Margarita Bronze Armchair by Roberto Matta Paradisoterrestre Edition

Amatta is a resin armchair with sinuous, fluid, soft and rounded lines, created in 1974 by Roberto Matta. He cuddled up in the Amatta and shaped it through his own body. The armcha...

Designed in 1971 - Paradisoterrestre Edition 2019 This “functional work of art” represents in an exemplary way the concept of Ultramobile, operation conceived by Dino Gavina in 1971 with the aim of adapting in a surprising way the surrealist object to daily use. Sacco Alato was born in foundry while making Margarita, casting a bag of concrete and splitting it in two. Lacking any other props, the big road rocks provided the feet for this seat/sculpture. Almost 50 years after the first prototypes and the very few works produced by Simon International, the re-edition of Sacco Alato in the historical...

Between art and design, the Alidor armchair by Surrealist artist Roberto Matta has a resin structure and a biomorphic cushion. Limited edition 25/1000 with engraved number and artis...

Designed in 1971 - Paradisoterrestre Edition 2019 This “functional work of art” represents in an exemplary way the concept of Ultramobile, operation conceived by Dino Gavina in 1971...

Fausto armless chair, produced by Simon International edition Ultramobile in 1973. Composed of polished bronze, the seat has a humanoid structure, with the addition of the soft lamb ...

The Palma chair / Silla Palma Casted from Latania lontaroides Palm leaves, dried and carefuly formed to create the quasi-im- mposible mold that gives birth to this piece. The Palm...

Meltdown Chair, Bronze #2 is a piece by English artist Tom Price, from the Meltdown Series. This chair is created using a ‘lost-plastic’ casting technique: a chair made from polypropylene tubes is encased in a thick ceramic shell and then melted out. The artist then pours molten bronze into the empty space that has formed and, once the metal has cooled and hardened, the ceramic shell is broken away. A work on the surface follows: the underside is left raw and patinated black while the seat is polished until it acquires a bright mirror finish. Every chair in the edition is unique because the ceramic mould must be broken to release the bronze, and therefore the entire process must be repeated for every new edition. Launched in 2007, the Meltdown Series earned Tom Price widespread international acclaim for his innovative production processes and eye-catching approach to working with commonplace plastic products. The way of assembling the plastic material and the mostly unpredictable patterns created by the heating method ensure that every piece is unique and unrepeatable. This design pieces are true sculptural objects, while at the same time being fully functional and very robust. Meltdown Chairs are included in the permanent collections of several Museums, including SFMOMA San Francisco Museum of Modern Art (US), the Denver Art Museum (US), The Nelson Atkins Museum (US), Chatsworth House (UK), MKG Hamburg (Germany) and the Amore Pacific Museum (South Korea). Works from the Meltdown Series have been exhibited extensively throughout the USA, South America, Europe, the Middle East, and Asia. They have been included in many high-profile museum exhibitions, including SFMOMA San Francisco Museum of Modern Art (US), MAD Museum of Art and Design New York (US); The Mint Museum (US); Denver Art Museum (US); Design Museum Holon (Israel); Design Museum Gent (Belgium); NRW Forum Dusseldorf (Germany); The Latvian National Museum of Art in Riga (Latvia). They have also featured at international art and design fairs, including Design Miami Basel (Switzerland); Sao Paolo Design Festival (Brazil); Cheongju International Craft Biennale (South Korea), Design Days Dubai (United Arab Emirates); Gwangju Biennale (South Korea) and Lodz International Design Biennale (Poland). Finally, the series has been featured in multiple publications, including: The Campaign for Art...

OBJ-05 copper lounge chair by Manu Bano Dimensions: W 100 x D 70 x H 72 cm Material: Copper Manu Bañó's new collection explores the limits and propertie...