Items Similar to Mid-20th Century Handmade Turkish Flat-Weave Kilim Accent Carpet

Mid-20th Century Turkish Flatweave Kilim Accent Carpet

Vintage Turkish Flat-Weave Rug

Mid-20th Century Handmade Turkish Flatweave Kilim Accent Rug

Mid-20th Century Handmade Turkish Flatweave Kilim Room Size Carpet

Mid-20th Century Handmade Turkish Flatweave Kilim Accent Rug

Want more images or videos?

Request additional images or videos from the seller

1 of 11

Mid-20th Century Handmade Turkish Flat-Weave Kilim Accent Carpet

$2,625

£2,004.18

€2,315.81

CA$3,685

A$4,107.32

CHF 2,154.97

MX$50,157.07

NOK 27,286.60

SEK 25,789.99

DKK 17,283.88

About the Item

A vintage Turkish flat-weave Kilim accent carpet in gallery format handmade during the mid-20th century. Measures: 5' 3" x 9' 10" Knotted pile rugs are just one small part of a vast universe of textile techniques suitable for heavy use. If you can imagine it, some weaver has tried it out. Pieces can be roughly divided into those reversible from the start and those never, or at least not initially, reversible. Thus kilims are considered reversible, while everything else is not. Kilims are tapestry woven rugs with both sides the same, in either slit technique where colors change, or with various methods of avoiding slits. Slit tapestry weave goes back to ancient times and Coptic Egyptian weavers used it for ornaments on garments and larger wall hangings. Slits can be avoided by dovetailing of colors (warp sharing) or by interlocking the wefts. The Navajo weavers of the Southwest practice the first while the fine shawl weavers of Kashmir and Kerman employed the second. Interlocking produces a one-faced fabric, with smooth and rough, ridged faces. The typical Turkish, Caucasian, or Persian rustic kilim shows slits, but never long ones. Aubusson French carpets are also slit tapestries and the long color transitions are sewn up as part of the regular maintenance. Some kilims are very fine. The best antique urban Sehna (Senna) kilims on wool, cotton or silk warps approximate the comparable rugs in refinement and are the most desirable of all Persian kilims. Although the various flatweave techniques are usually expressed in geometric, simple, often repeating, patterns, Sehna kilims demonstrate that even the most intricate designs can be effectively rendered in flat-stich. The term ‘kilim’ has been extended to cover any pileless, weft-faced heavy textile. Thus, the sectioned and joined northeastern Persian horizontally striped wool rugs are called ‘kilims’. So are the plain-weave end finishes of pile rugs. All these are weft-faced, weft patterned flatweaves. These sectioned pieces are woven not on a frame loom, but one steadied by the weaver at one end and with the warps fastened down at the other. Only relatively recent have these tribal pieces become available. They are used as floorcoverings, hangings, room dividers, furniture covers. They are mostly bitonal in shades of natural dark brown and beige. Some more recent pieces show weaver innovations with ikat and moire effects. Work proceeds quickly and a skilled weaver can complete a thirty foot strip in almost no time. Wefts, the elements added as weaving progresses, play an essential part in what is a flatweave. The best-known example of an extra-weft, wrapping technique is on Caucasian and tribal Persian Soumaks, where a pattern weft wraps around the fixed warp, changing as weaving progresses. Soumaks can be large carpets, Kuba in the Caucasus, small bag faces (Caucasian and Persian Shah Savan saddle bags), or cover scatter rugs (Persian Afshars). The Soumak technique is fast, and a weaver can work much more quickly than tying knots. The left-over wefts are cut off on the back, so the front and back are initially different. As a Soumak on the floor gets used, these weft yarns wear away and the two sides converge although the exact texture remains distinct. There are other ways