a panel, represents a compelling historical piece linked to Mrs. Voss, who was active circa 1685-1690 and recognized as the mistress of Sir Godfrey Kneller and the mother of Catherine (Agnes) Huckle. Key Details: Sir Godfrey Kneller, Mrs Voss and Catherine Kneller oil canvas Medium: Oil on paper, laid onto panel Period: Early 18th century Condition: Unframed oil panel Dimensions: Height - 28 inches, Width - 34 inches Historical Connection: A larger version of this artwork is held in the Kingston Lacy Estate, Dorset Artist Influence: Connected to the circle of Sir Godfrey Kneller, one of the most influential portrait artists of the Baroque period. This Old Master portrait painting is a fine example of Kneller’s portrait style, making it a sought-after piece for collectors, historians, and art enthusiasts looking to buy antique paintings in Sussex or the UK. About Sir Godfrey Kneller (1646-1723) Sir Godfrey Kneller (born Gottfried Kniller) was a renowned Baroque portrait painter of Anglo-German descent, widely considered one of the greatest portraitists of the late 17th and early 18th centuries. His influence on English portraiture was significant, and his works remain highly collectable today. 1. Early Life and Training Birth: August 8, 1646, Lübeck, Germany Parents: Zacharias Kniller (merchant) and Lucia Kniller Education: Studied painting in Lübeck Trained in Amsterdam under Ferdinand Bol (a student of Rembrandt) Influenced by the Dutch Golden Age art movement During his training, Kneller adopted techniques from Rembrandt and Bol, shaping his mastery of light, shadow, and lifelike portraiture. 2. Italian Influence and Artistic Growth Sir Godfrey Kneller Mrs Voss and Catherine Kneller oil canvas Traveled to Italy in the early 1670s to study Titian, Veronese, and Caravaggio His exposure to Italian Renaissance and Baroque art deepened his understanding of color theory, composition, and grand portraiture After returning to Northern Europe, he briefly worked in Hamburg before moving to England in 1676 3. Kneller’s Rise in England and Royal Patronage His talent quickly gained recognition among the English aristocracy and royalty In 1680, he was appointed Principal Painter to King Charles II Over his career, Kneller painted portraits of five English and British monarchs: King Charles II King James II King William III & Queen Mary II Queen Anne King George I His iconic portrait paintings continue to serve as historical records of British nobility, making his works highly valuable in the art market. 4. Notable Works and Contributions Kit-Cat Club Portraits: A famous series of 48 portraits of prominent literary, political, and cultural figures of the time. Developed the grand yet lifelike Baroque portrait style, balancing realism with nobility. His influence on later English portrait painters, such as Thomas Gainsborough and Joshua Reynolds, was profound. 5. Kneller’s Honors and Legacy Knighted by King William III in 1692 Created a Baronet by King George I in 1715 Naturalized British Citizen in 1711 Passed away on October 19, 1723, and was buried in Twickenham, England. His works remain highly collectible, sought after by art collectors, historians, and museums worldwide. Historical & Artistic Significance of the Painting This early 18th-century oil portrait attributed to Kneller’s circle is an outstanding example of his influence on Baroque portraiture. The depiction of Mrs. Voss and her connection to Catherine (Agnes) Huckle adds historical depth and collector value. 1. Artistic Style and Features Detailed brushwork characteristic of Kneller’s school Rich color palette influenced by Titian and Rembrandt Noble posturing typical of 17th-18th century aristocratic portraiture Use of light and shadow to enhance depth and realism 2. Collector’s Appeal & Investment Potential Highly sought-after Old Master artwork with documented provenance Strong appeal to art collectors, historians, and museums Valuable addition to Baroque art collections Investment-worthy due to high demand for Kneller’s works in auctions and private sales 3. Comparison to the Kingston Lacy Version A much larger version of this painting exists in the Kingston Lacy Estate, Dorset This smaller panel version offers collectors a unique opportunity to own a historically significant work at a more accessible scale and price Final Thoughts The circle of Godfrey Kneller oil on canvas painting featuring Mrs. Voss and Catherine (Agnes) Huckle is an important historical artwork. Whether you are an art collector, investor, or historian, this painting represents a rare opportunity to acquire a piece of Baroque portraiture. Why This Painting is a Must-Have for Collectors: Authentic Old Master Portrait from the School of Kneller Strong Historical and Artistic Value Investment Potential in the Art Market Connected to the Kingston Lacy Collection Ideal for Collectors of English Baroque Portraits...

Square with Fortuny upholstered seat. Turned legs with box stretcher.

Three model 28 lounge chairs having rich black leather seats with deep button tufting and welt cord detailing on stainless steel frames.

Antique map titled 'Fiandra Parte Occidentale (..)'. Depicts northern part of Flanders, from North Sea, extends through the northern region of France to the cities of Douai and V...

Antique map titled 'Tran-siselana'. Splendid detailed and decorative map of the province of Overijssel in the Netherlands by Vincenzo Coronelli. An elaborate title cartouche garlande...

Antique map titled 'Tabula nova Provinciae Ultrajectinae quam jussu Nob: hujus Dominij Ordinum Emensus est Bernardus du Roy'. Map of the region of Utrecht, The Netherlands. This ...

