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Ararat Rugs Shrubs in Lattice Rug Kurdish Persian Revival Carpet Natural Dyed
$825
£623.60
€716.62
CA$1,148.81
A$1,278
CHF 669.94
MX$15,616.86
NOK 8,530.90
SEK 8,030.67
DKK 5,349.33
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About the Item
The source of rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.6. This is one of the most popular and ubiquitous lattice designs of 18th century rugs from Koliya’i, Southern Kurdistan area. Any danger of monotony is overcome both by the beauty and color of the individual shrubs and most importantly by their apparently random arrangement. The main border of dahlias with angular leaves alternating with irises, is called the zanbaqi pattern; is often seen on older Southern Kurdish rugs. The design of the rug is interpreted by our designers and soft colors are chosen for this rug.
Color summary: 11 colors in total, most used 4 colors are;
Pale Green 439 (Chamomile – Indigo)
Emerald Green 407 (Chamomile – Indigo)
Rooibos Tea 154 (Madder Root)
Dusty Turquoise 340 (Spurge – Madder Root – Indigo – Walnut Husk)
Group: Northwest Persia Rugs Family
Area: Senna
Material of Pile: Natural Dyed Hand-spun Wool
Material Warp / Weft: Wool on Wool
Structure: Symmetrical knot on depressed warp inclining to the right
Knots Density: 39x39
Production Place: Southeastern Anatolia – Diyarbakir
Stock Location: Tokyo
Size (EU): 56 X 92cm
Size (US): 1'10" X 3'0"
Area (EU): 0.5m²
Area (US): 5.5ft².
- Creator:Ararat Rugs (Manufacturer)
- Dimensions:Width: 22.05 in (56 cm)Length: 36.23 in (92 cm)
- Style:Revival (In the Style Of)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:2021
- Production Type:New & Custom(One of a Kind)
- Estimated Production Time:Available Now
- Condition:
- Seller Location:Tokyo, JP
- Reference Number:1stDibs: LU8206233955352
ARARAT RUGS
We know and believe that the geography we come from, our past, and our lifestyle are the most important bond between us to carry the oriental carpet art and culture to the next generations along with our core values in our ongoing growth journey.
We are aware that the way to achieve this goal and carry this priceless art and culture to the future depends on a lot of work with all our people every day while adhering to our core values.
For us, art is meaningful in the sense that it brings together various cultures around the world. It is an honor for us that oriental carpet art and culture have been instrumental in this for centuries and that we are a part of this business.
We are tirelessly keeping an eye on auction house information around the world about carpets. New York's Metropolitan, London's Victoria & Albert Museums, and other famous art museums, as well as small specialized museums that house private collections, and books about oriental carpets to collect information on outstanding carpet designs and patterns from around the world. It's our Self-improving and Self-developing culture.
As Turkish Culture of Hospitality, the Kurdish Culture of Generosity, and as Japanese Culture of Business Punctuality; are the most important values that this multicultural background has taught and bequeathed to us. It is essential and valuable for us that you feel this feeling not only by looking at our oriental carpets but from the moment you contact us.
About the Seller
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- ShippingRetrieving quote...Shipping from: Tokyo, Japan
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This lattice pattern is composed of palmettes and leaves filling the various compartments against the imposing ground. One has the impression that it is only part of a larger scheme designed 15th-century rug from the Mamluk era, Cairo region, Eygpt. These designs have often been described as wagirehs or samplers and were said to have been used as weaver`s aids, or for demonstration purposes, made as a template or pattern for the carpet design and production of larger rugs, they are generally small pieces of the size of a scatter rug or mat.
Mamluk carpets originated in a physical environment that lacked the combination of abundant marginal grazing land and a temperate climate with cool winters that were common to most carpet-weaving areas in the Islamic world. While related to a broader tradition of Turkish weaving centered in Anatolia, far to the north, the designs of these carpets include atypical elements, such as stylized papyrus plants, that are deeply rooted in Egyptian tradition. Their unusual composition and layout probably represent an attempt to develop a distinctive product that could in effect establish a “Mamluk brand” in the lucrative European export market. The uncharacteristic color scheme—devoid of the undyed white pile and employing a limited range of three or five hues in much the same value—also suggests a conscious attempt to create a particular stylistic identity. Also virtually unique in the world of Islamic carpets is the S-spun wool. It has been argued that the tradition of clockwise wool spinning originated in Egypt because of the earlier Egyptian tradition of spinning flax into linen thread. Details of the plant’s botanical structure make it impossible to spin flax fiber in the more common counterclockwise direction utilized throughout the Middle East for wool and cotton.
Mamluk carpets with the color combinations seen in the Simonetti are now generally accepted as part of an earlier tradition that has many links to the weaving of Anatolia, Iran, and Syria. The “three-color” Mamluk carpets, well represented in the Metropolitan’s collection, represent a later development that continued well after the Ottoman conquest of Egypt in 1517. Many such carpets may have been produced well into the seventeenth century, and possibly even later. (Walter B. Denny in [Ekhtiar, Soucek, Canby, and Haidar 2011]). The design of the rug is interpreted by our designers from our Mamlouk-type rugs collection and soft colors are used for this rug.
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