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Ararat Rugs Dragon Rug, Antique Caucasian Revival Carpet, Natural Dyed
About the Item
There has long been a fascination with the symbolism of the dragon and its depiction in carpet weavings. The design of ‘Dragon’ carpets consists of a field pattern composed of different colored overlaid lattices formed of pointed, serrated leaves creating intersecting lozenges, which alternately contain palmettes and are flanked by confronting stylized dragons, birds, or animal figures. The most archaic of the ‘Dragon’ carpets include dragon motifs with birds and running animals relatively naturalistically drawn, which stand either alone or in confronting pairs facing a tree. It has been suggested that the earliest examples of the Caucasian ‘Dragon’ carpets have a greater number of repeats across the width of the weaving than in later pieces.
Color summary: 7 colors in total, the most used 4 colors are;
Imperial red 426 (Madder Root)
Natural wool color 320 (No dye, Specially washed)
Sunray color 405 (Henna)
Dark brown 316 (No dye – Sheep’s own color)
Group: Caucasian Rugs Family
Area: Caucasus
Material of Pile: Natural dyed hand-spun wool
Material Warp / Weft: Wool on wool
Structure: Symmetrical knot
Knots Density: 39x39
Production Place: Southeastern Anatolia – Adiyaman Province
Stock Location: Tokyo
Size (EU): 218 X 104 cm
Size (US): 7'1" X 3'4"
Area (EU): 2.3 m²
Area (US): 24.4 ft²
- Creator:Ararat Rugs (Manufacturer)
- Dimensions:Width: 40.95 in (104 cm)Length: 85.83 in (218 cm)
- Style:Revival (In the Style Of)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:2022
- Production Type:New & Custom(One of a Kind)
- Estimated Production Time:Available Now
- Condition:
- Seller Location:Tokyo, JP
- Reference Number:Seller: 002501stDibs: LU8206232925202
ARARAT RUGS
We know and believe that the geography we come from, our past, and our lifestyle are the most important bond between us to carry the oriental carpet art and culture to the next generations along with our core values in our ongoing growth journey.
We are aware that the way to achieve this goal and carry this priceless art and culture to the future depends on a lot of work with all our people every day while adhering to our core values.
For us, art is meaningful in the sense that it brings together various cultures around the world. It is an honor for us that oriental carpet art and culture have been instrumental in this for centuries and that we are a part of this business.
We are tirelessly keeping an eye on auction house information around the world about carpets. New York's Metropolitan, London's Victoria & Albert Museums, and other famous art museums, as well as small specialized museums that house private collections, and books about oriental carpets to collect information on outstanding carpet designs and patterns from around the world. It's our Self-improving and Self-developing culture.
As Turkish Culture of Hospitality, the Kurdish Culture of Generosity, and as Japanese Culture of Business Punctuality; are the most important values that this multicultural background has taught and bequeathed to us. It is essential and valuable for us that you feel this feeling not only by looking at our oriental carpets but from the moment you contact us.
About the Seller
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1stDibs seller since 2023
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- ShippingRetrieving quote...Shipping from: Tokyo, Japan
- Return Policy
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The design source of the rug comes from the book Tapis du Caucase – Rugs of the Caucasus, Ian Bennett & Aziz Bassoul, The Nicholas Sursock Museum, Beirut, Lebanon 2003, nr.29 and Oriental Rugs Volume 1 Caucasian, Ian Bennett, Oriental Textile Press, Aberdeen 1993, nr.93 and Caucasian Carpets, E. Gans-Reudin, Thames and Hudson, Switzerland 1986, pg.144. This is a large medallion rug from the late 19th century, Karabakh, Chelaberd (a village slightly to the southeast of Chondzoresk) region, Caucasus area. At Chelaberd, carpets were manufactured according to strict regulations; and, as a result, dimensions, motifs, and borders are approximately the same throughout. This example bears large medallions on its red ground; the colored features stand out well against the white ground. There has been all manner of suggestions as to the identity of this cruciform motif spiked with long-stemmed flowers: according to various traditions, it has been taken for a bird in flight, a sun flashing its beams of light, crossed swords, or even the coat of arms of a family or town. As a result, this type of carpet is habitually called an ‘Eagle Kazak (Adler in German)’, ‘Sun or Sunburst Kazak...
