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Venetian armchair from the 18th century
$7,186.44
£5,325.55
€6,000
CA$9,810.85
A$10,914.17
CHF 5,721.35
MX$133,368.54
NOK 72,854.21
SEK 68,582.16
DKK 45,683.47
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About the Item
This 18th-century Venetian armchair dates from the height of the Rococo period, with a carved wooden frame richly decorated with floral motifs and lion's paw legs. The tapestry with "chinoiseries" features oriental scenes, reflecting the exotic and refined taste of the time.
Elegant and decorative, it embodies the opulence of Venetian aristocracy.
Leg and foot typology
Wavy front legs with lion's paw termination, a distinctive element of mid-eighteenth-century Venetian production.
Structure and line of the backrest
Shaped back with mixtilinear profile, typical of late Venetian Baroque taste.
Carving motifs
Hand-executed leaf pattern carvings and rocaille scrolls with excellent depth and movement.
The eighteenth-century Venetian armchair: rococo elegance between form and carving
At the heart of 18th-century Venetian decorative art, the armchair was not only a piece of furniture, but a true symbol of social prestige. Among the most sought-after by antique enthusiasts, 18th-century Venetian armchairs are distinguished by their flowing lines, sculptural richness, and quality craftsmanship.
Structural features
Eighteenth-century Venetian armchairs belonged to the Rococo taste, which favored wavy shapes, elegant asymmetries, and visual lightness. The contoured backrest, often high and undulating, accommodates the body with grace and grandeur. The finely carved curved armrests blend harmoniously with the seat structure.
The front legs are almost always curly or lion's paw-like in movement, while the hind legs are slightly arched but simpler. The sinuous lines are accompanied by intense carving in plant motifs, scrolls, scrolls, and shells, all handcrafted by master cabinetmakers.
Material and Techniques
The most commonly used wood was walnut, prized for its strength and ability to return detailed carvings. Softer woods were also sometimes used in models intended for gilding or lacquering, especially in aristocratic residences or palaces overlooking the Grand Canal.
Tenon-and-mortise construction without metal screws is typical of the period and still allows one to distinguish an original structure from a modern copy.
Differences with other regional styles
Compared with coeval Lombard or Piedmontese production, Venetian armchairs are more spectacular and theatrical, with a greater emphasis on sculptural decoration. French influence is present, but reinterpreted with typically Venetian flair, often as a function of the sumptuous local Baroque architecture.
How to recognize an authentic specimen
An experienced eye immediately notices:
.the patina of the wood authentic, not redone
.signs of wear and tear consistent with age
.handmade construction, no modern screws
.consistent style between structure and carving (no posthumous additions)
- Dimensions:Height: 43.31 in (110 cm)Width: 26.78 in (68 cm)Depth: 20.48 in (52 cm)Seat Height: 19.69 in (50 cm)
- Style:Rococo (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1750
- Condition:Wear consistent with age and use.
- Seller Location:Vicenza, IT
- Reference Number:1stDibs: LU9729245844492
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