18th Century and Earlier Furniture

Japanese Koto Wakizashi Sword Japan Ca. 1400-1600s Length: 24.25” Blade Total Length: 27.25 Nagasa: 18.5” Koto wakizashi, with wild midare (Soshu?) hamon, including wild boshi. Hada indeterminate, with Shakudo & gold dragon menuki, beehive design fuchi kashira...

Extraordinary 18th century English oak pub bench / settee / sofa. A rectangular form with high back and red velvet upholstery. Features Gothic revival pane...

This is a pottery called Tokoname ware. Tokoname is a kiln located in Aichi Prefecture, Japan (Tokoname Kiln is marked with a red circle on the map). It is said to have originated ar...

Rustic 18th century country French provincial two-part farmhouse dresser with a plate rack and crafted from 1 inch thick pine planks. The plate rack...

Quality 18th century antique George III plum pudding mahogany bow fronted corner cabinet having a delightful shaped dental cornice ab...

A Flemish historical tapestry from the second half of the 16th century, depicting Tomyris’ victory over Cyrus the Great, with Tomyris, the leader of a ...

A rare and unusual Chinese Yixing sancai glazed teapot and cover mounted with a rat finial acquired as dating from the Kangxi reign 1662 – 1722. The lightly hand-crafted red clay tea...

A Good Quality And Charming 18th Century Georgian Oak Dresser Base Sideboard, Retaining Good Rich Colour Throughout, Having Rectangular Top Over Three Drawers With Original Brass Swa...

Antique Japanese 6 panel screen from the early Edo period (C1650). One of a pair (both available). This magnificent golden screen shows...

Omori Soun (b. 1704) Chrysanthemums - One Hundred Flowers A Pair of Six-fold Japanese Screens. Ink, color, gofun and gold leaf on paper. Dating ...

A George III parcel-gilt fretwork mahogany wall mirror, c. 1780. In good original condition, retaining original bevelled mirror plate. There are small visible repairs to the mahogan...

Belgium / 1740 / console table / oak / Antique / Romantique Exceptional and most unusual 18th century Belgian primitive table in original color with a spacious drawer at the front r...

Egyptian Painted Sarcophagus Mask, gesso over wood composite, mounted on metal base. Overall: 11" H x 7.5" W x 3.75" D. Provenance: From a Fifth Avenue Collection.

Raymond du Puy: 1791 Hand-Colored Engraving of the First Grand Master of the Hospitallers This captivating hand-colored engraving, titled "Raymund du Puy, erster Großmeister des J...

Representative secretary with a drop-front writing surface, richly inlaid with various fine woods, set on a tall stand adorned with engraved pewter bands, in the style of Thomas Pist...

Adorned by an impressive lattice of strapwork, this oak and iron money chest from 17th-century France is both functional and aesthetically appealing. An elaborate, stylized iron fleu...

18th Century French Louis XVI Commode in Stripped Oak is a magnificent example of the genre, meticulously hand-crafted by master artisans in the neoclassical revival style from dense...

This is a beautiful coffee cup and saucer made by Derby in about 1785. The set has the distinctive "artichoke" moulding and a bright turquoise ground with the white artichoke surface...

Frankfurter Wellenschrank, German Baroque Armoire 1730 Exquisite Frankfurter Wellenschrank made around 1730. The name Wellenschrank (meaning “wavy cabinet...

18th Century New England Queen Anne Cherry Lowboy American cherry Lowboy with elegant scalloped apron from the Queen Anne period, about 1760. The top has a molded edge above three d...

