Ararat Rugs Furniture

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.36 This was an exclusive example of offset rows of ascen...

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.9. This rug is presumably made by Kurds of the Ahl-i-Haq...

The design source of the rug comes from the possession of Endre Unger, which was sold at Sotheby’s in 1992. That rug with the central star was designed in the early 16th-century rug ...

Western Theme Azeri Folk Life Rug This unique design rug is interpreted by our designers with a composition of pictorial western-style life. Color summary: 17 colors in total, the m...

This is a medallion design rug from the late 19th century, Heriz region, Northwest Persia area. Heriz ( Heris ) is a special Turkish knot weaving area of Persia, including many villa...

The source of the rug comes from the book Islamic Carpets, Joseph V. McMullan, Near Eastern Art Research Center Inc., New York 1965 nr.22. This is a system of arabesque-designed 19th...

Turkish Court Manufactury Rugs were woven in the Egyptian workshops founded by Ottoman Empire in the 16th century. Those carpets were woven in Egypt, following the paper cartoons pro...

The source of carpet comes from the Mercer Collection Sotheby's 2000 (catalog cover). This Mamluk-Cairene carpet is known, curiously featuring some type of lattice was designed in th...

There has long been a fascination with the symbolism of the dragon and its depiction in carpet weavings. The design of ‘Dragon’ carpets consists of a field pattern composed of different colored overlaid lattices formed of pointed, serrated leaves creating intersecting lozenges, which alternately contain palmettes and are flanked by confronting stylized dragons, birds, or animal figures. The most archaic of the ‘Dragon’ carpets include dragon motifs with birds and running animals relatively naturalistically drawn, which stand either alone or in confronting pairs facing a tree. The Graf carpet, originally found in a Damascene mosque, now in the Islamiches Museum, Berlin, is considered to be the oldest example of this type, see Serare Yetkin, Early Caucasian Carpets in Turkey, Vol. II, London, 1978, p.8, fig.118. Yetkin defines four types of ‘Dragon’ carpet: ‘Archaic’, ‘Four-Dragon’, ‘Dragon-and-Phoenix’ and as a further combined development of the latter, the ‘Two-Dragon’ style, of which the present carpet falls into the ‘Dragon-and-Phoenix group along with other examples, some of which include two fragments, one in the Museum fur Kunst und Gerwerbe, Hamburg; another in the Christian Museum, Esztergom, Hungary, a complete carpet in the Kier collection; an incomplete example in the Textile Museum, Washington, D.C; the ‘Cassirer’ Dragon carpet in the Thyssen-Bornemisza collection, Lugano; the Ali Pasa Mosque carpet in Tokat, and a further example in the Vakiflar Hali Museum, Istanbul (S. Yetkin, op. cit. pp.16-20). It has been suggested that the earliest examples of the Caucasian ‘Dragon’ carpets...

The source of the rug comes from the book Oriental Rugs Volume 1 Caucasian, Ian Bennett, Oriental Textile Press, Aberdeen 1993, nr.158 and Caucasian Carpets, E. Gans-Reudin, Thames a...

This Mamluk Rug with Cusped Medallion embodies a contemporary revival of a classic design, meticulously handwoven in Eastern Turkey by skilled artisans of Ararat Rugs. The design fea...

The source of the carpet comes from the book The Kevorkoff Carpet, Hali Magazine 1994 Issue 73. This is a large and brilliantly colored, derivation from a vase carpet...

The design source of the carpet comes from the book Museo Calouste Gulbenkian, Printed by Gulbenkian Museum Lisbon, in 2015, nr.52. This is a vase-technique carpet design in the 17th...

Persian Kerman Prayer Rug – Vase, Garden and Bird Motifs, 19th Century Inspiration Origin and Inspiration This carpet is inspired by a remarkable P...

The Kerman Vase-Technique Carpet by Ararat Rugs is a distinguished creation inspired by the renowned 16th-century Kerman "Vase" carpets of southeastern Persia. This piece embodies the elegance and sophistication characteristic of Persian court art from that era. A poetic reinterpretation of the famed Rothschild vase...

This is a medallion design rug from the late 19th century, Heriz region, Northwest Persia area. Heriz ( Heris ) is a special Turkish knot weaving area of Persia, including many villa...

