Ararat Rugs Furniture

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.9. This rug is presumably made by Kurds of the Ahl-i-Haq...

This is a boteh rows design rug from the late 19th century, Talish Kazak region, Caucasus area. Rugs with diagonal rows of boteh can be found throughout the Caucasus and Persia. In t...

Western Theme Azeri Folk Life Rug This unique design rug is interpreted by our designers with a composition of pictorial western-style life. Color summary: 17 colors in total, the m...

The design source of the rug comes from the possession of Endre Unger, which was sold at Sotheby’s in 1992. That rug with the central star was designed in the early 16th-century rug ...

Turkish Court Manufactury Rugs were woven in the Egyptian workshops founded by Ottoman Empire in the 16th century. Those carpets were woven in Egypt, following the paper cartoons pro...

The source of the rug comes from the book Islamic Carpets, Joseph V. McMullan, Near Eastern Art Research Center Inc., New York 1965 nr.22. This is a system of arabesque-designed 19th...

This is a medallion design rug from the late 19th century, Heriz region, Northwest Persia area. Heriz ( Heris ) is a special Turkish knot weaving area of Persia, including many villa...

This offset pattern is composed of palmettes and flowers, one has the impression that it is only part of a larger scheme designed for 19th-century rugs from the Bidjar region, Easter...

This Mamluk Rug with Cusped Medallion embodies a contemporary revival of a classic design, meticulously handwoven in Eastern Turkey by skilled artisans of Ararat Rugs. The design fea...

The source of carpet comes from the Mercer Collection Sotheby's 2000 (catalog cover). This Mamluk-Cairene carpet is known, curiously featuring some type of lattice was designed in th...

This Mamluk Rug with Cusped Medallion embodies a contemporary revival of a classic design, meticulously handwoven in Eastern Turkey by skilled artisans of Ararat Rugs. The design fea...

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.36 This was an exclusive example of offset rows of ascen...

This is a Bidjov Kazak rug, designed late 19th century, is a type of handwoven rug that originated from the Caucasus region, specifically from the town of Bidjov, a few miles north o...

This is a repeat of large sweeping arabesques in muted colors adorning the midnight blue field rug designed in the early 20th century that originates from the Bidjar region in northw...

The Kerman Vase-Technique Carpet by Ararat Rugs is a distinguished creation inspired by the renowned 16th-century Kerman "Vase" carpets of southeastern Persia. This piece embodies the elegance and sophistication characteristic of Persian court art from that era. A poetic reinterpretation of the famed Rothschild vase...

The source of the rug comes from the book Orient Star - A Carpet Collection, E. Heinrich Kirchheim, Hali Publications Ltd, 1993 nr.4. This is a Star Kazak design late 19th-century ru...

Woven in the spirit of the great Persian village tradition, this hand-knotted Heriz rug embodies strength, clarity, and enduring design. At its heart is a commanding geometric medall...

Persian Kerman Prayer Rug – Vase, Garden and Bird Motifs, 19th Century Inspiration Origin and Inspiration This carpet is inspired by a remarkable P...

Introducing the Mamluk Rug with Cusped Medallion, an outstanding example of contemporary craftsmanship influenced by centuries of tradition. This exquisite piece is handwoven in East...

Mamluk Carpet with Cusped Medallion – 16th Century Cairene Design Reinterpreted Origin and Inspiration This carpet is inspired by a rare variation within the classical Mamluk tradi...

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.2. This was an exclusive example of a Mina Khani lattice...

Turkish Court Manufactury Rugs were woven in the Egyptian workshops founded by Ottoman Empire in the 16th century. Those carpets were woven in Egypt, following the paper cartoons pro...

There has long been a fascination with the symbolism of the dragon and its depiction in carpet weavings. The design of ‘Dragon’ carpets consists of a field pattern composed of differ...

The design source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.4. This was an exclusive example of a Mina Khani ...

The source of carpet comes from the book Orient Star - A Carpet Collection, E. Heinrich Kirchheim, Hali Publications Ltd, 1993 nr.64 and Islamic Carpets, Joseph V. McMullan, Near Eas...

This is a boteh rows design rug from the late 19th century, Talish Kazak region, Caucasus area. Rugs with diagonal rows of boteh can be found throughout the Caucasus and Persia. In t...

Introducing the exquisite Kerman Vase-Technique Carpet from Ararat Rugs, a masterful revival of the renowned 16th-century Sickle-Leaf carpets, such as the one housed in the Gulbenkia...

