17th Century Furniture

Palwa crystal wall light by Ernst Palme in Germany, 1960. Made with crystals and gold plated gilt brass, this wall light is a beautiful eye catcher. Please note the price is for one...

This precious table cabinet opens with a lid and has nine drawers richly decorated with ivory and ebony marquetry depicting foliage and scrolls, each drawer has an ivory pull...

An exceptional, fine and impressive, rare antique Charles I English sterling silver goblet; an addition to our collectable range of 17th century silverware. This exceptional antique Charles I sterling silver goblet / wine cup has a tapering cylindrical bell-shaped form onto a circular knopped pedestal and swept circular foot. The surface of this antique silver goblet...

A Rare Late 17th Century English Basket-Top Spring Clock by John Wrench of Chester, Circa 1695-1700. England This exquisite late 17th-century English basket-top table clock, signed ...

A fine and rare William & Mary long case or grandfather clock by London maker Daniel LeCompte. c.1690, London, the fine marquetry case having oval panels of birds and flowers, the movement signed Daniel LeCount (LeCompte) having a silver chapter ring and seconds dial, brass spandrels of cupids supporting a crown; including key, weights and pendulum. LeCompte was a French Huguenot...

This antique 17th-century oak coffer is a remarkable and rare find, showcasing exquisite craftsmanship and a rich history. The beautifully carved front adds a touch of intricate deta...

Rare and very special Spanish armchair, the back featuring a prominent coat of arms carved and with painted accents, conforming front stretcher. O...

The iron coffer, fully original in every part of it, was forged and handcrafted in German in the 1610. Complete with key. Full working iron mechanisms. It ...

Original oil on canvas painting of the adoration of the magi, with Mother Mary and infant Christ. Framed over 5' wide x 4' tall, no signature/unknown artist. Canvas has craquelure, o...

A wall hanging tapestry, simply put, is a textile specifically designed and woven to portray an artistic scene with the intent of hanging it on a wall. Antique tapestries, those that...

Beautiful and rare Dutch Renaissance two-door cabinet. This cabinet stems from an era in Dutch history that is called "the golden age'. This cabinet has the typical arched panelled doors and is called a 'poortkast' or portal cabinet. It is made in the best quality solid oak. It stands on ebonized bun feet with an ajour cut skirt. The panelled doors have a hand-carved arched top. The top corniche has beautiful hand-carved elevated panels depicting cupids holding garlands. The whole cabinet is enriched with inlaid parts of ebony...

A fine and rare mid-17th century ebony veneered architectural table cabinet of diminutive proportions, circa 1640. Augsuerg. The moulded ebony veneered cabinet is surmounted with a...

It is a work that is said to have been drawn by Kano Soyu as you can see. It is a picture of the light-colored Sansui map carefully drawn to the smallest detail, and the towering m...

A Breathtaking Rare 17th Century Large Antique Persian Isfahan Rug, Country of Origin / Rug Type: Antique Persian Rugs, Circa Date: 17th Century

Area of ??Giovanni Battista Ruoppolo (Naples, 1629 - 1697) Still life with fruit and little bird Measures: Oil on canvas, 62 x 83 cm The still life in question shows juicy citrus fruits, among which we can recognize oranges and cedars, together with red berries scattered on the ground. A cheerful little bird rests on the edge of a terracotta pot in which some pink-mottled carnations grow. The landscape that can be observed all around is veiled by clouds and shaded by shrubs, while in the distance there is a green hill. Dominating the foreground and standing out from the dark background is the fruit which, lush and juicy, stands out in the vivacity of the colors in contrast with the dark background. The full-bodied brushstroke that delineates the wrinkled peel of citrus fruits to restore the realism of the fruit, just as the green leaves of the stems softly folded on themselves are sketched with extreme truthfulness, they ascribe the work to a painter working in the circle of Giovanni Battista Ruoppolo. Ruoppolo is a Neapolitan artist, specialized in the genre of still life, indeed De Dominici himself in his Lives of Neapolitan painters, sculptors and architects recognizes him a primary role in the Neapolitan school of the genre. He studied, together with Giuseppe Recco (1634 -?), In the workshop of Paolo Porpora (1617 - 1673). He painted almost exclusively fruit and flower paintings...

ABOUT FRAME Handmade during 17th century, this frame is a grandiose piece of master craft by an extraordinary Spanish silversmith. Exceptionally complex, not only in its exquisite an...

Lovely detailled engraving of the old city of Arakan in Myanmar, in good condition. This illustration is from "De Oost-Indische Voyagie van Wouter Schouten", published by Jacob Meurs...

Antique print of Cupid and a crocodile. This print originates from 'Amorum Emblemata', this work includes engravings of Cupids encountering the various trials of Love. The emblematic illustrations include verses in Latin, Dutch and French. The verse of this print would translate to 'Love is the opposite of a crocodile. They say the crocodile has such a nature, that he cries when he is killing and devouring men. But Amor has an opposite nature, for he laughs when he makes lovers perish'. Artists and Engravers: Otto van Veen...