The source of carpet comes from the book Arts & Crafts Carpets, by Malcolm Haslam, and David Black, 1991, fig.49. This Hammersmith carpet was designed by William Morris in 1882, in the United Kingdom. In 1887 English artist and bookbinder T.J. Cobden Sanderson, suggested that a new group be named the “Arts and Crafts Exhibition Society” As a result, he was the first to use the term “Art and Crafts” and also is credited with naming this new emerging movement. The Arts & Crafts movement was inspired by the degradation of product standards that resulted from the factory production age. The rise of machinery in manufacturing caused a noticeable decline in uniqueness and crafts. These anti-Industrial reformers promoted economic advancement and social change. They wanted to eliminate poor quality and “artificial” items from 19th century British society. They saw a plethora of uninteresting items on display at the Great Exhibition of 1851 and became inspired to launch a Campaign for originality and uniqueness. William Morris was an English designer, as well as an uplifting social activist and writer. Morris is credited with sparking the rebirth of textile arts and traditional means of production. In 1861, Morris and a small group of designers opened an incredibly fashionable design company that grew to be largely successful. Morris left behind works in many different mediums such as textiles, books, furniture, stained glass, and area rugs. But in the end, he is most remembered for the magnificent wallpapers that he designed. He got much of his inspiration from the natural world. Through his interior decor pieces, Morris set out to convert rooms or spaces into meadows with beautiful trees meandering, vines, and plants. This concept of taking something Industrial and man-made, and converting it into something natural is what William Morris meant when he once said: “-any decoration is futile… when it does not remind you of something beyond itself.” Morris was a huge commercial success and his works are some of the most sought-after pieces in the world of design and decor. He is also credited with almost single-handedly reviving the British textile arts as well as their methods of production. Morris was also severely critical of machine-made goods, exclaiming, “Today almost all wares that are made by civilized man are shabbily and pretentiously ugly.” Houses were filled “with tons and tons of unutterable rubbish,” which, he suggested, should be heaped onto a gigantic bonfire! “As a condition of life, production by machinery is altogether evil.” He masterminded one of the most well-known styles of Arts & Crafts, recognizable by its twisting and arching patterns and simple, elegant floral design prints. Although Morris believed that Persian carpets were the greatest ever made, he adopted the coarser Turkish (Ghiordes) knot for his hand knotted carpet manufacture. They were woven at a thickness of 25 knots to the square inch at that time. Morris & Co.’s rugs are reminiscent of Persian garden design carpets in that they are smartly styled depictions of English gardens. Donegal also started producing highly desirable Irish rugs in the late 19th century. The Donegal rugs were predominantly created by English architects C.F.A. Voysey and Gavin Morton. The handcrafted Voysey rugs are typically woven in England, Scotland, and Ireland. Voysey had a knack for using contrasting shapes to decorate flat monochromatic spaces. Dark outlines added a flair of drama to his signature pattern and Celtic rug...

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.31. This blue background rug has a variation of masi awi...

The rug source comes from the book Tapis du Caucase – rugs of the Caucasus, Ian Bennett & Aziz Bassoul, The Nicholas Sursock Museum, Beirut, Lebanon 2003, n...

The town of Ushak, north of Denizli, is probably one of the most important and renowned carpet centers. Carpets have survived since the 16th century and can be seen in several museums. In the 17th century great quantities of Ushak carpets were made for the royal houses of Europe, often incorporating crests; many Christian churches, not only in Transylvania, were often decorated with very large pieces. According to their structure and patterning, there are several types of Ushak carpets: the star Ushak, the medallion Ushak, the ‘bird’ carpet (with a white background, the name relates to the shapes of the field motifs), and ‘Chintamani’ carpets (often with a white background and three-ball pattern, mostly in connection with cloud bands). Many great painters have ensured the survival of Ushak carpet designs by including them in their works. Two representatives of the Ushak group take their name from such renowned artists: pieces with plaited band medallions in several variations are named ‘Holbein’ carpets after Hans Holbein, the younger; ‘Lotto’ carpets refer to the painter Lorenzo Lotto...

The design source of the rug comes from the book Islamic Carpets, Joseph V. McMullan, Near Eastern Art Research Center Inc., New York 1965 nr.22. This is a system of arabesque-design...

Introducing the exquisite Kerman Vase-Technique Carpet from Ararat Rugs, a masterful revival of the renowned 16th-century Sickle-Leaf carpets, such as the one housed in the Gulbenkia...

The design source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.4. This was an exclusive example of a Mina Khani ...

This Gabbeh rug, designed in the 1930s, is a type of handwoven rug that originated from Iran, specifically from the southwestern region known as Fars. The word "Gabbeh" itself means ...

