Midcentury Danish Baumritter Armchair with Original Upholstery

Beautiful mid-century modern teak side table with gorgeous rosewood grain pattern and cute bulb like feet by Mobelinstaria, circa 1960. Size: 17.88"H x 22"W x 17.5"D.

Harlem, New York 1931 - Original Fortune Magazine Print Art Original print from Fortune Magazine 1931 by Zdzislaw Czermanski (Polish, 1900-1970). The inte...

Beautiful clear centerpiece bowl / ashtray with copper aventurine and burgundy streaks in web design. Indistinct Murano label (signed). Size: 3"W x 1...

Elegant Mid-Century Modern vintage crystal decanter with stopper by Orrefors (Swedish, founded 1898), c. 1960's. Engraved signature to base Orrefors HM 2498 - this particular style was by Edvard Hall. Includes original red Orrefors Sweden sticker with logo. "Orrefors HM 2498" etched into base. Measures 11.5" H x 3" W x 3" D. Orrefors Glassworks was founded in 1898 on the same site where ironworks operations had been run since 1726. In the same year that the glassworks was founded, a hot shop was built for making technical, medical and household glass and stemware to make use of waste wood and labour. Glass now replaced the less profitable ironworks operations. In 1913, Consul Johan Ekman from Gothenburg became the new owner of Orrefors Glassworks. He appointed Albert Ahlin as manager of the glassworks and this marked the start of a new era. In 1914, Orrefors started manufacturing crystal products, and as well as cut crystal according to purchased patterns and samples, Orrefors made art glass using the overlay technique with etched decoration. The new management quickly saw that artists were needed in the business, so Simon Gate was employed in 1916 and was joined by Edward Hald a year later. That same year, Gate and Hald made their first tentative attempts at figure engraving. They also experimented with the new innovative graal (grail) glass technique that was developed at Orrefors by the master glassblower Knut Bergqvist. The major successes were achieved a few years later at the Gothenburg Exhibition in 1923, and in particular at the Paris Exhibition in 1925. The thin engraved glass was admired by the surrounding world, and both Orrefors and the artists themselves were awarded the Grand Prix. The successes of Simon Gate and Edward Hald in Paris in 1925 constituted the start of the long Orrefors tradition of creative design closely combined with genuine and innovative craftsmanship. Since then, new designers and skilled glassmakers have continued in the spirit of Gate and Hald. Vicke Lindstrand and Edvin Öhrström with the new glass technique called Ariel in the 1930s. Sven Palmqvist with Kraka and Ravenna in the 1940s. And in the 1950s with Fuga, which, along with Nils Landberg’s slender tulip-shaped glass “Tulpan” and Ingeborg Lundin’s apple-shaped vase “Äpplet”, are now seen as symbols of the renaissance of Swedish design. The 1960s are associated with Gunnar Cyrén’s Pop glass, and in the 1970s, Eva Englund, Olle Alberius, Lars Hellsten and Jan Johansson as well as Cyrén worked at the glassworks. Since the 1980s, designers such as Anne Nilsson, Erika Lagerbielke, Helen Krantz, Matz Borgström, Per B Sundberg, Martti Rytkönen, Lena Bergström, Ingegerd Råman, Malin Lindahl and Efva Attling...

American Mid Century Viko Baumritter attributed Wide Walnut Lounge Chairs. Featuring sturdy framework, angled spindle backs, sculpted solid Oak armrests and dowel legs. With upholste...

A rare pair of inlaid chairs by Enriqué Garcel, covered in their original grey leather upholstery, circa 1980. Like his contemporaries Karl Springer and Ron Seff, Enrique Garcel exce...

Black painted antique Austrian armchair with new upholstery, 1930s Zimmer & Rhode Fabric (Germany).

William Katavolos in partnership with Douglas Kelley & Ross Littell designed the iconic sling-back T chair in 1952 as model 3LC in Laverne International's sculptural New Furniture se...