of pattern by weft. Often on smaller tribal pieces, the pattern weft(s) is (are) part of the weft structure, moving in an out, and holding the whole thing together. These wefts can be complementary or added (supplementary), continuous across the flatweave or cut off as they travel unneeded across the verso. Supplementary weft flatweaves are often very compact and substantial. The nomadic Turkmen and Balouch tribes employ both supplementary and complementary weft techniques on their pieces. Supplementary wefts are often raised on the recto (front) while complementary wefts are flat to the surface. Tribal Kurds employ this extra-wefting technique. The Balouch of Pakistan use complementary wefts almost exclusively on their small woven paraphernalia like salt bags. Flatweave techniques may be combined on a single piece. Afshar rugs employ plain-weave end strips, preceded by Soumak bands, with pile sections between. The large Bakhtiari saddlebags feature Soumak work, pile “islands” an areas of plain-weave. Qashqai rugs and kilims frequently displays checkerboard end strips in continuous, complementary wefting. Another distinct flatweave type is the jajim (jijim, cecim) in which a pattern is added with colored wefts as the weaving of the plain-weave ground progresses. Here the wefts are discontinuous and the pattern stands proud from the voided ground. Often made in two pieces on narrow looms and edge-sewn together, these may have geometric patterns. The term ‘jajim’ also refers to the assembled warp-faced strip and stripe covers from the Shah Savan of northwest Persia, the pattern is defined by warps alone, usually in plain stripes, but sometimes in designs of ladders, snakes, human figures and various animals. Here the color changing warps are continuous. Most are wool, a few are silk. Better to call these something else. Indian ‘Dhurries’ are all cotton kilims and ‘shatrangis’ employ wool wefts on cotton warps. Dhurries are slitless. The cotton texture is more appropriate to the humid and warm climate of the Indian subcontinent. Modern Dhurries are horizontally striped or show repeating patterns of squares, but the very oldest are more curvilinear and even pictorial. Sometimes the pattern is reversed, red for blue, blue for red. This double faced, usually heavy fabric is best in wool. Not a true double cloth, but a good tribal approximation. The wefts are continuous here and the piece has double the life. Flatweaves can also be created by embroidery. Pattern yarns are passed through a ground fabric with a needle or hook, not on a loom while in progress, but on finished sections of plain-weave affixed to a frame. The work can be divided among several artisans and the sections later joined. This technique was used in Britain and France, especially in large carpets with repeating squares patterns. Wool is the embroidery material of choice, the technique is needlepoint, and the ground is linen. Embroidery is used on very few Oriental rugs, but it does appear on the silk on linen or cotton Caucasian 17th-18th century pieces in floral, pictorial, or mihrab arch layouts. These are not really rugs and are not reversible. There are combinations of flatweave techniques and knotted pile. The best known are the “soufs”, where a raise, relief pile stands above a brocaded ground. In the most luxurious examples, the ground is gilt silver or silver wrapped silk thread (metal thread) and the islands of pile are silk. This technique is found on certain Chinese rugs purporting by inscription to originate in the Forbidden City palaces and on certain Persian pieces including the early 17th century Isfahan “Polonaise” rugs. Tapestry woven carpets with black grounds and rose bouquet repeating medallions come from Ukraine, southern Russia (Bessarabia), and Moldova. Large pieces are highly sought-after by designers. If you can imagine a flatweave technique, a rug has probably been made with it.