The design source of the rug comes from the book Orient Star – A Carpet Collection, E. Heinrich Kirchheim, Hali Publications Ltd, 1993, nr.57. There has long been a fascination with the symbolism of the dragon and its depiction in carpet weavings. The design of ‘Dragon’ carpets consists of a field pattern composed of different colored overlaid lattices formed of pointed, serrated leaves creating intersecting lozenges, which alternately contain palmettes and are flanked by confronting stylized dragons, birds, or animal figures. The most archaic of the ‘Dragon’ carpets include dragon motifs with birds and running animals that are relatively naturalistically drawn, which stand either alone or in confronting pairs facing a tree. The Graf carpet, originally found in a Damascene mosque, now in the Islamic Museum, Berlin, is considered to be the oldest example of this type, see Serare Yetkin, Early Caucasian Carpets in Turkey, Vol. II, London, 1978, p.8, fig.118. Yetkin defines four types of ‘Dragon’ carpet: ‘Archaic’, ‘Four-Dragon’, ‘Dragon-and-Phoenix’ and as a further combined development of the latter, the ‘Two-Dragon’ style, of which the present carpet falls into the ‘Dragon-and-Phoenix group along with other examples, some of which include two fragments, one in the Museum fur Kunst und Gerwerbe, Hamburg; another in the Christian Museum, Esztergom, Hungary, a complete carpet in the Kier collection; an incomplete example in the Textile Museum, Washington, D.C; the ‘Cassirer’ Dragon carpet in the Thyssen-Bornemisza collection, Lugano; the Ali Pasa Mosque carpet in Tokat, and a further example in the Vakiflar Hali Museum, Istanbul (S. Yetkin, op. cit. pp.16-20). It has been suggested that the earliest examples of the Caucasian ‘Dragon’ carpets...

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.42. This is a beautiful urban-produced, later example of...

Persian Kerman Prayer Rug – Vase, Garden and Bird Motifs, 19th Century Inspiration Origin and Inspiration This carpet is inspired by a remarkable P...

The design source of the rug comes from the book Tapis du Caucase – Rugs of the Caucasus, Ian Bennett & Aziz Bassoul, The Nicholas Sursock Museum, Beirut, Lebanon 2003, nr.29 and Oriental Rugs Volume 1 Caucasian, Ian Bennett, Oriental Textile Press, Aberdeen 1993, nr.93 and Caucasian Carpets, E. Gans-Reudin, Thames and Hudson, Switzerland 1986, pg.144. This is a large medallion rug from the late 19th century, Karabakh, Chelaberd (a village slightly to the southeast of Chondzoresk) region, Caucasus area. At Chelaberd, carpets were manufactured according to strict regulations; and, as a result, dimensions, motifs, and borders are approximately the same throughout. This example bears large medallions on its red ground; the colored features stand out well against the white ground. There has been all manner of suggestions as to the identity of this cruciform motif spiked with long-stemmed flowers: according to various traditions, it has been taken for a bird in flight, a sun flashing its beams of light, crossed swords, or even the coat of arms of a family or town. As a result, this type of carpet is habitually called an ‘Eagle Kazak (Adler in German)’, ‘Sun or Sunburst Kazak...

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.4. This was an exclusive example of a Mina Khani lattice...

This is an arabesque style connected palmette and flowers designed carpet 19th century from Garrus ( Gerous or Garus ) region, Eastern Kurdistan...

The Kerman Vase-Technique Carpet by Ararat Rugs is a distinguished creation inspired by the renowned 17th-century Kerman "Vase" carpets of southeastern Persia. This piece embodies the elegance and sophistication characteristic of Persian court art from that era. A poetic reinterpretation of the famed Rothschild vase...

The source of the rug comes from the book Orient Star – A Carpet Collection, E. Heinrich Kirchheim, Hali Publications Ltd, 1993 nr.172. This is a unique, lacking formal arrangement d...

The source of the rug comes from the book Orient Star - A Carpet Collection, E. Heinrich Kirchheim, Hali Publications Ltd, 1993 nr.75. This offset pattern is composed of ascending sh...

Turkish Court Manufactury Rugs were woven in the Egyptian workshops founded by Ottoman Empire in the 16th century. Those carpets were woven in Eg...

This offset pattern is composed of leaves and lotus palmettes filling the various compartments against the imposing ground, while heraldic lions rear across the strapwork borders. On...

The design source of the carpet comes from the book Museo Calouste Gulbenkian, Printed by Gulbenkian Museum Lisbon, in 2015, nr.52. This is a vase-technique carpet design in the 17th...

The source of the carpet comes from the book 'Oriental Rugs in the Metropolitan Museum of Art, by Dimand, Maurice S., and Jean Mailey, The Metropolitan Museum of Art, New York, 1973, fig.90.' If the so-called vase-technique carpets represented the triumph of Safavid workshop weaving in the seventeenth century, another group of Safavid carpets, popularly, if erroneously, known as “Polonaise” or “Polish” carpets, demonstrates the extent to which Safavid weavers would go to create flashy and expensive objects of conspicuous consumption. Polonaise carpets...