Presenting an absolutely gorgeous and historic 17th century English carved oak dowry chest. Made of solid oak in England,...

Beautiful English Needlework Panel Dating from early 17th Century Circa 1620 The entire surface worked in intricate tiny silk stitches. Hard to capture the beauty on my camera...

This rare and rich decorated Renaissance dresser was made during the Dutch Golden age in the southern part of the Netherlands currently Belgium. It was made around 1670 and most likely in Antwerp. The dresser was made in the finest quality watered European oak and decorated geometric-shaped walnut veneer panels. The cabinet has two wide doors and two drawers above. The drawers are flanked by carved lion heads with brass rings. The right drawer is equipped with an authentic working lock and key. The doors are decorated with geometrical star-like walnut inlaid raised panels. The doors are flanked by large twisted Solomonic columns decorated with brass nails. The righthand door features its authentic lock and key with a brass ajour cut keyplate. The dresser has a wax finish with a great patina built up over 350 years. This piece of furniture was made by highly skilled craftsmen by the use of the best materials available. It is among the best furniture that was produced during the golden age and even now its craftsmanship is unprecedented. The dresser is highly original and in perfect shape for a piece of furniture over 350 years old. It was gently cleaned in our atelier and a new protective wax coat was applied. The Dutch golden age the 17th century was an important century for the Netherlands. The region separated from the Spanish Empire and formed its republic. Dutch merchants...

French cast iron fire back with flanking cornucopias, flanking lions, central sun god, foliage filigree, and central rooster coat of arms, S...

Mitani Toshuku (1577-1654) “Falcon” Wall panel, ink and light color on paper. Upper seal: Mitani Lower seal: Toshuku Dimensions: Each 118.5 cm x 51 cm x 2 cm (46.5” x 20” x .75”) Individual falcon paintings by Mitani Toshuku (1577-1654), an early artist of the Unkoku School. Founded by Unkoku Togan (1547–1618), a master of the Momoyama period, the Unkoku school enjoyed long lasting patronage in southern Japan. Togan was a retainer of the Mori family in present day Yamaguchi prefecture. Members of the school considered themselves to be in the artistic lineage of Sesshu Toyo...

Measuring over 7.5 feet long, this handsome Italian library table could function as a console or large desk. Originally hand-carved from walnut, the table has some elements that are ...

Magnificent Italian 17th century Portrait of Virgin Mary measures 52 x 68 cm without the frame. The colors are stunning and the paintin...

Largest collection of Portuguese tiles in the world 17th Century Portuguese Tile Panel. Restored 56cm x 56cm 14cm x 14cm tiles With certificate of authenticity and export issued by ...

Rare 1699 Map of the Failed Scottish Colony of Caledonia in Panama This scarce and historically fascinating map, titled 'The Scots Settlement in America or New Caledonia A.D. 1699',...

A fantastic Chinese sancai (three color) glazed pottery roof ridge tile of an armored warrior on horseback, late Ming Dynasty (1368 to 1644), circa 1600, C...

17th century Venetian painted and parcel gilt gondola sofa. This gorgeous antique venetian sofa or canape has been newly upholstered in a plush w...

Silver chest. Basque country, 17th century, 1617. With inscription. Rectangular base and semi-circular lid slightly raised on four legs with vegetal shape finished in hooves (and p...

Magnificent 17th-Century French Aubusson Tapestry – Alexander the Great and Bucephalus An exceptional and rare Aubusson tapestry from the 17th century, masterfully handwoven in wool ...

Antique William and Mary quality oak panelled rocking crib having a quality oak shaped hood, six turned finales, lovely oak panels standing on shaped oak ...

An antique Persian Iranian Safavid dynasty hand woven embroidered textile, circa 17th century. Featuring a vibrant red, decorated with repeating golden floral designs. Safavid Iran o...

Antique map titled 'Hellas seu Graecia Universa' Detailed map of Greece, with Crete, the Aegean Islands, and part of Turkey. With two cartouches, compass rose and scale. Carolus Alla...

A fine, and rare, very closely-matched pair of late-17th century oyster walnut chests on stands. English, Charles II period, ca 1685. Both with f...

