1960s, Danish lounge chair, green furniture velour, original condition.

1970s, Danish armchair. Original very good condition: no smells, no stains, and stable construction. Original light green furniture velour, beech wood legs, springs in the seat. Clas...

1960s, Danish armchair in green/brown furniture velour. Original good condition: no smells, no stains and stable construction. Beech wood legs, brass in the seat. Slightly worn velou...

1960s, Danish design, relax lounge chair, original very good condition, no smells. Light green velour. Black beech wood legs, brass springs in the seat. Very comfortable. Made in abo...

1970s, Danish design. Lounge chair in original good condition: no smells and no stains. Original light green furniture velour, beech wood legs, brass springs in the seat. Manufacture...

Armchair or lounge chair by Arne Wahl Iversen manufactured in Denmark during the 1960s. This very nice object offers an unmistakeable and el...

Designed in 1965 by Hans J. Wegner. This pair is from the 1970s, produced by Carl Hansen & Søn in Denmark. Very good original condition.

The design of this remarkable chair sis based on a long tradition of safari chairs. From Eileen Gray to Kaare Klint and Elias Svedberg, a lot of great designers have made versions of...

A lovely and dynamically-proportioned lounge or easy chair attributed to Arne Hovmand-Olsen and manufactured by Mogens Kold Møbelfabrik (metal manufacturer's stamp to underside) in sculpted teak and original boucle wool upholstery. Deeply patinated teak lends visual contrast against the off-white upholstery. Completely original condition down the the seat straps and brass hardware. Sophisticated seat cushion and backrest mounting system consisting of custom brass spacers which create a suspended effect to the panels keeping the design very airy and light. Hovmand-Olsen’s designs span seating, tables, and secretaries, all of which are characteristically simple in form with clean lines, organic curves, and tapered legs. Like many of his Danish contemporaries, he favored the use of high-quality, beautifully grained woods like teak and rosewood. Notable designs include his Model 175 chair (1955)—which is often mistaken for N.O. Møller’s Model 77 chair...