The source of carpet comes from the book How to Read - Islamic Carpets, Walter B. Denny, The Metropolitan Museum of Art, New York 2014 fig.61,62. The five-star-medallion carpet was d...

Kerman Vase Carpet – Arabesque Design Inspired by a 17th Century Safavid Masterpiece Origin and Inspiration This carpet is inspired by a rare and important group of Safavid textile...

There has long been a fascination with the symbolism of the dragon and its depiction in carpet weavings. The design of ‘Dragon’ carpets consists of a field pattern composed of different colored overlaid lattices formed of pointed, serrated leaves creating intersecting lozenges, which alternately contain palmettes and are flanked by confronting stylized dragons, birds, or animal figures. The most archaic of the ‘Dragon’ carpets include dragon motifs with birds and running animals relatively naturalistically drawn, which stand either alone or in confronting pairs facing a tree. The Graf carpet, originally found in a Damascene mosque, now in the Islamiches Museum, Berlin, is considered to be the oldest example of this type, see Serare Yetkin, Early Caucasian Carpets in Turkey, Vol. II, London, 1978, p.8, fig.118. Yetkin defines four types of ‘Dragon’ carpet: ‘Archaic’, ‘Four-Dragon’, ‘Dragon-and-Phoenix’ and as a further combined development of the latter, the ‘Two-Dragon’ style, of which the present carpet falls into the ‘Dragon-and-Phoenix group along with other examples, some of which include two fragments, one in the Museum fur Kunst und Gerwerbe, Hamburg; another in the Christian Museum, Esztergom, Hungary, a complete carpet in the Kier collection; an incomplete example in the Textile Museum, Washington, D.C; the ‘Cassirer’ Dragon carpet in the Thyssen-Bornemisza collection, Lugano; the Ali Pasa Mosque carpet in Tokat, and a further example in the Vakiflar Hali Museum, Istanbul (S. Yetkin, op. cit. pp.16-20). It has been suggested that the earliest examples of the Caucasian ‘Dragon’ carpets...

The source of the rug comes from the book Oriental Rugs Volume 1 Caucasian, Ian Bennett, Oriental Textile Press, Aberdeen 1993, pg.160. A distinctive group of Talish rugs is named af...

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.33. This is a fine Kurdish workshop rug with split-palme...

The design source of the carpet comes from the book How to Read – Islamic Carpets, Walter B. Denny, The Metropolitan Museum of Art, New York 2014 fig.18. This is a vase-technique wit...

Origin and Inspiration: The Mamlouk Rug is a contemporary masterpiece that draws its inspiration from the rich textile traditions of the Mamlouk Sultanate, which reigned over Egypt a...

The source of the carpet comes from the book The Kevorkoff Carpet, Hali Magazine 1994 Issue 73. This is a large and brilliantly colored, derivation from a vase carpet...

This is a repeat of large sweeping arabesques in muted colors adorning the red field rug designed in the early 20th century that originates from the Bidjar region in northwestern Ira...

The most dramatic of the Gerous ( Garrus, Gerus, Garus ) carpets are those with an "asymmetric" design. Only a section of the original is shown, in the same way, many Lotto carpets w...

This 15th-century carpet in the Museum of Islamic Art - Berlin, showing the battle of the dragon and the phoenix, is one of the most crucial animal carpets of the early Ottoman perio...

The source of the rug comes from the possession of Endre Unger, which was sold at Sotheby’s in 1992. That rug with the central star was designed in the early 16th-century rug by Maml...

The source of carpet comes from the book How to Read - Islamic Carpets, Walter B. Denny, The Metropolitan Museum of Art, New York 2014 fig.61,62. The five-star-medallion carpet was d...

The source of the rug comes from the book Tapis du Caucase - Rugs of the Caucasus, Ian Bennett & Aziz Bassoul, The Nicholas Sursock Museum, Beirut, Lebanon 2003, nr.90 and Oriental R...

The source of the rug comes from the book Tapis du Caucase - Rugs of the Caucasus, Ian Bennett & Aziz Bassoul, The Nicholas Sursock Museum, Beirut, Lebanon 2003, nr.90 and Oriental R...

The source of the rug comes from the book Tapis du Caucase - Rugs of the Caucasus, Ian Bennett & Aziz Bassoul, The Nicholas Sursock Museum, Beirut, Lebanon 2003, nr.90 and Oriental R...

The source of the rug comes from the book Tapis du Caucase - Rugs of the Caucasus, Ian Bennett & Aziz Bassoul, The Nicholas Sursock Museum, Beirut, Lebanon 2003, nr.90 and Oriental R...

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.4. This was an exclusive example of a Mina Khani lattice...

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.4. This was an exclusive example of a Mina Khani lattice...

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.4. This was an exclusive example of a Mina Khani lattice...