A highly important Japanese export lacquer cabinet with depiction of the Dutch East India Company tradepost Deshima and the annual Dutch delegation on its way to the Shogun in Edo Edo period, circa 1660-1680 H. 88 x W. 100.5 x D. 54 cm This cabinet includes a later European japanned stand, but also a modern powder-coated steel frame. The latter can be designed and added to your specific needs. The sides and front of the rectangular two-door cabinet are embellished in gold and silver hiramaki-e and takamaki-e on a black roiro lacquer ground with a continuous design. The two doors depict a long procession of numerous figures travelling on foot and horseback along buildings and a pagoda into a mountainous landscape. This is the annual court journey, Hofreis, of the Dutch from Nagasaki to the Shogun’s court in Edo. Three horseback riders are dressed as Dutch merchants and a fourth figure, probably het Opperhoofd, is seen inside a palanquin, norimon. Just about to cross the bridge, two men are carrying a cabinet like the present one. Many Japanese figures on either side of the procession are engaged in various activities; some play musical instruments on board of small boats, others are fishing; figures inside buildings are depicted playing go, and farmers are tending to their rice paddocks. The upper part of the right door shows a large mansion, probably the local daimyo’s castle, with men kneeling before a man in the central courtyard. The court journey fits in with the foreign policy of the shogunate which accorded a role to the VOC alongside China, Korea, and the Ryukyu Islands who also had to pay tribute. However, the VOC employees were traders, having low status in Japan’s social hierarchy, and they were received with less deference than were the state embassies from Korea and the Ryukyu Islands. Nevertheless, the contacts with the Dutch were a welcome source of information to the Shogun about Europe and European science and technology. The left side of the cabinet depicts, in mirror image, a rare view of the artificial fan-shaped Deshima Island, the trading post for the Dutch in Japan. The island, where the Dutch flag flies, is surrounded by small Japanese boats and an anchored three-masted fluyt (cargo ship), flying Dutch flags, with on the stern the VOC monogram. On the bottom right a busy street of Nagasaki is shown, bordered by shops and leading up to the stone bridge. On the island the trees are beautifully painted, two cows can be seen, and the flagpole, all in very fine detail. Dutchmen and enslaved Malay are visible outside the buildings and two Japanese figures, probably guards, sit in a small hut in the centre. A maximum of fifteen to twenty Dutchmen lived on the island at any time and soldiers or women were not allowed. Restrictions on Deshima were tight, and the merchants were only allowed to leave the island by special permission. The Opperhoofd had to be replaced every year, and each new Opperhoofd had to make a court journey to pay tribute, present gifts, and to obtain permission to Margaret Barclay eep on trading. In the distance, many birds fly above the hills and a four-story pagoda can be seen. The right side of the cabinet is painted with other horse riders and their retinue journeying through mountains. The pair of doors to the front open to reveal ten rectangular drawers. The drawers are decorated with scenes of birds in flight and landscapes with trees and plants. The reverse of the left door with two thatched buildings, one with a ladder, underneath a camelia tree with large blooms; the right door with a three-story pagoda nestled among trees and both doors with a flying phoenix, ho-oo bird. The cabinet, with elaborately engraved gilt copper mounts, hinges, lock plates and brass handles, is raised on an 18th-century English japanned wood stand. A pair of large cabinets...

Map of Cape Verde and the Mouth of the River Niger by Coronelli, 1691 This finely engraved map, titled "Bocche del Fiume Negro et Isole di Capo Verde," was created in 1691 by Vincen...

A Thai bronze head of Buddha, Ayutthaya period, late 16th-early 17th century. The serene face flanked by long ear lobes slightly flared at the tips, the eyes downcast beneath smooth...

17th century arrowheads excavated from central highlands, Vietnam. Beautiful patina on the arrowheads. Mounted $1,400 each.   8.5" H x 5.5" W x 2" D   

Circa 1691 Frederick de Wit Map: Middle East with Arabia, Persia & More This exquisite hand-colored map, circa 1691, by Frederick de Wit, illustrates the Middle East, spanning from Turkey and Egypt to Afghanistan, with a detailed representation of the Arabian Peninsula. The map's detailing in Arabia is based on Nicolas Sanson's influential 1654 map, which was one of the most accurate and detailed depictions of the region up to the mid-seventeenth century. The decorative title cartouche is richly adorned with images of exotic figures, animals, and a merchant ship, symbolizing the region's historical trade importance. Additionally, a mapmaker is shown working with traditional tools, adding a touch of authenticity to the cartographic art. This is the fourth state of the map, published between 1691 and 1696. The map measures 21.8 inches in width by 18.5 inches in height, featuring a sharp impression, with minimal staining and a carefully repaired centerfold separation at the bottom. Keywords: - Middle East historical map - Frederick de Wit map - 17th century maps - Arabian Peninsula map - Persia (Iran) map - Turkey and Egypt map...

Elegant Hermès letter opener with a detailed horse head handle in solid metal.Beautiful light patina to the silver and a blade that tapers gently towards...

17th Century Florentine Pillow, 18"x10"—a luxurious blend of velvet and silk, showcasing intricate Renaissance-era Italian artistry. This elegant piece reflects timeless sophisticati...