Unclassified Meteorite Stone Height: 36.83 cm 42.5 kg A dramatic extraterrestrial sculpture, of monolithic form, covered in a thick grey-brown fusion crust and with areas of sandy deposits from untold years spent on the desert floor. Formed in the asteroid belt between Mars and Jupiter during the formation of our solar system, some 4.55 billion years ago, this large stone would have been separated from its parent body by an enormous impact before journeying through interplanetary space and eventually reaching Earth. Upon atmospheric entry it would have reached cosmic velocity, heating the surrounding air to 1700°C and producing a large ball of fire. The heat was sufficient to melt the outer surface of the stone, exposing a new surface which in turn also melted away, losing as much as 95% of its initial mass before reaching the ground. The last molten layer to form as it collided with the Earth covered the stone in a layer of fusion crust, evidence of the incredible impact force delivered by this extraordinary specimen. “This unclassified stone meteorite was found in Northwest Africa. It has a relatively smooth, dark brown, slightly weathered fusion crust; some small melt veins are visible on the surface. Due to the near-absence of terrestrial rocks in this region of the Sahara, meteorite hunting in this area has yielded many notable discoveries.” Dr Alan E. Rubin, PhD Department of Earth, Planetary, and Space Sciences...

Classic Antique French Louis XIII Armoire or Cupboard over 300- years old and remarkably still intact and functions as intended. In collecting and purchasing Louis XIII furniture for...

Very rare Yuan/early Ming cast iron Buddha with integral mandorla- . Nearly exact example, with the same mudra. Illustrated in Sotheby's "Art of the B...

Antique Islamic Middle Eastern Qajar Persian Copper Ewer 19th Century. Rare Museum quality Antique piece from the early 19th Century hand forged copper pitcher with lid cover. Great antique patina. Circa 1800. Measurements: 14” height 9.5” length 5” width. Quality Museum Islamic Metalwork from a private Beverly Hills CA collection. Middle Eastern Asian Turkish Ottoman Antique...

This is an exquisite and rare carved, engraved red lacquered wooden étagère and porcelain holder, with gilded details. Shaped with architectural prospects, with shelves and degrading steps. From the upper balustrade rises the cymatium shaped as volutes and entirely perforated and gilded. It is possible to count 17 pedestals or spaces suitable to set porcelain pieces. A gorgeous piece that we can say one-of-a-kind, that showcases a fine craftsmanship through meticulously carved architectural elements, and with the rare and rich red color of the lacquer. Coming out from the Tullio Silva Collection, Venezia, Italy. One of the distinctive characteristics of Venetian Baroque and Rococo furniture is the skilful use of lacquers. Lacquer is a natural resin that was very rare in the past, imported from the East and used to create smooth and colored surfaces on furniture, ready to be finely decorated with refined floral designs or exotic animals. Venetian artisans became masters in lacquer processing which required time and patience because it was made with many steps. The Venetian style deeply influenced furniture design throughout Europe, but none reached the Venetian level in terms of beauty. The skillful use of lacquer and carvings defined Venice's unique style during the Rococo period, its Golden Age. Referring bibliography: G.Morazzoni, Il mobile Veneziano del Settecento, Milano 1958, vol. I, tavv. CCXIII-CCXIV S.Levy, Lacche Veneziane settecentesche, Milano 1967, vol. II, tavv. 412-413 C. Santini, Mille mobili veneti, Modena 2002, pag. 284, fig. 495 Tullio Silva, son of Enrico Silva that was a well known antique dealer in Venice, opened his own antique furniture Gallery...