The source of the rug comes from the book Islamic Carpets, Joseph V. McMullan, Near Eastern Art Research Center Inc., New York 1965 nr.22. This is a system of arabesque-designed 19th-century rugs from Gerous ( Garrus or Garus ) region, Eastern Kurdistan area. This rug is a splendid echo of the Arabesque and Vase Carpets...

Mamluk Carpet with Cusped Medallion – 16th Century Cairene Design Reinterpreted Origin and Inspiration This carpet is inspired by a rare variation within the classical Mamluk tradi...

The source of carpet comes from the book Orient Star - A Carpet Collection, E. Heinrich Kirchheim, Hali Publications Ltd, 1993 nr.64 and Islamic Carpets, Joseph V. McMullan, Near Eas...

This offset pattern is composed of palmettes and flowers, one has the impression that it is only part of a larger scheme designed for 19th-century rugs from the Bidjar region, Easter...

The source of the rug comes from the book How to Read – Islamic Carpets, Walter B. Denny, The Metropolitan Museum of Art, New York, 2014 fig.82. This was an exclusive example of a pa...

This unique design rug is interpreted by our designers with a mixture of Ararat Rugs’ soft tone natural dyed hand-spun yarns. This modern carpet looks like the sand in the desert. C...

This Mamluk Rug with Cusped Medallion embodies a contemporary revival of a classic design, meticulously handwoven in Eastern Turkey by skilled artisans of Ararat Rugs. The design fea...

This unique design rug is interpreted by our designers with a composition of pictorial village life. Color summary: 11 colors in total; Yellow Green 419 (Henna – Indigo) Pine Tree ...

The source of the rug comes from the book Orient Star - A Carpet Collection, E. Heinrich Kirchheim, Hali Publications Ltd, 1993 nr.4. This is a Star Kazak design late 19th-century ru...

Origin and Inspiration The Oversized Mamluk Revival Carpet with Central Octagonal Medallion is a contemporary interpretation of one of the most celebrated weaving traditions in the ...

Origin and Inspiration The Grand Mamluk Revival Carpet with Twin Medallions is a contemporary masterpiece inspired by the celebrated carpets of the Mamluk Sultanate, which flourishe...

Persian Kerman Prayer Rug – Vase, Garden and Bird Motifs, 19th Century Inspiration Origin and Inspiration This carpet is inspired by a remarkable P...

This is a boteh rows design rug from the late 19th century, Talish Kazak region, Caucasus area. Rugs with diagonal rows of boteh can be found throughout the Caucasus and Persia. In t...

The source of the rug comes from the book Caucasian Carpets, E. Gans-Reudin, Thames and Hudson, Switzerland, 1986, pg.37. This luxurious and varied work is known as the Cassirer drag...

The source of the rug comes from the book Orient Star – A Carpet Collection, E. Heinrich Kirchheim, Hali Publications Ltd, 1993 nr.172. This is a unique, lacking formal arrangement d...

Turkish Court Manufactury Rugs were woven in the Egyptian workshops founded by Ottoman Empire in the 16th century. Those carpets were woven in Egypt, following the paper cartoons pro...

This is a repeat of large sweeping arabesques in muted colors adorning the midnight blue field rug designed in the early 20th century that originates from the Bidjar region in northw...

Experience the luxurious beauty of this handwoven oriental rug featuring a stunning historical vase-technique design. The unique 'Vase'-technique group showcases intricate weaving wi...

The source of the rug comes from the book Oriental rugs Volume 1 Caucasian, Ian Bennett, Oriental Textile Press, Aberdeen 1993, pg.24. This is a meda...

Origin and Inspiration: The Mamlouk Rug is a contemporary masterpiece that draws its inspiration from the rich textile traditions of the Mamlouk Sultanate, which reigned over Egypt a...

The design source of the carpet comes from the book How to Read – Islamic Carpets, Walter B. Denny, The Metropolitan Museum of Art, New York 2014 fig.18. This is a vase-technique wit...

There has long been a fascination with the symbolism of the dragon and its depiction in carpet weavings. The design of ‘Dragon’ carpets consists of a field pattern composed of differ...

The source of the rug comes from the book Oriental Rugs Volume 1 Caucasian, Ian Bennett, Oriental Textile Press, Aberdeen 1993, nr.332. This is a sp...