Antique map of Austria titled 'Circuli Austriaci pars septentrionalis in quia archiducatus Austriae et Ducatus Stiriae accuratissime divisi ostenduntur per F. de Wit'. Detailed m...

Antique map titled 'Orientalior districtus Regni Angliae (..)'. Detailed map of southeast England encompassing the country from Lincolnshire and the Wash south and including Warw...

An exceptional, fine and impressive antique German silver wine taster; an addition to our 17th century wine and drinks related silverware collection. This exceptional antique German silver wine taster has a circular rounded, lobed paneled form. The molded, paneled surface of the wine taster is embellished with the later engraved inscription 'To J.C.P.L from his Godmother E.L.A.E.T, Oct 5th 1894'. The well of this silver wine taster is encircled with engraved textured decoration. The impressive example of antique silverware is fitted with two cast scrolling handles with plain elevated thumbpieces. This drinking vessel retains the original gilding to the interior; this has worn with age in a sympathetic fashion to an aesthetically pleasing mellow color. The hallmarks struck to this impressive wine taster include: Maker's mark: Untraced City mark: Augsburg, Germany Assay scrape: Zickzack line (Tremolierstrich) Condition This antique silver wine taster...

Arched top with cast royal crown and anchor with rope and initials C for Charles and R for rex or king.

Elegant, 17th /early 18th-century, x-stretcher, oak Anglo-Dutch sidetable • Elegant sidetable injecting period charm into contemporary, modern or historic interiors • Fluid form ...

17th Century Spanish Colonial Pietà Sculpture with Sterling Silver Halo An extraordinary and deeply devotional example of Spanish Colonial religious art, this 17th-century Pietà capt...

Exceptionally rare, 17th century, pewter candlestick upcycled into a table lamp, 20” high Elegant, classical form typical of the Baroque period, with all the surfaces reflecting l...

- Characterful open armchair injecting atmosphere into any interior - Pared down form with a contemporary feel - Tactile with original patina and thick modern leather. - Character...

William & Mary Joined oak centre table, Circa 1690. Raised on turned legs. Stunning aging and colour.

Pair of twisted columns in polychrome lacquered wood decorated with branches and gilded flowers. They rest on molded bases and end with Ionic capitals connected by a frieze of ovals....

Three White glazed boxes from the Qing dynasty Vung Tau cargo. Identical pieces are included on page 459 of the Vung Tau catalog titled 'Christies Amste...

An exceptional, fine and impressive antique William III English Britannia silver porringer, an addition to our 18th century silverware collection. This antique William III Britannia standard silver porringer has a circular rounded form. The lower portion of this 17th century silver porringer is embellished with chased alternating fluted decoration accented with an engraved simplified scalloped border. The upper portion is encircled with a chased rope twist decorated girdle. The decoration to the anterior surface displays the contemporary pin struck initials 'R.T A.D' and the date '1697'. This Britannia silver porringer is fitted with two rope twist decorated S scroll handles. Britannia Silver - The Britannia silver standard of 958 (95.84% of fine silver), denoted by the icon of the seated Britannia holding an oval shield, was introduced by William III in 1697. This was to indicate the slightly higher standard of silver from sterling silver standard of 925 (92.5% of Fine silver). Condition This antique silver porringer...

Obverse: MOTOS PRÆSTAT COMPONERE FLVCTVS, Neptune in chariot with trident in left hand, crown and coat of arms of Amsterdam on the back of the chariot, blowing winds in the form of h...

An exceptional, fine and impressive antique William III English sterling silver tazza; part of our dining silverware collection This exceptional antique...

An exceptional, fine antique William III English Britannia standard silver brandy pan; an addition to our collection of 17th century silverware. This exc...

The design features a central medallion surrounded by eight panels, each intricately painted with traditional Chinese botanical and floral motifs. The number 8 in Chinese culture is associated with prosperity and is considered very auspicious. This may reflect the traditional Chinese cosmological concept of the "Bagua," which are eight trigrams used in Taoist philosophy to represent fundamental principles of reality, seen in various aspects of Chinese culture, including the I Ching and Feng Shui. The central circle with radiating petals is also a representation of perfect geometric harmony, reflecting the balance and unity which are key elements in Chinese aesthetics. The use of symmetry and balance is seen as a way to represent the harmony of the universe. Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau...

Fine pair of late 17th century, Italian, carved & gilded pricket candlesticks upcycled into table lamps, 29” high Finely carved with classical turnings and ornamentation of the Baro...

Wooden chest of drawers with 7 drawers and linear handle.

Flemish or Italian with double ripple frame. The back was added at a later date. Circa 1700.

Hallmarked in London in 1698 by William Andrews, this exemplary, William & Mary Period, antique Brittania standard silver porringer, is in the traditional form, and is engraved with ...

One 85 cm + 10 cm pricket Other 89 cm high + 10 cm pricket Just purchased more information to follow.

This very fine example is modelled in the Trefid style with a reeded rat tail on the reverse of the bowl. This piece is very well marked and is engraved at the top of the stem with t...

Rare bentwood desk chair designed by Czech architect Antonín Šuman and manufactured by Thonet successor company TON in former Czechoslovakia during...

A 1960s wooden octagonal planter stand is a fine design piece, featuring a central octagonal structure that houses several smaller, also octagonal, pieces inside. These interior piec...