The map of Batavia (modern-day Jakarta) from 1681, attributed to Frederick de Wit holds significant historical importance for several reasons: Historical Context 1. Colonial Era: This map dates back to the Dutch colonial era when Batavia served as the administrative and commercial hub of the Dutch East India Company (VOC). The VOC was a powerful trading entity that played a crucial role in the global spice trade and colonization in Southeast Asia. 2. Strategic Importance: Batavia was strategically located on the northwestern coast of Java, providing the Dutch with a critical base for their maritime operations. The city became the center of Dutch political and military control in the region. Cartographic Significance 1. Detailed Urban Layout: The map meticulously details the layout of Batavia, including its fortifications, canals, streets, and significant buildings. This level of detail provides insights into the urban planning and architectural styles of the period. 2. Military Engineering: The fortifications shown on the map illustrate the advanced military engineering techniques used by the Dutch to protect their valuable colony. The walls, bastions, and moats indicate the strategic considerations taken to defend against potential invasions. 3. Maritime Activity: The depiction of ships in the harbor highlights Batavia's role as a major maritime center. The VOC's fleets were essential for trade routes connecting Europe, Africa, and Asia, making Batavia a crucial node in global commerce. Artistic and Cultural Value 1. Artistic Elements: The decorative elements, such as the lion holding a shield and the intricate cartouches, reflect the artistic trends of Dutch Golden Age cartography. These embellishments were not only informative but also served to display the cartographer's skill and the map's prestige. 2. Cultural Exchange: Maps like this one provide evidence of cultural exchange between the Dutch and the indigenous populations of Java. The blending of Dutch and local influences can be seen in various aspects of the map and the architecture of the city. Rarity and Preservation 1. Rarity: Maps from the 17th century, especially those in good condition, are relatively rare and highly valued by collectors and historians. Each map provides a unique snapshot of historical geography and urban development. 2. Preservation of History: This map serves as a historical document, preserving knowledge about Batavia's cityscape, infrastructure, and colonial governance. It helps historians and scholars understand the socio-economic and political dynamics of the period. Conclusion The map of Batavia from 1681 is special due to its detailed depiction of one of the most important colonial cities in Southeast Asia during the Dutch Golden Age. It reflects the strategic, economic, and cultural significance of Batavia, serving as a valuable resource for understanding the history of Dutch colonialism and its global impact. The map's artistry and precision make it an important artifact in the history of cartography. --------------- The map is an original and historical map of Batavia (present-day Jakarta) on the island of Java, dated 1681. There are several details to consider when evaluating its origins and possible authorship: 1. **Style and Detail**: The intricate details and style are reminiscent of maps created by Frederick de Wit, a prominent Dutch cartographer and engraver of the 17th century. He was known for his detailed city maps and sea charts. 2. **Lack of Signature**: The absence of "F. de Wit, Excudit" could indicate either an omission or a different engraver. However, it is essential to note that some maps from that period were reproduced or copied by other engravers and cartographers. This was not uncommon, as map-making was a collaborative effort, and copies of popular maps were frequently made. 3. **Map Characteristics**: - The depiction of ships and the detailed fortifications are typical of Dutch cartography in the late 17th century. - The decorative elements, such as the lion holding a shield, are also characteristic of Dutch map engravers. 4. **Other Possible Engravers**: While Frederick de Wit is a strong candidate, other notable Dutch engravers from that period include Joan Blaeu and Willem Janszoon Blaeu. They also produced highly detailed maps and could potentially be the creators or inspirers of this map. To determine the precise authorship, you might consider: - **Comparing** this map with other confirmed works of Frederick de Wit and his contemporaries to identify stylistic similarities and differences. - **Historical Records**: Consulting historical records or publications related to Dutch cartography in the 17th century might provide more context or even direct references to this particular map. If you have access to additional details or higher-resolution images of specific sections, it might help further pinpoint the map's origin and authorship. ------------- Frederick de Wit (1629–1706) was a prominent Dutch cartographer, engraver, and publisher known for his detailed and decorative maps, atlases, and globes. He played a significant role in the Dutch Golden Age of cartography, contributing to the wealth of geographic knowledge and artistic achievement during this period. Here are key aspects of his life and work: ### Biography - **Early Life**: Frederick de Wit was born in Gouda, Netherlands, in 1629. Little is known about his early years, but he moved to Amsterdam, the epicenter of Dutch cartography, in the mid-17th century. - **Career Beginnings**: De Wit began his career as an engraver and publisher, initially producing maps that were reissues of earlier works by other cartographers, such as Joan Blaeu and Willem Janszoon Blaeu. ### Contributions to Cartography - **Mapmaking**: De Wit was known for his meticulous attention to detail and artistic flair. He produced a wide range of maps, including world maps, regional maps, city plans, and maritime charts...

A rectangular, antique pair of similar German Baroque wall reliefs with centered cartouche, made of hand carved sandstone in good condition. The large detailed panels are particulari...