Dimensions:

Width: 63 in (160.02 cm)Length: 118 in (299.72 cm)

Style:

Modern (In the Style Of)

Materials and Techniques:

Wool,Hand-Knotted

Place of Origin:

Turkey

Period:

Mid-20th Century

Date of Manufacture:

Mid-20th Century

Condition:

Seller Location:

New York, NY

Reference Number:

Seller: 272691stDibs: LU882324375202

More From This Seller

View All

Mid-20th Century Turkish Flatweave Kilim Accent Carpet

Located in New York, NY

This mid-20th century Turkish flatweave kilim rug, measuring 7' 6" x 10' 1", features a subtle vertical stripe design in a soft, muted gray palette. The delicate texture and tonal va...

Category

Mid-20th Century Turkish Kilim Turkish Rugs

Materials

Wool

Mid-20th Century Turkish Flatweave Kilim Accent Carpet

$3,375

Vintage Turkish Flat-Weave Rug

Located in New York, NY

A vintage Turkish flat-woven Kilim rug from the late 20th century. Measures: 9' 5" x 12' 11"

Category

Late 20th Century Turkish Kilim Turkish Rugs

Materials

Wool

Vintage Turkish Flat-Weave Rug

$4,600 Sale Price

20% Off

Mid-20th Century Handmade Turkish Flatweave Kilim Accent Rug

Located in New York, NY

A vintage Turkish flatweave Kilim accent rug handmade during the mid-20th century. Measures: 6' 2" x 8' 11".

Category

Mid-20th Century Turkish Modern Turkish Rugs

Materials

Wool

Mid-20th Century Handmade Turkish Flatweave Kilim Accent Rug

$2,875

Mid-20th Century Handmade Turkish Flatweave Kilim Room Size Carpet

Located in New York, NY

A vintage Turkish flatweave Kilim room size carpet in shades of white and grey handmade during the mid-20th century. Measures: 8' 0" x 12' 9".

Category

Mid-20th Century Turkish Modern Turkish Rugs

Materials

Wool

Mid-20th Century Handmade Turkish Flatweave Kilim Room Size Carpet

$6,125

Mid-20th Century Handmade Turkish Flatweave Kilim Accent Rug

Located in New York, NY

A vintage Turkish flatweave Kilim accent rug handmade during the mid-20th century. Measures: 6' 4" x 9' 1".

Category

Mid-20th Century Turkish Modern Turkish Rugs

Materials

Wool

Mid-20th Century Handmade Turkish Flatweave Kilim Accent Rug

$3,125

Mid-20th Century Handmade Turkish Flatweave Kilim Accent Rug

Located in New York, NY

A vintage Turkish flatweave Kilim accent rug handmade during the mid-20th century. Measures: 6' 7" x 9' 3".

Category

Mid-20th Century Turkish Modern Turkish Rugs

Materials

Wool

Mid-20th Century Handmade Turkish Flatweave Kilim Accent Rug

$3,250

Mid-20th Century Turkish Kilim Turkish Rugs

Materials

Wool

Vintage Anatolian Turkish Flat-Weave Kilim

$5,240

Vintage Anatolian Turkish Flat-Weave Kilim

By Mehraban Rugs

Located in WEST HOLLYWOOD, CA

A vintage Anatolian Turkish flat-weave composed of natural colors to create an effortless and chic stripe pattern. This flat weave's texture is hand-spun in wool to create an interes...

Category

Mid-20th Century Turkish Turkish Rugs

Materials

Wool

Vintage Anatolian Turkish Flat-Weave Kilim

$2,600

Vintage Anatolian Turkish Flat-Weave Kilim

By Mehraban Rugs

Located in WEST HOLLYWOOD, CA

A beautiful natural wool Anatolian Turkish flat-weave. This vintage Kilim is made up of brown and ivory natural wools that create an interesting texture and vibe for any design space...

Category

21st Century and Contemporary Turkish Turkish Rugs

Materials

Wool

Vintage Anatolian Turkish Flat-Weave Kilim

$3,850

Mid-20th Century Vintage Kilim Wool Rug

Located in Norwalk, CT

Beautiful hand knotted antique wool Kilim rug. This rug has an ivory field with multicolored accents in a geometric pattern, circa 1960. This rug measures 6' 4" x 11'.

Category

Mid-20th Century Kilim Turkish Rugs

Materials

Wool

Mid-20th Century Vintage Kilim Wool Rug

$2,100

Turkey Kilim Area Rugs - Design - 98665

Located in Dallas, TX

Discover the elegance of Turkey Kilim featuring Area Rugs. Designed with meticulous attention to detail, this exclusive design is perfect for enhancing your space.

Category

Late 20th Century Turkish Persian Rugs

Materials

Wool

Turkey Kilim Area Rugs - Design - 98665

$3,000

1980's Turkish Kilim Rug with Modernist International Style Flat-Weave Carpet

Located in Dallas, TX

52763 Vintage Turkish Kilim Area Rug, 10'01 x 13'07. This poetic handwoven wool vintage Turkish kilim rug is a quiet ode to the fluid language of nature, where each horizontal line s...

Category