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The source of the rug comes from the book Caucasian Carpets, E. Gans-Reudin, Thames and Hudson, Switzerland 1986, pg.37. This luxurious and varied work is known as the Cassirer drago...
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Ararat Rugs Dragon Rug, Antique Caucasus Museum Revival Carpet, Natural Dyed
By Ararat Rugs
Located in Tokyo, JP
There has long been a fascination with the symbolism of the dragon and its depiction in carpet weavings. The design of ‘Dragon’ carpets consists of a field pattern composed of different colored overlaid lattices formed of pointed, serrated leaves creating intersecting lozenges, which alternately contain palmettes and are flanked by confronting stylized dragons, birds, or animal figures. The most archaic of the ‘Dragon’ carpets include dragon motifs with birds and running animals relatively naturalistically drawn, which stand either alone or in confronting pairs facing a tree. The Graf carpet, originally found in a Damascene mosque, now in the Islamiches Museum, Berlin, is considered to be the oldest example of this type, see Serare Yetkin, Early Caucasian Carpets in Turkey, Vol. II, London, 1978, p.8, fig.118. Yetkin defines four types of ‘Dragon’ carpet: ‘Archaic’, ‘Four-Dragon’, ‘Dragon-and-Phoenix’ and as a further combined development of the latter, the ‘Two-Dragon’ style, of which the present carpet falls into the ‘Dragon-and-Phoenix group along with other examples, some of which include two fragments, one in the Museum fur Kunst und Gerwerbe, Hamburg; another in the Christian Museum, Esztergom, Hungary, a complete carpet in the Kier collection; an incomplete example in the Textile Museum, Washington, D.C; the ‘Cassirer’ Dragon carpet in the Thyssen-Bornemisza collection, Lugano; the Ali Pasa Mosque carpet in Tokat, and a further example in the Vakiflar Hali Museum, Istanbul (S. Yetkin, op. cit. pp.16-20). It has been suggested that the earliest examples of the Caucasian ‘Dragon’ carpets...
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Ararat Rugs Dragon Rug, Antique Caucasus Museum Revival Carpet, Natural Dyed
By Ararat Rugs
Located in Tokyo, JP
The source of the rug comes from the book Orient Star – A Carpet Collection, E. Heinrich Kirchheim, Hali Publications Ltd, 1993 nr.57. There has long been a fascination with the symbolism of the dragon and its depiction in carpet weavings. The design of ‘Dragon’ carpets consists of a field pattern composed of different colored overlaid lattices formed of pointed, serrated leaves creating intersecting lozenges, which alternately contain palmettes and are flanked by confronting stylized dragons, birds, or animal figures. The most archaic of the ‘Dragon’ carpets include dragon motifs with birds and running animals are relatively naturalistically drawn, which stand either alone or in confronting pairs facing a tree. The Graf carpet, originally found in a Damascene mosque, now in the Islamiches Museum, Berlin, is considered to be the oldest example of this type, see Serare Yetkin, Early Caucasian Carpets in Turkey, Vol. II, London, 1978, p.8, fig.118. Yetkin defines four types of ‘Dragon’ carpet: ‘Archaic’, ‘Four-Dragon’, ‘Dragon-and-Phoenix’ and as a further combined development of the latter, the ‘Two-Dragon’ style, of which the present carpet falls into the ‘Dragon-and-Phoenix group along with other examples, some of which include two fragments, one in the Museum fur Kunst und Gerwerbe, Hamburg; another in the Christian Museum, Esztergom, Hungary, a complete carpet in the Kier collection; an incomplete example in the Textile Museum, Washington, D.C; the ‘Cassirer’ Dragon carpet in the Thyssen-Bornemisza collection, Lugano; the Ali Pasa Mosque carpet in Tokat, and a further example in the Vakiflar Hali Museum, Istanbul (S. Yetkin, op. cit. pp.16-20). It has been suggested that the earliest examples of the Caucasian ‘Dragon’ carpets...
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21st Century and Contemporary Turkish Revival Caucasian Rugs
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Wool, Organic Material, Natural Fiber
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