Genuine Spinosaurus (Dinosaur) tooth. Spinosaurus (meaning "spine lizard") is a genus of theropod dinosaur that lived in what now is North Africa, during the upper Albian to upper T...

This is a Louis XV Style ormolu-mounted tulipwood and exotic woods marquetry serpentine bombe commode. The breche d’alep marble top is over two drawers sans traverse inlaid with flor...

18th Century Louis XV Period German fireback depicting a religious theme. The fireback is made of cast iron and has a black patina. The fireback is in a good condition and does not h...

An Italian painted buffet from the 17th century with diamond motifs and distressed patina. Born in Italy during the 17th century, this exquisite painted buffet features a heavily dis...

Late 18th or early 19th Century Venetian Painted Commode. Commode features a serpentine front and faux marble top. Chest has two smaller drawers over two large drawers. Painted with ...

Celestial table globe Charles-François Delamarche Paris, 1791 It measures: 17.13 in in height, Ø max 27.7 in; the sphere Ø 7.09 in (h 43.5 cm x Ø max 27.7 cm; the sphere Ø 18 cm). W...

18th century spanish polychromed tabernacle, niche for the display of Santos. Original finish in somber tones of ochre and siena.

A very fine Period French Louis XVI Commode signed T.C. Oak and Walnut construction in the case and drawers. There are three upper drawers over two lower drawers. Heavy use of flowi...

An Extremely Fine and Very Important 17th Century Japanese Lacquer Cabinet on French Giltwood Stand of Regence Period circa 1680-1690 Provenance Likely acquired by Herman Willem ...

A large and quite tall for this model, late 18th century Louis XV Rouge de Griotte Belgique marble chimneypiece. The scrolled console jambs cantered, with stiff acanthus to bottom an...

Rare 1699 Map of the Failed Scottish Colony of Caledonia in Panama This scarce and historically fascinating map, titled 'The Scots Settlement in America or New Caledonia A.D. 1699',...

18th Century Italian Baroque Walnut Bench. Offered is a handsome 18th century Italian Baroque walnut bench from the Tuscany region of Italy that has graceful arms which is profession...

Shockingly handsome and robust this wingchair or bergere takes French design of the Louis XV period and makes it so uniquely Italian, of larger scale and having exaggerated wings wit...

18th Century Italian Wooden Center table. Table features a hexagonal top, double bands of parquetry string inlay and a molded edge. Rococo design features splayed legs adorned with i...

Antique print titled 'De Wester-Kerk van binnen, naar 't Oosten, te zien. This print depicts a church interior in Amsterdam, The Netherlands. This print originates from ' Amsterdam, ...

This is a rare fireplace bellows in carved and lacquered wood with polychrome decorations of flowers on a light green background. It has original leather details and the bronze spout...

Oriented Chondrite Meteorite Circa 4.56 Billion y/o Chondrite 24 x 20 cm, 28 cm tall on base 7.1 kg A sculptural and beautifully weathered chondrite meteorite; upon entering the atmosphere, this extraterrestrial stone would have heated the surrounding air to a temperature of over 1700 C, higher than that of the hottest lava on the planet, and enough to melt away its outer layers, leaving its surface rippled with regmaglypts, thumb-shaped impressions formed as superheated rock streaked off of the main body as it careened toward the earth. The last layer of the rock to melt would have re-solidified as the meteorite made impact, forming a charcoal coloured fusion crust, which has taken on a deep ochre-tinted patina. Chondrite meteorites such as this example were formed at the very beginning of our solar system, by the accretion of various types of dust and small grains, adrift in the vacuum of space and, as such, provide important clues about the birth of our own planet. This piece is an especially rare specimen, known as an oriented meteorite...

French 18th c Door Knocker with Original Cast Iron Knocker and Wrought Iron Back. This hand-wrought iron door knocker with a pierced scrolling back...

18th Century Carved Giltwood & Gesso Coat of Arms with Eagle – Rare Decorative Crest on Metal Stand A stunning and rare 18th-century carved giltwood and gesso coat of arms, this exce...

