Important Ancient Chinese Trio Women Handmade Hand Glazed, Ming Dynsty 1368-1644

Mint Kyo ware bowl From Japan, a beautiful hand-built, painted and glazed, Kyo ware large bowl or large tea bowl with a proud rooster and birds motif created in the 1930s.- over se...

China, a carved antique stone Penjing or painting form garden table, late ming to middle Qing dynasty (1500-1900), limestone, three pieces Dimensions: 34 inches high and 55 inches l...

Extraordinary natural stone work of art, one of a kind. This Chinese extraordinary natural stone "painting" suggestive of a group of mountain peaks landscape features light and dark colors, white, cream, yellow and dark green. This is called a dream stone Shih-Hua. They are cut from historic Dali marble found in the Cangshan Mountains of western China. These mysterious mountains, unique in the world, are known for yielding incredible and fantastic natural landscaped works of art created over tens of millions of years from mineral inclusions that affected the process of ancient organic material which transformed into limestone and finally resulted in marble- a metamorphic hard stone. It is a round cut stone and is set in a circular mat- the image suggests the appearance of a planet. This art form is centuries of years old since the Ming dynasty. Dream stones became favored art in the west particularly since the 19th century when French collectors named them Pierres de reve. This thin marble stone is approximately 1/4" thick and is cut from a large slab of rough material revealing incredible patterns in soft white and gray colors. Its weight is surprisingly modest- easily hung with standard hardware. On occasion, private collectors would invite an artisan to inscribe a poetic description onto their more important dream stones and in this case the artists' seal mark and calligraphy translation reads: Dimensions: Frame: 21 inches high and 24 inches wide. Site: 13 inches by 15 inches Provenance: Private Chinese collection, Yunnan, China. History of dream stone "moon light" works of art: Moonlight...

A Chinese hand carved and hand painted wooden effigy of an extraordinary unicorn dating to the Song dynasty before 1279 AD. Please enjoy the beautiful remnants of its aged original ...

A stunning set of 5 graceful terracotta figurines from the Ming Dynasty '1368-1644' AD. These elegant attendants are standing on a yellow glazed lotus flower over a high hexagonal green plinth and wear fine robes in matching green and yellow glazes. The unglazed areas have pigmented colors in red, black and white. Each is carrying essential offerings for the royal family. The head is detachable as often seen on the larger figures from this period. Meticulously detailed facial expressions have been hand-painted. Condition: Mint, finely preserved glaze and pigment, undamaged and no repairs. Provenance: Ex. Danish Collection. This set is guaranteed authentic and comes with a Certificate of Authenticity and TL Test from Laboratory Kotalla in Germany (The Oldest Thermoluminescence Testing Laboratory in the World). Dimensions: Average 54 H cms Burial figurines of graceful dancers, mystical beasts, and everyday objects reveal both how people in early China approached death and how they lived. Since people viewed the afterlife as an extension of worldly life, these figurines, called mingqi, sometimes referred as “spirit utensils” or “vessels of ghosts” disclose details of routine existence and provide insights into belief systems over a thousand-year period. The Ming dynasty was the ruling dynasty of China – then known as the Empire of the Great Ming – for 276 years (1368–1644 AD). Founded by Chu Yuan-chang, the rebel leader that was successful in removing the mongols from the throne. Chinese control was re-asserted in China and eastern Asia. Literature became more important, schools were created, and the justice system was reformed. The Ming dynasty is described by some as "one of the greatest eras of orderly government and social stability in human history,” was the last imperial dynasty in China ruled by ethnic Han Chinese. The practice of burying ceramic objects with the deceased went into decline from the 10th to the 14th Century AD. There was a revival in placing miniature representations of glazed terracotta objects such a furniture, food offerings, horses, miniature statues...

Two finely hollow-moulded terracotta statuettes from ancient China, dating to the Ming Dynasty. The figure is depicted standing, dressed in long, flowing robes, painted in vibrant blue or green and deep amber yellow. The hair is styled into an elaborate top-knot, painted in a muted brown. Areas left unpainted would have been 'cold-painted' after firing, contrasting with the vivid fired blue or green and amber pigments. The figure is shown with the left hand raised to the chest, as if holding something, possibly an offering or incense. Figurines like this were placed in tombs to guide the deceased on their journey to the afterlife. The Ming Dynasty was known for its exceptional artistic achievements, partly due to its economic prosperity. Since the Han Dynasty, it was customary to bury terracotta miniatures of everyday objects with the deceased. These items, known as mingqi, or "spirit utensils" and "vessels for ghosts," were believed to help and assist the deceased in the afterlife. Mingqi were crafted in the form of cooking utensils, miniature replicas of houses, temples, furniture, and other items. Anthropomorphic and zoomorphic terracotta figures were also popular, designed to assist, entertain, and recreate the living world for the deceased. Period: Ming Dynasty Medium: Green/blue-glazed Pottery Type: Figure Provenance : Acquired in late 1990s from Hongkong Reference : 1) Ancient & Oriental - Terracotta Tomb Attendants (Type : Highly related) 2) La Maison De La Petite Sara S.r.l. - Archaeology section - A Black glazed Terracotta Statuette, Servant with Trumpet, Ming Dynasty (Price realised : 700 GBP / Type : Highly related) * Ming Dynasty Glazed Pottery Figures Ming Dynasty glazed pottery figures are renowned for their bold color palette, intricate detailing, and lifelike forms, distinguishing them from earlier traditions. These figures, which depict officials, warriors, animals, and mythical creatures, are characterized by high-gloss lead-based glazes in green, amber, ochre, and sancai (three-color) combinations. The thickly applied glaze pools in recesses, creating depth and enhancing sculptural details. With dynamic postures, expressive facial features, and meticulously rendered drapery, these figures reflect the period’s advancement in ceramic craftsmanship, offering a greater sense of movement and realism compared to the rigid and stylized forms of earlier dynasties. A defining characteristic of Ming glazed pottery is its elaborate surface detailing, often achieved through raised relief elements and contrasting glazes. Equestrian figures, for example, feature carefully sculpted saddles, harnesses, and decorative embellishments, while human figures are adorned with intricate robes and headdresses. The large scale of these tomb figures, often more imposing than those from previous periods, underscores the increasing importance of funerary art during the Ming era. Unlike later Qing Dynasty figures...

A Chinese blue and white porcelain Dish of beautiful shape and design with moulded rim. With a central reverse decorated scene of flowers. The border with compartments of flowers and...

A Chinese blue and white porcelain Dish of beautiful shape and design. With a stunning waterfall scene. Early 17th century, marked at base. Condition kintsugi restored spot at rima...