Identical piece is housed in the Longhai Museum of Zhangzhou City. On October 7, 1989, it was appraised as a third-class cultural relic by the Cultural Relics Appraisal Team of the F...

Grapevine Anonymous. Korean, 17th century. Wall panel, ink on paper. Upper seal: Kou Kinun in Lower seal: Kaigen Dimensions: Measures: 98.5 cm x 29.5 cm (39” ...

A very beautiful 17th century articulating Mannequin from the Veneto region of Italy. Beautifully carved from polychromed wood with very handso...

Spanish desk (“bargueño”) in walnut. 17th century with “bridge-shapped”. Decorated on the exterior with metal applications (open-work, textile background) and bow handles with central lentil. It stands on a "foot bridge...

17th century Ottoman Cushion - pillow Finest quality Ottoman cushion opulent hand crafted silk embroidery and fringed trim. Cushion with a rich, colorful and traditional Ottoman appe...

Antique 17th Century French painted porcelain wall hanging plaque portraying the Madonna in prayer against a radiant sunburst backdrop. Intricately painted with foliate patterns ador...

A large 17th century French capital on a associated base. Sculpted front and sides, flat backside. Great to decorate a garden or display indoors.

Stunningly vivid late 17th early 18th century Aubusson tapestry. Strong Verdure themes with a scene depicting Bathsheba and David in the centre. An unusually large amount of silk was...

The print titled "AMERIKENS ENTDECKER" is a striking antique copper engraving, crafted in 1673 during the 17th century as part of the German edition of Arnoldus Montanus' influential work, "Die Unbekante Neue Welt" ("The New and Unknown World"). The engraving was executed by Jacob van Meurs, a renowned Dutch engraver and publisher known for his detailed works on geography and history, and it was published in Amsterdam. Description of the Print: The engraving measures 17 x 13 cm (approximately 6.6 x 4.7 inches) and is set on a page that is 31 x 19.5 cm (about 12.2 x 7.4 inches). It depicts a vivid scene that illustrates the discovery of America...

Description Charles II sterling silver tankard, John Ruslen, London, 1680. Decorated with vertical grooves separated by horizontal circular bands, handle with engraved initials, "JM"...

Hand-carved in three sections (the double-sided platform, the turned shaft, and the robust scrolled base), this French music lectern, or lutrin, dates to circa 1700. A combination of...

Description Very happy with this new arrival. Octagonal Arita kakiemon bowl of unusual shape and design. Period; 1670- 1680 Condition 1 small chip a...

A superbly carved, early 17th century decorative Renaissance walnut wall panel mounted within a carved oak frame, sourced from a private UK collectio...

Wonderful 17th Century Italian ebonised Guilloché mirror with carved ripple moulding. Luigi XIV, Piedmont. The rectangular plate within a cushion frame of convex and carved ripple m...

Rock Crystal and Gold Agnus Dei Late 16th, early 17th century Case made in Milan Agnus Dei in wax from the Vatican Among the most significant religious artifacts of the Renaissance, the Agnus Dei medallion exemplifies the height of Catholic devotional culture. Believed to hold sacramental blessings and even miraculous power, these sacred wax objects were crafted from the melted remains of the Paschal candle used in Rome and personally blessed by the Pope. Their rarity was compounded by their fragility—few survived intact, making them among the most coveted religious items of their time. This extraordinary example, dating from the late 16th to early 17th century, defied the odds of survival. Encased in its original rock crystal and gold setting, among the most luxurious materials available when it was made, the wax itself features subtle yet remarkably preserved imprints—an almost impossible feat given its delicate nature. It is the only known example outside of a museum, with possibly two others in institutional collections. Made for a patron of exceptional wealth, this late Renaissance masterpiece marries religious significance with extraordinary craftsmanship. The oval rock crystal frame encases the wax Agnus Dei, encircled by exquisite gold mounting with black enamel detailing and twisted gold cord. Rock crystal caryatids shaped as dog heads with gold collars transition into female busts that curve into scrolls, resting on teardrop elements adorned with vibrant enamel. Two elegant gold scrolls wrap around back-to-back dog muzzles at the top, crowned by an enamel-decorated knob and suspension ring—creating a devotional object of unparalleled artistic refinement. The fragile composition of Agnus Dei medallions meant that most were easily damaged—cracking, collecting dirt or crumbling over time. Their pristine whiteness held such sacred significance that in 1572, Pope Gregory XIII issued a Papal Bull...

Late 17th century French Gilt Bronze Figure of a Crouching Venus Gilt bronze crouching Venus on a pedestal decorated with Boulle marquetry and...

A pair of solid brass Flemish candlesticks from the 1600’s. This outstanding pair of candlesticks have stayed together for over 400 years. Be sure ...

An antique map of the Tuscan city of Pisa engraved for The 'Itinerarium Italiæ Nov-antiquæ' by Matthäus Merian the Elder and printed in 1640....