A French Aubusson rustic tapestry from the late 17th century, with the turbulent sea at center, and other ships docked by the riverside cityscape in the left distance. Enclosed by a narrow monochromatic border. Wool with silk inlay. Measures: 10’1” H x 7’2” W This tapestry was probably woven after a design by the French painter Claude-Joseph Vernet (1714-1789), renowned for his Marines, or maybe by his student Charles Grenier de Lacroix also known as Lacroix de Marseille...

Dutch Delft blue and white 'Peacock' plate, 18th century, with ochre rim, the center decorated in cobalt with an vase containing an arrangement of peacock feathers and flowers. The r...

A Very Attractive And Charming Early 18th Century, Queen Anne Period, Walnut Chest Having Superbly Figured Quarter Veneered Top, With Elegant Banded Decoration, Over Two Short And Th...

Mid 18th century Blue Delftware plate with chinoiserie inspired decoration comprising flowers and insects. Condition: some scratching and wear. Some chipping to the rim. Unmarked...

17/18thC or earlier Sri Lankan Stupa turned bell is 9.75 inches tall, 11.5 inches on custom Stand. Clapper (may have been added later) is a bit too long for bell to sit flat, so Stan...

A wall hanging tapestry, simply put, is a textile specifically designed and woven to portray an artistic scene with the intent of hanging it on a wall. Antique tapestries, those that...

Rustic late 18th century country French provincial farmhouse dining table constructed from warm toned fruitwood. The top is re...

An Extremely Rare Hand Decorated Irish Delftware wall hanging Charger or Cabinet Dublin Plate by Henry Delamain, decorated with flowers and foliage in colours of blue. Possibly third...

This is a superb, very large French country or Louis XV PERIOD commode. This piece dates to the 1790s era and shows time-worn character and signs of age and wear but is absolutely go...

France - La Borne 18th century ceramic pottery vase or bottle Original good condition Brown and grey frigin colors Some little losses...

Late 17th Century Italian chestnut Frattino style antique trestle table features 2 ancient solid top planks with end frames, trestle base crosspieces and forged iron joinery pins. With is superior details including dovetail joinery, present a fine rustic antique look for use as a primitive table for display, or communal style dining -or even in a contrasting modern setting. Measures: 98.2" L x 27.6" W x 28.9" H, 2" thick double slab top with 4" end frames 16" chair space at table ends 64.3” space between bases for 3 chairs with 11.9" chair push-in space to crossbeam 26.9" arm chair clearance. **We can reproduce this antique style in any size you require. See pricing below for standard dining table sizes - made in Italy by our craftsmen** We offer finish options on aged hardwoods which may be very distressed like this original antique Italian chestnut table, or for example, formal & smooth on premium Italian walnut. - Natural blonde shellac - Classic shellac - Espresso Dark stain shellac - Moro blackened shellac *Gloss, satin & distressed painted finishes also available to order *Also available in Old Chestnut, Poplar, or Walnut with smooth or brushed grain finish. **Larger table sizes, narrow widths, and single slab tops available by quote. **Available on our next container shipment. Expedited shipping service available by quote. Larger table top sizes, narrow widths, single slab tops, and aged Italian walnut are available - please contact us for a custom quote. Bellini’s Old World Collection...

Mid-18th Century English Axminster Carpet - George III Period 13'8" x 15'8" - 417 x 478

A rare and Impressive solid bronze sculpture of Demeter, The Goddess of Harvest, Circa late 18 to early 19th Century. She's is shown standing with tunic, grapes in one hand and a wre...

This 18th-century French porcelain dish was hand-painted circa 1785. Crafted at the renowned Locré manufactory, also known as Porcelaine de La Courtille, in Paris the bowl is decorated with gorgeous handpainted purple roses, complementing green leaves, and small gilded flower sprigs, The border continues the same pattern. The enameled flowers create a striking visual contrast against the fine white porcelain. The small gilded sprigs add an elegant shimmer. Craftsmanship: Jean-Baptiste Locré founded this celebrated porcelain workshop in 1771. Locré porcelain...