The design source of the rug comes from the book Orient Star – A Carpet Collection, E. Heinrich Kirchheim, Hali Publications Ltd, 1993, nr.57. There has long been a fascination with the symbolism of the dragon and its depiction in carpet weavings. The design of ‘Dragon’ carpets consists of a field pattern composed of different colored overlaid lattices formed of pointed, serrated leaves creating intersecting lozenges, which alternately contain palmettes and are flanked by confronting stylized dragons, birds, or animal figures. The most archaic of the ‘Dragon’ carpets include dragon motifs with birds and running animals that are relatively naturalistically drawn, which stand either alone or in confronting pairs facing a tree. The Graf carpet, originally found in a Damascene mosque, now in the Islamic Museum, Berlin, is considered to be the oldest example of this type, see Serare Yetkin, Early Caucasian Carpets in Turkey, Vol. II, London, 1978, p.8, fig.118. Yetkin defines four types of ‘Dragon’ carpet: ‘Archaic’, ‘Four-Dragon’, ‘Dragon-and-Phoenix’ and as a further combined development of the latter, the ‘Two-Dragon’ style, of which the present carpet falls into the ‘Dragon-and-Phoenix group along with other examples, some of which include two fragments, one in the Museum fur Kunst und Gerwerbe, Hamburg; another in the Christian Museum, Esztergom, Hungary, a complete carpet in the Kier collection; an incomplete example in the Textile Museum, Washington, D.C; the ‘Cassirer’ Dragon carpet in the Thyssen-Bornemisza collection, Lugano; the Ali Pasa Mosque carpet in Tokat, and a further example in the Vakiflar Hali Museum, Istanbul (S. Yetkin, op. cit. pp.16-20). It has been suggested that the earliest examples of the Caucasian ‘Dragon’ carpets...

This is an arabesque style connected palmette and flowers designed carpet 19th century from Garrus ( Gerous or Garus ) region, Eastern Kurdistan...

The source of the rug comes from the book Oriental Rugs Volume 1 Caucasian, Ian Bennett, Oriental Textile Press, Aberdeen 1993, nr.256. This is a hexagon columns...

The source of the rug comes from the book Völker, Angela, Die orientalischen Knüpfteppiche das MAK, Vienna: Böhlau, 2001: 42–5. This rug with the central star was designed in the early 16th-century rug by Mamluk Sultane of Cairo, Egypt. It is exhibited at MAK – Museum of Applied Arts, Vienna Austria. As its impressive size, materials, and design quality suggest, the carpet is a product of an accomplished court workshop and likely dates from the late period of the last Mamluk dynasty. The quantity of the colors used speaks for an earlier date around 1500; the delicate vegetal border with leaf tendrils and the characteristic umbrella leaves...

This offset pattern is composed of leaves and lotus palmettes filling the various compartments against the imposing ground, while heraldic lions rear across the strapwork borders. On...

The source of carpet comes from the Mercer Collection Sotheby’s 2000 (catalog cover). This Mamluk-Cairene carpet is known, curiously featuring some type ...

The source of the carpet comes from the book Orient Stars Collection, Anatolian Tribal Rugs 1050-1750, Michael Franses, Hali Publications Ltd, 2021 fig.27. This 13th-century carpet is from probably the Konya region, central Anatolia, circa 1200-1300 (C 1290-1420). It is exhibited at the Museum of Turkish and Islamic Arts...

The source of the rug comes from the book Orient Star - A Carpet Collection, E. Heinrich Kirchheim, Hali Publications Ltd, 1993 nr.75. This offset pattern is composed of ascending sh...

The source of the carpet comes from the book 'Oriental Rugs in the Metropolitan Museum of Art, by Dimand, Maurice S., and Jean Mailey, The Metropolitan Museum of Art, New York, 1973, fig.90.' If the so-called vase-technique carpets represented the triumph of Safavid workshop weaving in the seventeenth century, another group of Safavid carpets, popularly, if erroneously, known as “Polonaise” or “Polish” carpets, demonstrates the extent to which Safavid weavers would go to create flashy and expensive objects of conspicuous consumption. Polonaise carpets...

The source of the rug comes from the book Orient Star - A Carpet Collection, E. Heinrich Kirchheim, Hali Publications Ltd, 1993 nr.75. This offset pattern is composed of ascending sh...

The source of carpet comes from the book How to Read - Islamic Carpets, Walter B. Denny, The Metropolitan Museum of Art, New York 2014 fig.61,62. The five-star-medallion carpet was d...

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.2. This was an exclusive example of a Mina Khani lattice...

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.33. This is a fine Kurdish workshop rug with split-palme...